Exte

A man with a hair fetish has been harvesting the locks of the recently deceased for his collection of award winning hair extensions. But things start to get weird when he takes the hair from the body of a woman that seems to be haunted...it just continues to grow...and grow...and grow...

So he begins lop off segments and give them to local hair salons as samples.

He's not in it for the money...he just wants to see a world full of people with beautiful hair.

However, something isn't right with this hair.

Those who dawn it, become consumed by it...quite literally...as hair begins growing from every pore...orifice...internal organ...etc...until they're dead.

And only someone who can truly understand the suffering that the hair woman went through- prior to her death- can break the curse.

This film is some kind of weird. The special effects (a combination of traditional and cgi) have their moments. It is both humorous and disturbing. And the ending is patently ridiculous...but at least it's patently ridiculous fun.

6 out of 10.

Hair Extensions works much better than expected. I mean, seriously, how much horror can one expect to come out of something as simple as hair? But the hair in this film is possessed, you see. It comes out through parts of the body once it attach's itself inside the host body: the person gets hair through fingernails, shooting up like weeds in a garden, through eyeballs, through a mouth, everywhere. And in this film, one of Sion Sono's better works for mainstream consumption, it's real success comes that it's not simply about a maniac guy who uses demon hair to kill people (he also sells hair extensions that have the roots that have Grudge-type problems, yes hair can remember). No, it's also a domestic drama involving a woman who works at a salon (the adorable Chiaki Kuriyama) whose sister is an abusive B-word to her daughter, who is traumatized for life at the age of four.

For a little while (maybe the first 45 minutes) it's a wonder how these two stories, one with these people being killed by hair and this wacky guy in his home made out of hair-locks (and of course it's all lit in darks and greens), and the other with the salon girls and the drama with the sister and the daughter, will intersect. Once it does, the movie gears into being totally absorbing, and Sono is very creative with how he stages his horror set pieces. There aren't *that* many kills, at least not as many as one might expect from the director of Suicide Club. It's more about staging a setting and place, how it's lit, how the person in the shot moves about. It's not about jump scares, and it's not about some of the simpler modes that sometimes happen in "grudge" movies. In this film, a seemingly dead body can still f*** with the living.

The acting is also quite good, which is important as a lot of the film's drama rests on the sister and daughter and how Chiaki's character has to try hard just to reach out to the little girl (even more difficult after a particularly traumatic scene she sees, which we wisely only see some of before the big reveal). It's gory, which is to be expected, but I was amazed by the suspense that Sono was able to draw out of scenes, even in the climax which veers into over-the-top territory with its antagonist. Oh, and the movie is surprisingly funny to boot, mostly involving a cat who suddenly appears in scenes posed next to a statue outside at night (or just, you know, around), or how the villain sidles his way into the salon with his precious hair extensions. Only one moment that should be painfully obvious to anyone but isn't seen by the protagonist makes on do a face palm. The rest of the film is fun, effective and leaves an impression as art merged with genre.

Really interesting film. Great story, interesting characters and a very different villain. I was curious as to how the film would turn out, assumed it would either be campy or gross out but actually turned out to be neither. Story was well paced, emotional and the actors were all enjoyable. Using something so mundane as the "monster" did make it quite hard to take the movie seriously at times and there's a few moments that I found very similar to Takashi Miikes style of absurdity, the film still came together and resulted in a really unique horror experience.

Now, doesn't the premise of this movie sounds just awesome and interesting? A movie in which hair extensions attack and kill those that wear them, how could this movie not be awesome? Well, for one because it picks a totally strange and wrong approach to its subject.

The movie is a horror but only with its main premise. The movie itself picks a more dramatic approach, while the horror moments are mostly being comical and over-the-top ones. It's such a weird mixture of different genres, that doesn't quite work out that great or ever becomes very interesting to watch.

At first I actually thought this was going to be a parody of the Japanese horror genre but then suddenly it started to take a very serious and more straightforward approach with all of its dramatic story elements. I just don't know how to take this movie and I wonder if the film-makers themselves knew what direction they were going for.

