Life in Flight

Life is good, if it's really is. Being successful can be a plus or a minus. Here you got a designer who is married, successful, yet something was missing in his life: Happiness. This man has a wife who takes care of their son happens to be a follower rather than a supporter. At his job site he meets a beautiful woman who not only helps him out with his business, she helps him out on life. He takes heed of her words, especially about the birds flying in a certain direction. It turns out that his life isn't all he wanted to be. His wife was more of a go-getter and crowd pleaser, satisfying her needs instead of asking her husband how he feels about it. It was not a good marriage from the get-go, being materialistic and non-communicative, that can destroy a marriage. But the more understanding woman who took a job in the West Coast, automatically got homesick already. Both of those people have suffered similar consequences. Successfullness can be a plus or a minus in you life. Being steadfast is necessary to be living well. The fast-life will send you crashing fast, and being slow can get you fired. This movie teaches a lesson about being happy. Those two were a perfect match. It help me be happy, it'll do the same for you, too. 5 stars!

It was great seeing the locations around NYC, but it was a seriously boring, going nowhere, total disaster of a movie.

How the talented cast said the words, deserves some appreciation, but the film said nothing, and never had an iota of cleverness, or humor.

It seemed more like a film school project, then an actual film.

How Patrick Wilson and Amy Smart got to star in this, is a bigger mystery and more thought-provoking then the actual movie.

Anyone who grew up in NYC, and has been away for a while, might be able to enjoy the various places the film was shot, but, there's many better films to watch.

A truly terrible script that can't be saved by even a very good actor such as Patrick Wilson. All the other acting is pretty mediocre.

Patrick Wilson seems born to these sensitive professional male roles that require a rethinking of the smooth path the character is on. Director Tracey Hecht has a firm hand on an interesting and large cast and her script meshes the characters deftly,creating some drama without knocking heads. The film is realistically and interestingly placed within the world of architectural design and construction while at the same time offering an older New York office milieu kind of story. Without being cliché wealthy types, the main characters are likable genteel professionals on the way up, but reconsidering some avenues of personal and professional fulfillment. Amy Smart is charming, Wilson spot on, and Lynn Collins solid. Cinematography is excellent as are sets and locations. It's a truly unpretentious film and so may not be exciting enough for some.

Saw this at Tribeca Film Festival and was surprised by the wretched writing. The cast is professional, and the photography, set and production design are all first class. The problem is a script that presents a somewhat dopey male lead, an unredeemable monster (b*tch) of a wife, and a seven-year-itch scenario.

The result is good actors reciting bad lines in overwrought scenes. We bought these tickets expecting that a cast including Patrick Wilson, Amy Smart and several other fine actors would deliver a good result. Tied to that script, they couldn't stay afloat.

The movie inspires me to create a new rule for young filmmakers: don't write a script with an architect as your main character, unless you are remaking "The Fountainhead." And don't remake "The Fountainhead."