Julia

I could not like this film more. Yes, it's messy. Yes, it's extreme... but it is precisely for these reasons that I adore it. In this age of one slick, bland, impeccably crafted and neutered blockbuster suppository after the other and at a time when so-called independent films are so often just show reels for wanna-be future suppository crafters, this is a breath of pure, animalistic, delightfully anarchic, fresh air. It is truly cinematic, ambitious, original and brilliant. The dialogue is a bit weak in places and it feels like it was edited in a rush, but those are my only complaints. Swintons performance is full of fantasy and compassion and anyone who has ever spent time around hard-core drinkers will know that it is 100% realistic. The entire experience of watching this film is like a binge weekend for the viewer: All threads unravel, reason becomes skewed and when sobriety finally kicks in, you are left with nothing. I was swept along in a complete state of reverie and found myself breathless and wishing it could go on longer when it ended. The colourful mix of characters and landscapes are beautifully framed and lit. The whole thing is like a bizarre European fairytale of what America is like. Oscars for best Actress and cinematography please!

I have been an admirer of Tilda Swinton,since I first saw her in some of Derek Jarman's films,and moving on to acting in some mighty toothsome film fare after Jarman's untimely death due to complications from AIDS. Not only can she take on some roles in what could be considered "difficult" films,but she can fake an American accent quite well. Erick Zonka ('The Dreamlife Of Angels',The Little Thief') directs & co writes the screenplay (with Aude Py)about a self destructive 40 something,full blown alcoholic party girl,named Julia who's party girl days should have been behind her years ago. When she is ordered to attend an AA meeting by one of her best friends (played by veteran Canadian actor,Saul Rubinek), she meets up with a psychologically disturbed woman named Elena (played to the max by Kate Del Castillo),who wants Julia to kidnap her eight year old son from her Grandfather. Julia,with nothing to lose (and equally nothing to gain)is at first reluctant to go along with this scheme,but eventually goes along for the ride. What transpires is a botched kidnapping that goes from bad to worse to truly unbearable. Toss in an unintended trip to Mexico,and watch the fire get turned up to full 10. Comparisons to John Cassavete's film, 'Gloria' will be noted. Rated 'R'by the MPAA,this film contains pervasive raunchy language (both in English & Spanish),adult content & nudity & graphic,bloody violence. Leave the kiddies home

To some this film would be boring, long and drawn out. But to people who love film for what it should be for example plot, filming and acting this was a great film. The people who don't like it are Hollywood blockbuster, special effects junkies who wouldn't know a good film if they were in it..... what a shame!Tilda goes through the whole spectrum of emotions in this film quick changing from one emotion to the next. When a person takes on such a role as this, they have to enjoy what they do otherwise they would go insane. Oh and her American accent is flawless unlike other nameless actors. If you get the chance watch this film with an open mind and plenty of patience as it is a long film with many of the scenes nay almost all the scenes contain Tilda's magnificent performance!

Who gives us a truly remarkable, all-out, Oscar-worthy, showcase performance as a living-in-denial, abrasive-mouthed, fortyish and usually sporting that oh-so-disheveled-buy- me-a-few-drinks-and -I'll-go-home-with-you -but-won't-remember- or-care-in-the-morning- out-and-out-lush-look...with serious stability/maturity issues...And that, ladies and gentlemen, pretty much sums it up!

Swinton practically carries the whole movie on her more-often-than-not -slipping-out-of-her-dress shoulders! JULIA, both the movie and most of all, the character, will continue to ricochet around your brain, tumultuously, long after you've reached the credits. KUDOS to Ms. Swinton! Even before her Oscar winning role as the anal-retentive executive you love to hate in "Michael Clayton", she seemed like a very competent actor...and, of course, afterwards, a truly excellent one. With her ground-breaking, perhaps best of the year, performance in JULIA, there can be absolutely no doubt her acting skills are nothing short of legendary! The only other actor who could hold her own on camera with Swinton was Kate del Castillo (Under the Same Moon), who turns in a brief but incredibly intense performance as the disturbed mother.

JULIA, the character, reminds me of how the Supreme Court used to define pornography, "Totally and utterly devoid of any redeeming social value". What is truly mystical about Ms. Swinton's performance is that despite portraying a detestable and neurotically unpredictable human being, she manages to plant a seed of expectation and compassion in the viewer's mind. Throughout the film, there is a flicker of hope that, somehow, someway, things will manage to right themselves. JULIA certainly manages to pull the proverbial rug out from under your feet on more than one occasion. My hands are tied when it comes to discussing the final 3 or 4 minutes of the film.(NO SP___LERS HERE, NO SIREE!) but you absolutely mustn't give up on JULIA beforehand. Please, be patient! Everything hinges on that final scene! Soon afterwards, upon reflection, the real implications will remind you that things aren't always what they seem! Immediately after viewing JULIA, 6****** was my initial reaction. After all my cerebral dust has settled, JULIA rates a rock-solid 8********! DEC.29-21.

JULIA is one of those films that goes beyond being a story and production worth the viewers' attention: this is one of those experiences in observing the art of acting at its peak. Tilda Swinton who continues to explore roles that challenge her and her audience, roles that few other actresses would considering making let alone making, and in JULIA she covers a range of emotions and mutations of a character that simply leave the audience in complete awe of her talent. She is extraordinary!

Julia is a bright but flawed person. She is an alcoholic who spends her nights drinking herself into oblivion only to wake up the next morning not recognizing her bed partner or the surroundings of her comatosed night of stupor. Swinton makes us understand this character's 'way with men' in her grossly revealing clothes and her flirtations backed by a mouth of filth. Julia loses her job over her drunken tardiness and has ruined a 'relationship' with ex-alcoholic Mitch (Saul Rubinek) and finally goes to an AA meeting where she meets Elena (Kate Del Castillo), a pathetic recovering alcoholic whose only goal in life is to retrieve her son Tom (Aidan Gould) from his wealthy disapproving grandfather. Julia is so desperate for money that she buys into a bizarre 'kidnapping' of Tom for Elena, a decision that triggers all of the rest of the film's journey through crime and sleaze as Julia fails at every effort to 'play the game' of criminal to make a fortune. Traveling from Los Angeles through the desert to Mexico, along the way Julia encounters 'co-facilitators' in her new life of crime - portrayed by such fine actors as Bruno Bichir (Demian Bichir's brother), a new and fine young actor Horacio Garcia Rojas, and Eugene Byrd to name only a few of the standout performances. Though a bit overlong at 2 1/2 hours, the script by Michael Collins and Camille Natta is spot on perfect and the direction by Erick Zonca makes the long film always richly colored and fascinating in attention to detail.

But the real reason to watch this film in the astonishing, multifaceted performance by Tilda Swinton, surely one of the finest actresses before us today. Her Julia creates a new level of acting standard- even for Swinton!

Grady Harp