The Unforeseen

I saw this film previewed on PBS' NOW. It is just wonderful that someone has done a film about this issue. I love that the director took the time to learn about alternative views. This type of film making has the possibility of bringing people together to work on consensus.

In an interview with the Austinist, Laura Dunn states:

Unfortunately, the "American Dream" has become owning a house with a yard and a fence around it. And these days, unfortunately, that house has to be 2300 square feet, and you have to have a green lawn, and there are all these connotations and associations that are built into the American Dream that--given where we are in terms of our environment...are totally at odds with a sustainable future.

We desperately need to have this film screened in Sacramento, California. The pressures we face from development are enormous. Does anyone know who I can contact about this?

I just saw "The Unforeseen" yesterday in Los Angeles at the AFI film festival. It is worth seeing, not preachy but really makes you understand how developers have such different interests(money)than you and I do. What happened in Austin has happened everywhere and I think the best message from the film is that we cannot go back and change the damage done but it is clearly time to take a mature look going forward in the future at each of our responsibility and stewardship for the land and nature, we must find a balance. Laura Dunn made a beautiful film that is poetic and mesmerizing and at the heart very sad, you feel a great loss watching this very personal film.

What's the movie trying to say, what's the issue it trying g to raise? If you know nothing about the subject/place and just watch this movie, you will never know. Just like another engineer finish another Operational Manual - only good for people only know how to operate the machine.

The movie should be clear and self-sufficient for people know nothing about the current issue(s) so people know what it is trying to say.

This movie is only good for people already know about the issue and want to get more information.

Karl

Riveting narrative of a classic confrontation between land developers and the environmental community in Austin, Texas. At issue is the economic development of land in close proximity to Barton Springs, a naturally spring-fed body of water that has been a treasure in the Austin community for generations dating back to the 18th century. Land developer, Gary Bradley, argues for his right to pursue the American dream at the expense of degrading Barton Springs which has inestimable value to the community. Individual property rights are in conflict with community rights to an invaluable natural asset. Dunn presents a balanced view on both sides of this debate with uncommon sensitivity to the people, the community and the natural environment. The pageantry of this narrative is displayed with breathtaking cinematography and motion graphics that highlight Dunn's unique contribution to the world of documentary film.

Whether you support unfettered property rights on the one hand or a government's exercise of power to defend the common good on the other hand, this film will let you down. On the left, it's often unenlightening clap trap, especially when you notice the horribly sentimental background music. On the right, it points out the selfishness of those claiming to be the real Americans when they are mostly just "real loud" Americans. Someone should tell those folks that common sense says you don't shite where you eat, but as long as they're taking cash to the bank they'll apparently just do their business wherever they please. These people probably know that everything has consequences, but they plan for the other guy to bear those consequences, a guaranteed formula for social meltdown.

The only admirable figures in the film were a wizened old farmer and a young boy in a new suburb. Those two seemed to possess a clarity of thought singularly missing from the property developers on one side and the ecological "Nimbys" on the other. It was nice, though, to see the late Texas governor Ann Richards again, certainly a far more lucid politician than the person who replaced her.

I think neither side was well depicted in this film of the ongoing battle between personal vs. social, private vs. public. Ultimately, The Unforeseen is, unfortunately, a lightweight film on a very serious subject.