NOTE IMDb
5,5/10
25 k
MA NOTE
Un détective est veuf depuis peu et fait encore le deuil de sa femme. Il va découvrir un lien choquant entre des meurtres en série et les quatre cavaliers de l'Apocalypse.Un détective est veuf depuis peu et fait encore le deuil de sa femme. Il va découvrir un lien choquant entre des meurtres en série et les quatre cavaliers de l'Apocalypse.Un détective est veuf depuis peu et fait encore le deuil de sa femme. Il va découvrir un lien choquant entre des meurtres en série et les quatre cavaliers de l'Apocalypse.
- Réalisation
- Scénario
- Casting principal
Avis à la une
I don't know about you, but when I sit down to watch a horror film, I don't expect to be blown away. My expectation is only to be engaged, kept in suspense, and hopefully scared out of my mind (this last one being of the rarest variety).
This movie lived up to my expectations in all the important ways. My curiosity was jump started in the first scene, and the somber, introspective mood of the story line, spiked with horrific scenarios and sickening plot twists, was exactly what I hoped.
The final twist was too easily guessed, of course, but it didn't take away from the finale - a powerfully emotional scene portrayed very convincingly by Dennis Quaid, who brought his usual energy and charisma to the role.
If you're looking for a quality horror flick or suspense thriller, this one is well worth your while!
This movie lived up to my expectations in all the important ways. My curiosity was jump started in the first scene, and the somber, introspective mood of the story line, spiked with horrific scenarios and sickening plot twists, was exactly what I hoped.
The final twist was too easily guessed, of course, but it didn't take away from the finale - a powerfully emotional scene portrayed very convincingly by Dennis Quaid, who brought his usual energy and charisma to the role.
If you're looking for a quality horror flick or suspense thriller, this one is well worth your while!
Tell me that the movie is like Se7en and I am interested. Tell me that Ziyi Zhang (Memoirs of a Geisha, House of Flying Daggers, Crouching Tiger, Hidden Dragon, 2046) is in it, and I am interested. Tell me that Dennis Quaid, the actor starring in one of my favorite films, The Big Easy, is starring this one, and I am definitely interested.
A combination like that should mean that I am in for a treat of some kind.
Barry Shabaka Henley is always a welcome addition, and he was no disappointment here.
However, the rest of the film was a big disappointment. It was devoid of any real emotion, and the struggle with the kids just distracted from the quest for the killers. It never came close to Se7en.
A combination like that should mean that I am in for a treat of some kind.
Barry Shabaka Henley is always a welcome addition, and he was no disappointment here.
However, the rest of the film was a big disappointment. It was devoid of any real emotion, and the struggle with the kids just distracted from the quest for the killers. It never came close to Se7en.
The Horsemen touts itself as another serial killer cat and mouse and admirably attempts to mix in several sub-genres including torture, exotic piercing, plot twists, and even a silence of the lambs (more Primal Fear in execution) style prison exchange. What transpires is unfortunately a lot of set pieces that don't add a lot to the whole. Dennis Quaid has always been fun to watch and has had several noteworthy performances (my fav will always be Savior). Here he struggles to play a hardened detective reminiscent of Al Pacino in Insomnia, his lines are forced, he is simply a poor casting choice for this role. He never reaches believability as the detective, and the dramatic subterfuge of a single dad with 2 kids is laid on so thick, he never sloshes out of the muck long enough to fill either role. The plot is OK, fairly standard shake on a playful serial killer vs cop movie, but the dialog is simply horrible. The lines are terribly cliché' and the actors, while capable, are just waiting for there time to speak, never fully absorbed into the movie. This will likely go to video soon where it may attract an easy to please crowd but ultimately does not hold a candle to any of the movies it copied.
Maddis
Maddis
What is happening to Dennis Quaid? Seriously now, he is playing the role of the distant father more and more and he plays in worse and worse movies. I like the guy! Cast him in something decent!
As for the movie, it kind of sucked. I mean, the mythos behind the killings was shabby, the police-work ridiculous and, worst of all, I could not relate to ANY of the characters except Dennis Quaid's one... part of the time. And the casting just reveals too much.
Bottom line: if you take Seven, you make it a lot less gruesome, you add cardboard policemen and even cardboard villains, you dumb it down considerably, then you get The Horsemen. Gave it a 6 only for Zhang's efforts on speaking English.
