L'Ascension d'un homme de main

Rise of the Footsoldier is directed by Julian Gilbey who also co-writes the screenplay with Mike Hawk. It stars Ricci Harnett, Kierston Wareing, Craig Fairbrass, Roland Manookian, Terry Stone and Frank Harper. Plot follows the story of one Carlton Leech (sic), how he rose from being a football terrace hooligan to one of Essex's top club-land gangsters, and his involvement in the true-life murder of three drug Barron's in Rettendon, Essex in 1995.

I remember writing back in 1994 that there is a market for film's involving football hooligans. This was after the release of a film called I.D., the first, and still the best, film to put the itchy subject on the big screen. Four years later Guy Ritchie would make British gangsters hip, and since then a number of like minded British film's about hooligans, thugs, convicts and underworld crims have made their merry way to the screen. Some great: Lock Stock, Snatch, Sexy Beast, Football Factory, Layer Cake. Some mediocre: Cass, Revolver, Bronson. And some plain bad: Essex Boys, Bonded by Blood, The Business. What we do know is that whatever the quality, people want to see them, granted some of the viewers might actually be thugs or criminals themselves, getting off on another slice of blood marinated pie, but fact remains that the market remains the same, a number of film watchers enjoy their trips down the dark side of Britain.

But here's the question, where do we stop? After Cass, Bronson and now Rise of the Footsoldier, are we to assume that any hard man geezer can get a film made about him? Lets face it, we are not talking about Peter Sutcliffe or Dennis Nielson here. You sense that director Julian Gilbey realised this and made a film with two dovetailing stories, one about a hard man working his way thru the ranks of the underworld, the other about what might have led to three drug Barron big boys getting blasted to shotgun death one night in a dark country lane. Smart move, it gives his film an edge over other recent one dimensional film's of its ilk.

The top British film magazines have been savage on Rise of the Footsoldier, their critics clearly growing tired of having to sit thru yet another British thug movie. Yet although it clearly isn't the British Goodfella's; as one over keen DVD advertising executive called it, it's still a brutal and savage piece of film making aimed at a particular audience, who, it has to be said, will find tremendous amounts of things to enjoy about it. In many ways it's an ambitious attempt by Gilbey, threading the two stories together is a good move, and largely it works; tho fans of football hooliganism film's should note that this only fills the first ten minutes of the film. He's also tries to make his characters less psychotic than their crimes suggest they are, that doesn't work, but it's top marks for trying. Thus I disagree with those who have poured scorn on it as a piece of "thug porn", a film glorifying the bad seed that festers in society. Gilbey set out to shock, clearly, the subject matter calls for it, but he at least told a good story in the process and didn't shirk the big moments either.

Where it sits in the pantheon of Brit thug movies is to my mind quite high, because I found it riveting, nasty and often uneasy to sit thru. That has to be job done, no? Cast are mostly OK, with some of them familiar faces from other previous ne'er do well portrayals, and the snap-shot of the times is bright and sound-tracked accordingly. It's not a film I could watch with my mother, or even my missus, but the makers wasn't making that sort of film anyway. An acquired taste for sure, but still a tasty treat for those so inclined to the themes cooking in the pot. 8/10

After watching Rise Of The Footsoldier i knew it was a great British gangster film, at first you think its going to be along the lines of Green Street, ID or The Football Factory but its much more and much better than that. The film follows Carlton Leech a football hooligan and all round street thug, after he has been hired as a doorman because he can handle himself in violent situations, he naturally works his way up to more criminal dealings, well you can guess the rest. With a few encounters with some very brutal people mostly his friends, the film gives you an insight into British crime like no other. Director Julian Gilbey who made his mark with the impressive Rollin With The Nines has created a powerhouse of a movie, he lays on the violence thick and fast that borders on exploitation which may put off some viewers, so if you have a problem with brutality stay away, if not check it out. It does not reach the heights of Goodfellas(but what does?), so if your looking for something hardcore, this film pulls no punches.

I'm always wary of saying that a film is excellent after only seeing it once, but me and my wife and friends have been talking about this film since we watched it.

Although extremely brutal in places this movie is one of the best British gangster titles i have seen in years now.

The story is gripping and the football firm fighting scenes although perhaps a little over the top with the blood make sorry titles like green street and football factories seem like a walk in the park.

