Barda

non-creative way of telling the story of violence of suburban youth in Turkey. No character is alive. They acts as in theater. There is endless violence without a cause or reason. Its main idea is that: "the judgment system is not enough for satisfying victims. Therefore they should use same violence to create justice" There should be revenge. And in this point, the victims become killers. Time mixing, giving role to famous directors (Zeki Demirkubuz, Cagan Irmak, and the director itself) can not keep away the film from being boring. It is excitement without excitement. The only creative idea is that while someone drinking tea or yogurt don't ask what time is it.

This movie depicts human relations.It shows the inevitable gaps between people and like the movie "Babel" it also shows how important communication is; because most of the things throughout the movie happen because of lack of communication. It also questions the judicial system in Turkey. People don't understand each other and in fact sometimes they don't want to. Most of the people evaluate others with the things they own, they wear or with their occupations. As if the Social status of a person has become the criterion of being a human. I mean if your social status is low, you are not respected, you are accepted as a "non-human" You see what one can do when he has nothing to lose. "It's only after you lose everything that you are free to do anything" (quote from fight club) Selim and his gang have nothing to lose, so they are free -actually they think they are free to do anything; because what else they can lose? People's non-existing respect? Money? What? The answer is nothing. You can't lose what you don't have. Torturing is their self-masturbation, destruction is their revenge. Yet this is questionable: "Do we have the right to take justice into our hands." Nothing is unreal in the movie. Loved it

Victims do not play well. First 20 minutes have almost no contribution to the movie. Violence is shown in its raw form. Evil side has better dialogues that are highly realistic. You can laugh even there is violence in scene, reactions are so natural. Character balance is not perfect, like Selim's story. But Nejat plays very well (actually he lives the role.) I could not empathize with the victims. One of my personal favorites but it may be better if they could use first 20-30 minutes better.

The film is also known for its 'Haneke' style. It has very striking and realistic scenes that are not uncommon in Turkish cinema. However, I don't think such a film is for the benefit of society, and it's nothing new to discover cinematically. Some of you may find me ruthless with points, but as a Turk, I think movies like this are not appropriate.

The film must have a value that it will add to the person, it must be an emotion. At some points in the movie, an attempt was made to shed light on the inner world of the characters, especially for Selim, whom we see as the leader of the gang. However, I don't think this is fully achievable. A little more discussion would have been nice. I don't want to give spoilers. Yes, the acting etc are good, but I find it weak in terms of subject and scenario.

Hard to abide the realism of this striking movie...

Not the blood and the excess violence but the pure reality of - how anybody do something like that to other- caused some of the audience leave the movie in the first half.

We have seen these kinds of headlines everyday in the third pages of newspapers (maybe not as barbaric as this) and get used to these kinds of savagery news. But to see this realism in a well-played and directed movie shocked the most movie goers.

These kinds of things is happening all around the world and makes the victims' whole life non-tolerable.

Thanks to Serdar Akar for his plain directing and also would like congratulate Serdar Orcin for his great play as a psychopath. One of my best in Turkish movies.