The Pool

A story that feels all around genuine and authentic. Success and happiness are all relative; to extent. Selflessness and giving is what brings us happiness.

This film is shown on Independent film channel, it's an interesting and relevant film. No great theories here, just Vankatesh a young destitute Indian boy trying to make it in the city of Panjim (his mother lives in the country and he brings money back to her and his two sisters).

He works as a hotel boy and also with his friend Jhangir, tries to sell plastic bags to street vendors to make money on the side. From the activities of Venkatesh and his friend, as they try to get a mango down from the tree for lunch (.."Is this what Goans do for recreation?"... , his friend Ayesha asks). They befriend her because Venkatesh tells his friend he has seen a villa which has a nice swimming pool and no one ever uses it. Ayesha Mohan is very good here as the girl, she is more stylish and her father is a businessman from Bombay who works there and owns this villa in Goa.

At any rate Venkatesh and Jhangir befriend Ayesha, they walk around Panjim, and he shows her the Portuguese architecture of an abandoned fort from years past.

The photography is real without the fake embellished "gritty" style. We could see much of the same streets in Mexico, parts of South Florida or rural America. The street scenes are of food markets and hardscrabble life which is just accepted by Venkatesh as a day to day thing. Noteworthy are the scenes when he meets Ayesha's father who mentors him, has him help in the garden and eventually talks to him about going back to school.

It's a shame these films do not get as much distribution in the U.S. It's a reflection of people just trying to survive. The initial screenplay apparently was based in Iowa, its the same situation there in this economy for many, so the theme is certainly relevant and effective. I'd love to see more of these films from Hollywood, and less based on comic book characters. 10/10.

Beautiful movie. I am frankly really surprised at the high quality of every aspect of the filmmaking! Maybe the most 'authentic' look at people in India - and this is compared to the good (non-bollywood) movies made in India as well as movies made here about India. The sense of place is really strong. The story is completely 'real' without any tricks to make it sensational. The cinematography is really amazing, and the feel of the whole thing gentle and warm, without being hokey in any way. Using real people instead of actors is a very good idea - seeing this makes me wonder why we bother with real actors at all. :) I hope Smith paid all these people really well even though he obviously didn't make anything from it. I'm really glad that this movie is available on iTunes.

One of those movies you come across when flicking through countless pages on the internet. You read the synopsis and you feel like it sounds mildly interesting. I would have loved for the movie to be in English cause sometimes I get a little tired of subtitles, but one way or another, I did enjoy it.

It's one those ¨feels like reality¨ movies about a young man who wishes for a better life as he works selling plastic bags and as a member of staff in some cheap hotel. As he is out and about with a a friend who is also his ¨business partner¨, he discovers a luxury house where a man is cleaning up a big swimming pool. Our protagonist who comes from a very humble background, becomes fascinated and totally obsessed with it. He decides there and then that he will find a way to be invited into this villa. His obsession will lead to an unlikely and life-changing friendship

Well-respected documentarian Chris Smith proves himself a master of narrative form with this incredibly subtle and moving Hindi-language drama, shot in India. Along with Elite Squad, Edge of Heaven, Reprise, and Let the Right One In, "The Pool" is easily one of the best films of the year.

As a New York-based Indian-American filmmaker who grew up in Wisconsin and has shot fiction films in India, I was nonetheless skeptical about a Wisconsin-based documentarian, even one of Smith's stature, working from a Midwestern-set fictional short story reset in India. Western filmmakers tend to miss the subtleties that make India unique and exciting, choosing instead to exoticize India's most superficial differences, condemn its shortcomings, or talk vaguely about its 'contradictions' (when they mean "contrasts," revealing their ignorance of the same contrasts in any big city).

Smith doesn't fall into any of these pitfalls, and has created a work of lasting honesty and beauty. Watching it, it's hard to believe Smith is not only not Indian, but does not speak Hindi. I have been recommending the film to everyone I know, even more so on second viewing (at the South Asian International Film Festival, where it won top honors), once I could worry less about what was going to happen next and focus more on the incredibly nuanced script and acting, lush sound design, delightful score, and masterful framing and camera movement.

"The Pool" has the lyricism and humanism of Satyajit Ray, the simple strength and beauty of the great Italian neo-realists, and a great documentarian's eye for telling detail and feeling of captured reality.

I hope the film wins some year-end nominations and awards, followed by a wider re-release, because everyone who loves great cinema deserves to see "The Pool."