I was extremely impressed with Terry Stone (known to those who have been in the rave scene as terry turbo) and as a fan of this genre was delighted to see some great bad boy actors from eastenders (jonny allen and dan for those who know).

A great take on a subject that has certainly been done before, but it was also nice to see the early rave scene being covered as well, something i'm sure as time goes by we will see a lot more of.

All in all if you are a fan of the genre i have little doubt you will enjoy this movie.

I have a feeling once it is released on DVD this will become a cult movie. And rightly so.

This movie could have been great. It is not in my opinion. The storyline is fragmented, the editor appears not to be able to choose between a Guy Ritchie-style of storytelling and a more straightforward one. There is a great emphasis on excessive violence, including torture. Too much so if you ask me. The characters are very shallow and stereo-typed, I would have liked to see more depth there. It is hard to identify with the main character. As a result the movie remains shallow as a whole.

The movie says it gives the spectator an inside view of the British criminal underclass, more in particular the Essex underclass. Football-hooligans, steroids, cocaine, heroine and violence, lots and lots of violence. Violence resulting from paranoia and fear in general. In this movie no-one seems to use his (or her) brain, we're looking at a bunch of animals in clothes. Like I said, there is not much of a plot and the storytelling leaves a lot to be desired.

If you're a male below 30, like gore and hardcore violence and think that's entertaining, than this is a movie for you. If you're looking for a movie portraying real people with a well developed storyline, suspense and depth, well... you can skip this one.

Let's face it; Reservoir Dogs wasn't so much a movie about a diamond heist gone wrong as it was about a gang of actors that wanted to be Lee Marvin. Rise of the Footsoldier (Released 7th of September) is nothing more or less than a bunch of Scorsese fanatics who wished they'd been in Goodfellas – and be fair, who wouldn't?

'Footsoldier' is a gangster film – pure and simple. "Professional" Football hooligans the I.C.F (Inner City Firm) have met their nemesis with a combination of high profile arrests. With the emergence of the 'rave' scene of the late 80's they recognise the lucre generating possibilities of the new counter culture; get 'loved up', 'steam' the groovy train and swap their Stanley knives and knuckle dusters for smiley T. Shirts, Kickers and eh… shotguns. Quickly establishing themselves as major 'faces' in the Essex underworld, it isn't long before these Knights of the glass table are running their cocaine Camelot through a gamut of girls, guns and high friends in dangerous places.

Based on a real life 1995 'hit' which rendered three of those face's blown off at a secluded dirt track in Retterdon, the cinematic possibilities of what is now known as 'The Range Rover Killings' has not been lost on movie land. The semi fictional Essex Boys (2000) took its cue from this pivotal event in gangland history but 'Footsoldier' is a more authentic account, retaining the facts and the actual characters as recounted in 'Muscle', the book written by one of the surviving members of the gang Carlton Leach, played here by a shark eyed Ricci Harnett.

'Footsoldier' also boasts an impressive array of T.V tough guys including Ex-Eastender's Bill Murray and Craig Fairbrass, whose soap appearances had hitherto had me scrambling for the off switch. Both are excellent here, with Murray exuding menace from every pore and Fairbrass chillingly convincing as the 'roid' crazed Pat Tate. Mover and shaker Terry Stone has a face that suggests all the members of the Clash at once and follows his impressive turn in Gilby's last movie, the very excellent 'Rollin' With The Nines' as Tony Tucker; a one man swear-a-thon sporting a syrup that looked liked it could have been a stunt double for Dougal in the Magic Roundabout.

Brandishing its Scorsese-isms loudly and proudly (sweeping crane shots, freeze frame voice overs etc) 'Footsoldier' is no 'feel good' film by any stretch. But there is much to enjoy from watching these guys 'go ta woik' in a similar, but darker fashion to ensemble piece 'Love, Honour & Obey' (Was I the only one that liked that film?!) or the aforementioned Reservoir Dogs. Perhaps not quite dislodging any of the unholy trinity of Get Carter, Brighton Rock and The Long Good Friday from their lofty throne, Rise of the Foot Soldier doesn't let up for a second and holds its own as a 'balls out', 'in yer face' thrill ride, and certainly a worthy addition to the 'Grit Brit' gangster pantheon.

Adrian Stranik