Le bon, la brute et le cinglé

My expectations for this film were through the roof. It's basically a Korean all-star game: directed by Ji-woon Kim, he of A Bittersweet Life and A Tale of Two Sisters fame (not to mention The Quiet Family), and starring three of Korea's finest (or at least most popular) actors, Woo-sung Jung, Byung-hun Lee, and (one of my favorite actors, Korean or otherwise) Kang-ho Song.

The production values are top notch, the direction creative and self-assured, the special effects worth the time and money spent on them. I love the kill scenes as directed by Kim, especially one of the first ones where a guy is running from train car to train car, bursting through doors like they don't exist and then BAM! He's five feet behind where he was. You have to see it to appreciate it, I guess. The timing and the focus on the result instead of the impact makes the impact seem more impactful. Whoever edited this film did a great job.

Woo-sung Jung plays the Good, and he's a cute guy who oozes goodness, so that's good. His character is perhaps a bit under-played/under-developed but that's the nature of Good, isn't it? Byung-hun Lee as the Bad has a little bit too much contemporary in his swagger and look. He's more arrogant than Bad, but we're supposed to dislike him so that's good too. Not surprisingly, it's Kang-ho Song, as the Weird, who steals the show. He runs through this movie like a chicken or a turkey with its head cut off but never misses a beat. He's having a good time and makes sure that we do too. He's able to do things that many other actors are incapable of like delivering predictable lines with equal parts sincerity and irony so that we won't even think of groaning out loud. He's so adorably slightly plump and likable that even when ... well, I don't want to give it away ... we like him. We really do.

Caught up in all the fun and excitement I almost forgot that, with very few exceptions, movies with lots of gun fights are stupid.

This movie is fantastic, exhilarating and fun. High dramatic art it is not.

It's a movie about a chase for treasure, and it holds onto that and never forgets. In the pursuit of creating a chase, everything is crafted carefully. The cinematography is breathtaking, with huge elaborate sets that are used to their fullest. Most of the stunts and effects are real, CGI being kept to a minimum. It is an action movie with actual action instead of pixels, a rarity in movies from the past 10 years. Stunning candy for all the senses, it gets your adrenaline pumping! As far as acting goes, it is excellent. Korean comic actor Song Kang-Ho fills the "Weird" role of Tae-Goo, pulling off a combination of humanity and quirkiness. Lee Byung-Hun is the 'bad' character, brutal and insane as gangster Chang-Yi. Filling out the main three is Jung Woo-Son as the cool, collected and more than a little arrogant bounty hunter Do-Won. While Jung is eclipsed by the other two, his character ultimately became my favorite during the climax. The supporting cast is none-too-shabby either, playing everything from military dropouts to ninjas, all well. Particularly entertaining are the leaders of a group of Manchurian gangsters, who watch insanity take place and calmly discuss it from horseback.

Now, while the acting is good...there is not a lot of it. I don't think anyone is going to try to pretend this is a character-driven piece. It could have been, maybe, but it wasn't try to be. It was trying to be fun. There is enough character development so that when the climax rolls around after two madcap hours of amazing action, you care that the characters lives are being threatened. That's...all.

But the action is extremely well done, with a heart-pounding score that makes it all the well fun. For entertainment, you aren't going to get much more well-done for this. Supremely fun, with scenes shot with people, horses, cars and real pyrotechnics in the middle of the Gobi desert (too much CGI and spectacle just becomes yawn-worthy, I often fun). So get the DVD, get some popcorn, turn the sound WAY up and prepare for a beautifully-crafted action movie. Not for a complex character-driven masterpiece.

I was lucky enough to see this film in a big cinema complex in the centre of Seoul, South Korea, yesterday. It is surprisingly difficult to find big Korean releases with English subtitles, so seeing Jin-Woon Kim's new film, which i have been looking forward to for well over a year, was a pleasant experience. Unfortunately everyone in the west will have to wait a little longer...

As with all of Jin-Woon Kim's films i have very little criticism to give this film, from its fantastic and totally relentless action opening to the suspenseful ending, i was completely entertained.

The cast, as expected from three of South Korea's most most talented actors were superb with in my opinion exceptionally notable roles from Lee Byun Hun and Song Kang-Ho. Lee Byung Hyun pulls off a villain superbly and fills this role with style and terror without fault. Song Kang-Ho in my opinion is the main force of the film, pulling it along with humour and perhaps the most interesting story as the film progresses. Woo-Sung Jung plays his 'good' role well but feels like the character with least depth. The film contains fantastic make-up and costume design, notably in my eyes, Lee Byung Hun's character, who looked fantastic and the on screen presence of this smart darkly dressed character set against the sandy desert was stunning.

The cinematography in this film was superb with plenty of great flying panoramic desert shots, high octane action camera maneuvers, fast cuts and perfect editing as expected from the director of such fantastic action/thriller films.

The soundtrack is fun and reminiscent of old western films with a new, modern twist to keep things up to pace. Although the story has been noted as being weak, the film really does not offer itself as an in depth period drama in the first place. The film is exactly what it calls for... Fun, fast and funny entertainment and what you can expect from some of the finest noted stars and workforce in South Korean cinema.

As a fan of "The Good, The Bad and The Ugly" I was intrigued when I saw a film entitled "The Good, The Bad, The Weird", when I saw it was a Korean western set in the deserts of Japanese occupied Manchuria I just had to see it even though I was sure it wouldn't be as good as it sounded... thankfully I was wrong, the plot may have been slight but the action was relentless and frequently very funny.

While it was obviously inspired by "The Good, The Bad and The Ugly" it was not a remake, the main similarities where the three main characters; Once again The Good was a bounty hunter, The Bad was a sadistic killer and The Weird replaced The Ugly as the comic relief. The plot involves The Weird robbing a train, amongst the items he steals is a map... a map The Bad was planning to steal as well although he is interrupted when The Good arrives with the intent of collecting the bounty on him. In the confusion The Weird escapes and the rest of the film follows the attempts of The Bad, a group of bandits and the Imperial Japanese Army trying to get their hands on the map.

The action is spectacular and well done with numerous gunfights, knife fights and chases on foot, horseback, motorbike and car. While there is a focus on action the characters are fun too, especially The Weird who stole the show. While it is a comedy it does feature a few violent scenes which some viewers expecting only laughs might not like, I know I winced when one character tried to cut off another's finger with a knife.

I'd definitely recommend this to fans of westerns who are looking for something different as well as to fans of Asian cinema.

There are few things more enjoyable than watching a film made by a filmmaker who clearly has a passion for his subject - especially when he seems to determined to pass that enthusiasm on to his audience as Ji-woon Kim does with The Good, The Bad, The Weird, a kind of cockeyed homage to Sergio Leone's The Good, The Bad and the Ugly.

Ji-woon goes for all out action, forsaking any romantic involvement or depth of plot that might slow the full-on action that begins with a chaotic shootout on a steam train and culminates with a madcap, full-on chase through the desert involving the good guys, the bad guys and a few hundred red army soldiers in jeeps, motorbikes and on horseback. Ironically, because of this the film's main weakness is that we seem to be moving from one shootout to another with a few minutes of padding in between to allow the audience to catch it's breath. And while the action set-pieces really are breathtaking, it does feel as though something is missing at times.

Nevertheless, the exuberance of Ji-woon's direction will sweep you up and keep you watching (and enjoying), and given that the final Mexican stand-off drags in comparison to the original on which it is based - and which lasts two or three times longer than Ji-woon's version - it's perhaps for the best that he didn't try to emulate Leone's genius for creating tension out of seemingly endless set pieces. Either way, this is a film you're not likely to forget in a hurry.