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Tarzan

Titre original : The Legend of Tarzan
  • 2016
  • Tous publics
  • 1h 50min
NOTE IMDb
6,2/10
194 k
MA NOTE
POPULARITÉ
2 763
648
Alexander Skarsgård in Tarzan (2016)
Tarzan, having acclimated to life in London, is called back to his former home in the jungle to investigate the activities at a mining encampment.
Lire trailer2:24
47 Videos
99+ photos
ActionAventureDrameFantaisieRomanceAventure dans la jungle

Tarzan, après s'être habitué à la vie à Londres, retourne dans sa jungle pour enquêter sur les activités d'un campement minier.Tarzan, après s'être habitué à la vie à Londres, retourne dans sa jungle pour enquêter sur les activités d'un campement minier.Tarzan, après s'être habitué à la vie à Londres, retourne dans sa jungle pour enquêter sur les activités d'un campement minier.

  • Réalisation
    • David Yates
  • Scénario
    • Adam Cozad
    • Craig Brewer
    • Edgar Rice Burroughs
  • Casting principal
    • Alexander Skarsgård
    • Rory J Saper
    • Christian Stevens
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    194 k
    MA NOTE
    POPULARITÉ
    2 763
    648
    • Réalisation
      • David Yates
    • Scénario
      • Adam Cozad
      • Craig Brewer
      • Edgar Rice Burroughs
    • Casting principal
      • Alexander Skarsgård
      • Rory J Saper
      • Christian Stevens
    • 549avis d'utilisateurs
    • 348avis des critiques
    • 44Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 4 nominations au total

    Vidéos47

    4K Trailer
    Trailer 2:24
    4K Trailer
    Wildness Trailer
    Trailer 0:59
    Wildness Trailer
    Wildness Trailer
    Trailer 0:59
    Wildness Trailer
    Trailer #2
    Trailer 2:29
    Trailer #2
    Teaser Trailer
    Trailer 2:08
    Teaser Trailer
    Clip
    Clip 0:53
    Clip
    Clip
    Clip 1:05
    Clip

    Photos158

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 152
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Alexander Skarsgård
    Alexander Skarsgård
    • John Clayton…
    Rory J Saper
    Rory J Saper
    • Young Tarzan (18 Years)
    • (as Rory J. Saper)
    Christian Stevens
    • Young Tarzan (5 Years)
    Christoph Waltz
    Christoph Waltz
    • Leon Rom
    Samuel L. Jackson
    Samuel L. Jackson
    • George Washington Williams
    Margot Robbie
    Margot Robbie
    • Jane Clayton
    Sidney Ralitsoele
    • Wasimbu
    Osy Ikhile
    Osy Ikhile
    • Kwete
    Mens-Sana Tamakloe
    • Kolo
    Antony Acheampong
    Antony Acheampong
    • Kanam
    Edward Apeagyei
    Edward Apeagyei
    • Kimanga
    Ashley Byam
    Ashley Byam
    • Kasai
    Casper Crump
    Casper Crump
    • Major Kerckhover
    Adam Ganne
    • German Force Publique
    Aleksandar Mikic
    • Muscular Force Publique
    Gary Cargill
    Gary Cargill
    • Unruly Force Publique
    Shaun Smith
    • Medieval Faced Mercenary
    Ian Mercer
    Ian Mercer
    • Freckled Force Publique
    • Réalisation
      • David Yates
    • Scénario
      • Adam Cozad
      • Craig Brewer
      • Edgar Rice Burroughs
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs549

    6,2194.3K
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    Avis à la une

    7A_Different_Drummer

    (heavy sigh) It's OK, but it could have been great

    The core Tarzan story is not only iconic, it speaks to something deep within us. It is at the same time the ultimate Romance and the ultimate Action tale. It is no coincidence that, almost a century ago, when young Hollywood looked to find a franchise for its new "talkie" motion pictures, they turned to the Tarzan tale, and spawned a franchise so successful that it literally outlived the shelf life of its star.

    In my lifetime I have seen well over a dozen versions, retellings and re-imaginings of the Tarzan story. I have no doubt that after I am gone, producers and writers will continue to be attracted to it and continue to "make their bones" by bending it to their unique style.

    That said, this one is not especially good. After a great opening scene, there is the filmic equivalent of "dead air" for about 35 minutes and when the script does finally get in gear it stumbles and falls, subject to a wildly disjointed narrative and equally bizarre editing.