As for the movie, it kind of sucked. I mean, the mythos behind the killings was shabby, the police-work ridiculous and, worst of all, I could not relate to ANY of the characters except Dennis Quaid's one... part of the time. And the casting just reveals too much.
Bottom line: if you take Seven, you make it a lot less gruesome, you add cardboard policemen and even cardboard villains, you dumb it down considerably, then you get The Horsemen. Gave it a 6 only for Zhang's efforts on speaking English.
By-the-numbers gore flick isn't especially bad, but sterile acting and disjointed direction hinder it entirely.
Dennis Quaid (gloriously miscast) is Aidan Breslin, a detective specialising in some teeth identification discipline. He's called to a case whereby teeth alone have been left, and the more the case heats up, he discovers the Horsemen of the Apocalypse are being emulated and murdering victims in 'homage' to them.
The premise is certainly half decent, with a biblical reference always adding spice to horror, such is the visceral underbelly such association can produce. The problem is the production and casting, not to mention plot development.
Horsemen suffers a disjointed structure, with extremely poor characterisation and seam-filled editing causing a stop-start judder to permeate throughout. This isn't helped by the fact that every role is miscast, from the 'doing it for the money' Quaid as troubled Breslin, Ziyi Zhang as troubled Kristen, and Lou Taylor Pucci as troubled Alex.
Every character appears to have personal demons apart from Stingray and Tuck, who both look like actors in the wrong movie.
These foibles aside the horror effects are rather inconsistent - the first body looks plainly like a dummy, and no amount of garish red lighting hides that fact - thereafter they do pick up a bit, but it's a bad start.
And the characterisation, as mentioned, is really poor - the viewer isn't moved to care about anyone, and certain character introductions are clunky and badly handled. The feeble and ineffective acting certainly doesn't aid this.
In summary if you want horror by the numbers with a hint of whodunnit, there are worse than Horsemen. But there are much much better too.
Dennis Quaid (gloriously miscast) is Aidan Breslin, a detective specialising in some teeth identification discipline. He's called to a case whereby teeth alone have been left, and the more the case heats up, he discovers the Horsemen of the Apocalypse are being emulated and murdering victims in 'homage' to them.
The premise is certainly half decent, with a biblical reference always adding spice to horror, such is the visceral underbelly such association can produce. The problem is the production and casting, not to mention plot development.
Horsemen suffers a disjointed structure, with extremely poor characterisation and seam-filled editing causing a stop-start judder to permeate throughout. This isn't helped by the fact that every role is miscast, from the 'doing it for the money' Quaid as troubled Breslin, Ziyi Zhang as troubled Kristen, and Lou Taylor Pucci as troubled Alex.
Every character appears to have personal demons apart from Stingray and Tuck, who both look like actors in the wrong movie.
These foibles aside the horror effects are rather inconsistent - the first body looks plainly like a dummy, and no amount of garish red lighting hides that fact - thereafter they do pick up a bit, but it's a bad start.
And the characterisation, as mentioned, is really poor - the viewer isn't moved to care about anyone, and certain character introductions are clunky and badly handled. The feeble and ineffective acting certainly doesn't aid this.
In summary if you want horror by the numbers with a hint of whodunnit, there are worse than Horsemen. But there are much much better too.
Le saviez-vous
- AnecdotesJonas Åkerlund's original plan was to use real devotees of suspension - the S&M practice depicted in the film - as the murder victims. However, he soon encountered all sorts of issues with Health & Safety over the spilling of real human blood (an unavoidable consequence of having hooks pierced into skin) so opted for prosthetics instead.
- GaffesWhen we see the security footage of the elevator and hallway, the time/date stamp says that it's February 14th, yet only a few weeks goes by before it's January 21st (as indicated by the website).
- Citations
Det. Aidan J. Breslin: How could we miss this? Sloppy fucking police work.
- Bandes originalesThe Last Time We Talked
Performed by The Hummingbirds
Written by Rachel Lynn Hercula [BMI] and Stephen Grant Wood [BMI]
Published by Laughing Coyote Music [BMI]
By arrangement through pigFACTORY USA LLC./The Talent House
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Horsemen?Alimenté par Alexa
Détails
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut mondial
- 2 405 815 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant