L'Ascension d'un homme de main

After watching Rise Of The Footsoldier i knew it was a great British gangster film, at first you think its going to be along the lines of Green Street, ID or The Football Factory but its much more and much better than that. The film follows Carlton Leech a football hooligan and all round street thug, after he has been hired as a doorman because he can handle himself in violent situations, he naturally works his way up to more criminal dealings, well you can guess the rest. With a few encounters with some very brutal people mostly his friends, the film gives you an insight into British crime like no other. Director Julian Gilbey who made his mark with the impressive Rollin With The Nines has created a powerhouse of a movie, he lays on the violence thick and fast that borders on exploitation which may put off some viewers, so if you have a problem with brutality stay away, if not check it out. It does not reach the heights of Goodfellas(but what does?), so if your looking for something hardcore, this film pulls no punches.

I've just seen this at the cinema, and I can't believe it's had such bad reviews. I can only think critics are offended by the subject matter, as this is a pacey, well-acted, stylishly shot exploitation movie. Yes, the central characters are unpleasant, but when did that have anything to do with the quality of the film itself? That's like saying Guernica is a bad painting as it portrays a bombing, and bombings are NOT NICE...

Seriously though, if you like hard-boiled, brutal, gripping "TOUGH GUY" cinema, you will enjoy this. The 80s/90s period detail is captured very well, with haircuts, fashions and soundtrack, and the violence doesn't let up. I was half expecting some sub-Guy Ritchie cringe-worthy thing, but it's not like that at all. The plot focus does shift from Leach to his cohorts in the film's latter half, which some viewers seem to have a problem with, but not I. ROTF barrels along and seems shorter than its near-two hour running time. Plenty of brutality, nudity, swearing and drug abuse. Sweet!

I'm always wary of saying that a film is excellent after only seeing it once, but me and my wife and friends have been talking about this film since we watched it.

Although extremely brutal in places this movie is one of the best British gangster titles i have seen in years now.

The story is gripping and the football firm fighting scenes although perhaps a little over the top with the blood make sorry titles like green street and football factories seem like a walk in the park.

I was extremely impressed with Terry Stone (known to those who have been in the rave scene as terry turbo) and as a fan of this genre was delighted to see some great bad boy actors from eastenders (jonny allen and dan for those who know).

A great take on a subject that has certainly been done before, but it was also nice to see the early rave scene being covered as well, something i'm sure as time goes by we will see a lot more of.

All in all if you are a fan of the genre i have little doubt you will enjoy this movie.

I have a feeling once it is released on DVD this will become a cult movie. And rightly so.

Rise of the Footsoldier is directed by Julian Gilbey who also co-writes the screenplay with Mike Hawk. It stars Ricci Harnett, Kierston Wareing, Craig Fairbrass, Roland Manookian, Terry Stone and Frank Harper. Plot follows the story of one Carlton Leech (sic), how he rose from being a football terrace hooligan to one of Essex's top club-land gangsters, and his involvement in the true-life murder of three drug Barron's in Rettendon, Essex in 1995.

I remember writing back in 1994 that there is a market for film's involving football hooligans. This was after the release of a film called I.D., the first, and still the best, film to put the itchy subject on the big screen. Four years later Guy Ritchie would make British gangsters hip, and since then a number of like minded British film's about hooligans, thugs, convicts and underworld crims have made their merry way to the screen. Some great: Lock Stock, Snatch, Sexy Beast, Football Factory, Layer Cake. Some mediocre: Cass, Revolver, Bronson. And some plain bad: Essex Boys, Bonded by Blood, The Business. What we do know is that whatever the quality, people want to see them, granted some of the viewers might actually be thugs or criminals themselves, getting off on another slice of blood marinated pie, but fact remains that the market remains the same, a number of film watchers enjoy their trips down the dark side of Britain.

But here's the question, where do we stop? After Cass, Bronson and now Rise of the Footsoldier, are we to assume that any hard man geezer can get a film made about him? Lets face it, we are not talking about Peter Sutcliffe or Dennis Nielson here. You sense that director Julian Gilbey realised this and made a film with two dovetailing stories, one about a hard man working his way thru the ranks of the underworld, the other about what might have led to three drug Barron big boys getting blasted to shotgun death one night in a dark country lane. Smart move, it gives his film an edge over other recent one dimensional film's of its ilk.

The top British film magazines have been savage on Rise of the Footsoldier, their critics clearly growing tired of having to sit thru yet another British thug movie. Yet although it clearly isn't the British Goodfella's; as one over keen DVD advertising executive called it, it's still a brutal and savage piece of film making aimed at a particular audience, who, it has to be said, will find tremendous amounts of things to enjoy about it. In many ways it's an ambitious attempt by Gilbey, threading the two stories together is a good move, and largely it works; tho fans of football hooliganism film's should note that this only fills the first ten minutes of the film. He's also tries to make his characters less psychotic than their crimes suggest they are, that doesn't work, but it's top marks for trying. Thus I disagree with those who have poured scorn on it as a piece of "thug porn", a film glorifying the bad seed that festers in society. Gilbey set out to shock, clearly, the subject matter calls for it, but he at least told a good story in the process and didn't shirk the big moments either.

Where it sits in the pantheon of Brit thug movies is to my mind quite high, because I found it riveting, nasty and often uneasy to sit thru. That has to be job done, no? Cast are mostly OK, with some of them familiar faces from other previous ne'er do well portrayals, and the snap-shot of the times is bright and sound-tracked accordingly. It's not a film I could watch with my mother, or even my missus, but the makers wasn't making that sort of film anyway. An acquired taste for sure, but still a tasty treat for those so inclined to the themes cooking in the pot. 8/10

I thought this was a great movie. I don't get all the bad comments. In truth this movie was based on real events, that's what makes it so great. They're trying to get across the grit and situations of the characters, attempting to make them more real rather than a stylized ideal of what they're supposed to be. If you can't appreciate the realism and would rather see mass produced soulless productions go see something else. For me it did the trick and is representative of the genre, i.e. movies based on real events. Take Ghost in the Darkness, it had a star, Val Kilmer, and a substantial budget yet failed to be a box office success. When a director, and actors are relating a story of this type you expect a rougher display and style. A refined actor would try to change the roll and make it more noble or classy than it was. I'll take unknowns, an interesting story, and a desire to make something more than a box office titan every time.