    Alexander Skarsgård has been impressive in other films (a race driver, a superhero) and I think with different material and a different director he could have connected. Christoph Waltz and Sam Jackson remain two of the most over-exposed stars in Hollywood and, good as they are, they are running out of clever ways to play the same character over and over. And over. And over.
    7jadepietro

    Going Ape

    (RATING: ☆☆☆½ out of 5)

    THIS FILM IS RECOMMENDED.

    IN BRIEF: A conventional approach to the Tarzan story which swings back and forth, without getting anywhere.

    GRADE: B-

    SYNOPSIS: The story of a little boy who goes ape.

    JIM'S REVIEW: There have been many incarnations of the Tarzan legend, starting with Edgar Rice Burroughs original 1914 novel, Tarzan of the Apes. Our ape man has appeared in magazines, novels, comic books, movies, radio, cartoons, and television shows, all with varying degrees of success. Various actors have filled his loincloth, from the most famous actor in this role, Johnny Weissmuller in the 1940's, to Gordon Scott in the 1950's and Ron Ely taking hold of those vine reins in the mid 60's. His legend lives on once again in this modern day re-boot, The Legend of Tarzan, with Alexander Skarsgård as our muscle-toned hero.

    The story adheres to its source and follows the basic outline of Burrough's novel. Told in flashbacks, we learn of an infant left in the jungle without parents and adopted by the great apes. Tarzan, now John Clayton III, Lord Greystoke, lived and thrives in his tropical environs until he was rescued and returned to England. Having difficulty readjusting to British society, he finds a comrade in the beautiful Jane Porter (a beguiling Margot Robbie). Upon his return to his childhood home in the Congo, Greystoke (a.k.a. Tarzan) discovers man's cruelty in the form of Belgian huntsman, Leon Rom (a typecast Christoph Waltz, playing, what else, but the villain). Whereupon Tarzan must takes sides to protect his adopted tribe of primates and protect his homeland.

    Mr. Skarsgård plays Tarzan as an eloquent victim, more at home with his hairy friends than his human species. No "Me Tarzan, you Jane" monosyllabic banter here, and no loincloth either. This Tarzan mixes the physicality and brutishness of Stanley Kowalski with the sophistication and aplomb of a true noble gentleman, no small feat. If only the film matched his interpretation also.

    The Legend of Tarzan is all too proper and seriously-minded which cuts down on the fun and adventure. David Yates directs his film solidly, keeping the action moving. Yet the production design by Stuart Craig seems too well-crafted for its own good, nothing out of place. It lacks authenticity in its detailing. This man-made jungle is just too pristine, so clean and sanitized just like its story. (When the vines look suspiciously like greenish rubber tubes and the cragged rocks like painted styrofoam, something is a bit off.) The special effects aren't that special either. Except for the primates, most of the animal kingdom is obviously the results of CGI, effective but slightly unreal and unsatisfying.

    On the plus side, the fluid camera-work by Henry Braham has an acrobatic energy, especially as Tarzan travels from vine to vine, the best part of the cinematic experience. Mark Day's fine editing enhances the effect. The panoramic vistas help to give the film a sense of epic adventure, even if the adventures we witness never attain the grandeur of other epic film tales due to its script.

    The narrative structure swings from its more interesting backstories (Tarzan's early life and upbringing, his adaptation to his aristocratic England, Jane's personal journey) which are only hinted, to the standard main story dealing with The Great White Hunter's poaching of ivory, diamonds, and the slave trade...granted all important subjects, but the treatment is painted in the most black and white terms with the widest of brushstrokes. That's the problem...there are no grey stokes in this Greystoke's version.

    None of the characters are remotely real or believable, but the roles are well cast. There is a nice chemistry between the two leads, although their beauty reminds us too often of an Abercrombie and Fitch ad. Both are gorgeous human specimens who fortunately can act, even if the dialog that they are given by screenwriters Adam Cozad and Craig Brewer, is banal and stilted.

    Given strong support is Samuel L. Jackson as the real life George Washington Williams, a political activist and do-gooder, but his character, as written, speaks in anachronistic modern day jargon. Still the actor brings much needed bravado and is amusing in his role. Djimon Hounsou as the avenging chief does some effective underplaying when Mr. Waltz again overplays the menace angle. However he does bring some interesting human quirks to the part. (Nice moment with the silverware arrangement, Christoph.)