Because the movie is mostly being a drama, it also means that it has a slow pace and buildup to it. Nothing wrong with that, as long as there is something good or interesting going on in the story as well. And that really isn't always the case in this movie. As a matter of fact, even though this is a well under 2 hours short movie, it still feels like a much longer one.

I feel that the movie could had truly benefited more from its horror. It should had done more with it, since it actually was the horror that still made this movie somewhat worthwhile. Yes, it has a ridicules concept but that's why it also works and becomes an original and interesting one with its horror. Also the effects looked pretty decent and some more killings or gore could had really spiced up things for this movie. The potential and possibilities were all there but the movie never really fully uses any it.

A strange mixture of far too many genres. It's not all that bad but it still remains a just too big of a waste, of some fine potential.

6/10

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Ever since the wave of Asian suspense films started in the late 90s, the horror genre regained its mainstream popularity. The Asian market spawned an overload of long-haired ghosts, the European market followed with some fine gorefests and nail-biters and across the ocean, Saw conquered the theaters and kick-started a whole circus of remakes, rip-offs and sequels. In short, horror is hot again.

In between all this genre work are still a few films that dare to be different, coming from directors that are more interested in the genre itself than the hype surrounding it. From the beginning, Sion Sono was a director who failed to fit the specific horror mold. Even though his first fan favorite, Suicide Circle, was marketed alongside films as Ringu and Ju-On, he never quite fitted in with the typical J-Horror wave. Apart from the social themes found in his films, it's the general weirdness that separates him from the generic horror template. With Ekusute, his latest effort, he's back to take revenge.

Ekusute is a film about hair. Long, dark, mysterious, Asian hair. One of the most commonly used elements in the Asian suspense wave. Needless to say, the storyline is as crazy as it is fun. When a girl is tortured and murdered for her organs, they also cut off her hair. Obviously, the hair doesn't agree and starts to grow back from her dead body. A local morgue attendant with an extreme fixation for hair finds out and takes her home with him. He starts using her hair for a hair extension business he's been running on the side, at which point the hair extensions go on a murdering rampage. Hell yeah! To make things "worse", Sono contacted Ren Osugi to play the part of the perverted hippie hair fetishist. I still remember the first time I watched Osugi in Hana-bi and Sonatine. Back then I figured he was a normal actor playing an uncharacteristically strange role. We are now several years later, and I know better. Osugi might look like a normal, older guy, in reality he is one of Japan's most insane actors, taking on whatever perverted, quirky and twisted role he can find. He goes completely over the top in Ekusute, giving the film its final nudge into insanity.

Ekusute is for the biggest part a parody on Asian horror flicks, playing around with a bunch of clichés and plot points. The whole hairy background story is crazy, Osugi's performance completely off the charts. Sono manages to be quite creative with the elements at hand, coming up with some interesting death scenes and original plays. But beside all the madness, the film works on another level. Sono integrates a side story about a tormented little kid which gives the film some extra grit and depth. It's the mix of all these elements that makes Ekusute quite dark and unique.

Visually, the film is quite unstable, with rather plain visuals in its dramatic moments. But whenever Sono plays the horror (or freak) card the visuals become top notch. The scenes in Osugi's room are marvelous, making excellent use of lighting and hair effects to create shots that linger on the eyes. In between scenes Sono even tries some Tsukamoto-like magic, with rapid-fire editing of images filled with hair and accompanied by distorted sounds. As a whole, the film is visually pleasing, though it would've been nicer if it had been a little more consistent in its style.

The film remains a strange mix of elements. In the beginning it looks like a simple parody on the J-Horror genre, but after a while other elements creep in which make the film more disturbing than it should have been on first sight. It never plays on scares, but still manages to become a dark and brooding film, topped with some craziness and surreal moments (mostly those with Osugi). It's a bit hard to recommend, as Sono's characteristic blend is rather unique and contains many tricks that might put people off. Still, I enjoy his films as they always succeed in bringing something new to the table.

Ekusute might feel like his most commercial film to date, but that is mostly a disguise. It's a fun, crazy and surprisingly eerie film. 4*/5*