    All in all, the initial story line remains intriguing, the action sequences entertain, and Mr. S. makes an awesome impression, all swagger, six-pack, and sensitivity in a tight delightful manly package, although his fluent English language skills are never addressed.

    This Tarzan has its flaws, but it does keep the legend intact, until the next chapter.

    Visit my blog at: www.dearmoviegoer.com

    ANY COMMENTS: Please contact me at: jadepietro@rcn.com
    7Wuchakk

    The true 'sequel' to "Greystoke: The Legend of Tarzan," 32 freakin' years later

    "The Legend of Tarzan" (2016) stars Alexander Skarsgårda as John Clayton (Tarzan), Margot Robbie as Jane and Samuel L. Jackson as Tarzan's American friend. The events take place a decade after Tarzan & Jane leave Africa for England with brief flashbacks to the ape man's origins. Christoph Waltz co-stars as the villain, Rom, who enslaves blacks in the Congo to mine the diamonds of Opar. Tarzan, Jane and Willliams (Jackson) aim to set things aright.

    "Greystoke: The Legend of Tarzan, Lord of the Apes" (1984) was the best modern Tarzan movie, and one of my favorites despite a somewhat lethargic second half (and an irritating overuse of the "Ooo, ooo, ooo"ape vocalization, which this movie thankfully only does once). Unfortunately, they dropped the ball with the sequel, 1998's "Tarzan and the Lost City" with Casper Van Dien in the title role, as it was half-baked, a quickly-thrown-together "sequel" to presumably steal some of the thunder of Disney's animated version that was coming out the next year.

    This one comes across as the true sequel to "Greystoke," albeit with an altogether different cast and understandably so, seeing as how it's 32 years later. The portrayal of the lost city of Opar is different from the books. There's no ravishing High Priestess La (a blonde white female) or ape-like denizens. The Oparians in the movie are just an intimidating black tribe covered with white body paint, but this is no big letdown because changes are to be expected when transferring to a different medium and, besides, Opar doesn't play that big of a role, at least not the city itself.

    In any case, I found this to be a solid Tarzan flick with a serious adult tone mixing drama, jungle adventure and unbelievable action. I was thankful for the thoughtful lulls in the story, which shed insights on the characters or conveyed the wonders of nature, like when Tarzan communes with an elephant at night or when Williams honestly confesses about his past mistakes as a youth where he feels he's not so different from the odious Rom. Moreover, Margot expertly brings Jane to life and is easily one of the better Janes in the movies. The CGI animals are great, especially the powerhouse apes.

    The film runs 1 hour, 50 minutes, and was shot, believe it or not, in England with aerial shots done in Gabon (West of the Congo).

    GRADE: B.
    Gordon-11

    I enjoyed it

    This film tells the story of an English aristocratic son who is raised by animals in the forests of Congo. He grows up and goes back to England, only to go back to Africa to help the people who are getting enslaved by the Belgian king.

    "The Legend of Tarzan" is so much better than the trailer. It has very little scenes of Tarzan growing up in the wild, and concentrates on his civilised adult life. He maintains a deep connection with the nature and the animals, which is a beautiful message that can be translated to everyone being friendlier to the environment. The story is engaging and at the end beautifully poignant. The two leads Alexander Skarsgard and Margot Robbie are both very visually pleasing, which adds to the charm of the film. I enjoyed it.
    7ThomasDrufke

    Lord of the Apes

    The story of Tarzan is so ingrained into the brains of moviegoers that it's difficult to really put a new stamp or add something fresh to something so well-known. While Legend of Tarzan certainly attempts to take a new approach structurally, it never swings off the screen as gracefully as I had hoped.

    2016 has been a rough year for big budgeted films. So many bombs and duds overshadow some of the great ones we've had through the first half. This film isn't necessarily in either camp. It begins the second half of this year with a formidable installment in the long-running ape-man franchise. David Yates, director of the last four Harry Potter films, does absolutely nothing special with the characters of Tarzan and Jane, but I was nonetheless entertained by the film from beginning to end.

    Alexander Skarsgård and Margot Robbie portray Tarzan and Jane respectively. Both give solid performances but neither brought anything new to the characters. It took me awhile to adapt to Skarsgård's more guarded portrayal. In fact, for a good portion of the first half, I found his performance to be quite stiff. Tarzan isn't supposed to be running around cracking jokes, but I would have liked to have seen a bit more lightness to him. Although Robbie is very good as Jane, she doesn't get a whole lot to do as she's tied up by the villainous Leon Rom (Christoph Waltz) for half the film. She's far from a damsel in distress, because she's definitely not helpless, but the plot constantly puts her in position to be a device or Tarzan's motivation to do something. I think Robbie could have done something special given the chance.

    Undeniably good, however, is everything to do with the apes. I've seen the backstory before, but I loved watching his ever-changing relationship with his family of apes and the various flashbacks to what came before Tarzan's venture into home life in England. It's also where the film succeeds the most visually. While some animals, including a pretty bad ostrich, are weak on CGI, the apes are animated tremendously. The cinematography through the jungle and in the African mountains is quite beautiful. However, there are several moments of awful green screen footage. I'm talking cringe worthy background visuals.

    Having said all this, I was definitely invested in the story they were telling. Tarzan is thrust into a choice to return home and chaos ensues when Leon Rom, a corrupt Belgian captain who tricked him into returning to the Congo in the first place. At times the tone blurs the lines from taking its source material too seriously and supplementing it with some weak dialogue with an average romance. I think that's the best way to describe most of the film, average.

    I appreciate the filmmakers approach in taking the Tarzan story in a different direction in having it be about his return home and to his animalistic ways. But the best part about this film is Tarzan's relationship to his ape family and the background to that. I would have just liked to see more of that side of things rather than just bits and pieces here or there. Christoph Waltz was exactly what I needed out of a Tarzan villain and Samuel L. Jackson's humorous sidekick to Tarzan worked seamlessly. To me, there's plenty good here, but there was potential for greatness.

    +Solid performances from the leads

    +Samuel L added some much needed humor

    +Apes Apes Apes

    +Some visuals and fight scenes

    -Others were too noticeably green screen

    -Struggles to balance tone at times

    -Needed more apes

    7.4/10

    Margot Robbie Through the Years

    Margot Robbie Through the Years

    Take a look back at Margot Robbie's career on and off the screen.
    See the gallery
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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Alexander Skarsgård said that one of the main reasons he took this role was to impress his father Stellan Skarsgård. He said, "My dad is a massive Tarzan fan. Growing up, we had these VHS cassettes of the Johnny Weissmuller films, and that was my introduction to the character. But those films are seventy years old, and so much time has passed, that I think mine is a fresh take. I'll never compete with Johnny Weissmuller, but I just wanted to impress my father. He was thrilled. He was more excited than I was." Oddly enough, his father was considered to play Tarzan in Greystoke, la légende de Tarzan (1984).
    • Gaffes
      The film mentions that the Force Publique is a European mercenary force and it is depicted as (almost) exclusively white (European). In reality the Force Publique was a native (i.e. black) force commanded by European officers (some regular, some mercenary).
    • Citations

      John Clayton: Your son killed the only person who ever cared about me.

      Chief Mbonga: It was an animal.

      John Clayton: She was my mother.

      Chief Mbonga: How was he to know? My son was just a boy! Not like you! Where was your honor?

      John Clayton: I... I had none. I had none.

    • Connexions
      Featured in Hozier: Better Love (2016)
    • Bandes originales
      Opar Advance
      Written & Produced by Rupert Gregson-Williams & Lebo M. (as Lebo Morake)

      Performed by Zoe Mthiyane

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    FAQ20

    • How long is The Legend of Tarzan?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 6 juillet 2016 (France)
    • Pays d’origine
      • Royaume-Uni
      • Canada
      • États-Unis
      • Australie
    • Sites officiels
      • Official Facebook
      • Official Site
    • Langues
      • Anglais
      • Lingala
      • Français
    • Aussi connu sous le nom de
      • La leyenda de Tarzán
    • Lieux de tournage
      • Gabon(Aerial jungle scenes)
    • Sociétés de production
      • Warner Bros.
      • Village Roadshow Pictures
      • RatPac-Dune Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 180 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 126 643 061 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 38 527 856 $US
      • 3 juil. 2016
    • Montant brut mondial
      • 357 243 061 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 50min(110 min)
    • Mixage
      • Datasat
      • Dolby Digital
      • Dolby Atmos
      • Auro 11.1
    • Rapport de forme
      • 2.35 : 1

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