NOTE IMDb
5,4/10
3,4 k
MA NOTE
Ajouter une intrigue dans votre langueA suburban town in Japan is the victim of what is supposedly just an urban legend, a woman's spirit with a horribly disfigured face who is intent on kidnapping children for unknown reasons.A suburban town in Japan is the victim of what is supposedly just an urban legend, a woman's spirit with a horribly disfigured face who is intent on kidnapping children for unknown reasons.A suburban town in Japan is the victim of what is supposedly just an urban legend, a woman's spirit with a horribly disfigured face who is intent on kidnapping children for unknown reasons.
- Réalisation
- Scénario
- Casting principal
Saaya
- Shiho Nakajima
- (as Sâya Iri'e)
Avis à la une
CARVED: A SLIT-MOUTHED WOMAN is another grisly creeper from Japan.
As ghostly killers go, this scissor-wielding ghoul certainly delivers! She attacks ruthlessly. Even outdoors in broad daylight! Children are especially targeted, and even they're not sacred! We have no idea who will survive, regardless of age, gender, or seeming heroic status!
If you're searching for a disturbing, unpredictable twist on urban legends / folklore, then you've just found horror heaven!...
As ghostly killers go, this scissor-wielding ghoul certainly delivers! She attacks ruthlessly. Even outdoors in broad daylight! Children are especially targeted, and even they're not sacred! We have no idea who will survive, regardless of age, gender, or seeming heroic status!
If you're searching for a disturbing, unpredictable twist on urban legends / folklore, then you've just found horror heaven!...
"The Slithmouthed Woman" was a nice new approach to Asian horror. It stands out from the endless sea of Asian horror movies that have ghost women in white dresses with black hair covering their eyes, and 90% of the movie shot in near complete darkness. "The Slithmouthed Woman" was quite the opposite, and that was a nice change of pace.
The story in "The Slithmouthed Woman" is about a woman with a mangled face (her mouth is slashed open) going around abducting and killing people. Just before she appears and drags you off, people will hear her saying "Am I pretty?" Now, being shot almost in nothing but daylight, "The Slithmouthed Woman" was really a nice change, because you got to see everything that was going on, and not kept in the dark by the lack of lighting. Plus, the movie here was more of a psychological horror movie, than it was a visual horror movie. Sure, the make-up and effects on the woman was really great, I just personally would have liked to see more of that mangled face. But still, done with moderation, it worked out well enough.
The acting in the movie was alright as well, I don't recall having seen the people here in other movies before, and still the people put on great enough performances.
However, "The Slithmouthed Woman" is a very predictable movie and you know how it will end early on in the movie. And also the story takes forever to go anywhere, and that was a notch down in the entertainment value. Had they opted to go with a more adrenaline-filled approach and more action, the movie had worked out all the better.
The idea and concept behind the story was really unique and well thought through, it just could have used another set of eyes on it to offer a different approach to the direction in which the movie went. But still, it wasn't a bad movie, not at all. If you like Asian horror movies and want to see something that isn't a mainstream ghost horror movie, like most of the Asian horror movies have a tendency to be, then "The Slithmouthed Woman" is well worth checking out.
The story in "The Slithmouthed Woman" is about a woman with a mangled face (her mouth is slashed open) going around abducting and killing people. Just before she appears and drags you off, people will hear her saying "Am I pretty?" Now, being shot almost in nothing but daylight, "The Slithmouthed Woman" was really a nice change, because you got to see everything that was going on, and not kept in the dark by the lack of lighting. Plus, the movie here was more of a psychological horror movie, than it was a visual horror movie. Sure, the make-up and effects on the woman was really great, I just personally would have liked to see more of that mangled face. But still, done with moderation, it worked out well enough.
The acting in the movie was alright as well, I don't recall having seen the people here in other movies before, and still the people put on great enough performances.
However, "The Slithmouthed Woman" is a very predictable movie and you know how it will end early on in the movie. And also the story takes forever to go anywhere, and that was a notch down in the entertainment value. Had they opted to go with a more adrenaline-filled approach and more action, the movie had worked out all the better.
The idea and concept behind the story was really unique and well thought through, it just could have used another set of eyes on it to offer a different approach to the direction in which the movie went. But still, it wasn't a bad movie, not at all. If you like Asian horror movies and want to see something that isn't a mainstream ghost horror movie, like most of the Asian horror movies have a tendency to be, then "The Slithmouthed Woman" is well worth checking out.
This movie mixes elements from the Western tradition of Slasher movies along with a peculiar kind of creepiness so typical to Asian horror. An interesting combination that should have been much more successful. Unfortunately 'Kuchisake-onna' is overall mediocre and downward pedestrian at times. It fails whenever it adheres to clichés such as making sure that everyone confronting the villain in the grand finale is without weapons of any kind but there are a few redeeming points. The positive parts include the child abuse angle that pervades and drives the plot, the fact that the villain does not only lurk in dark shadowy places but actually acts in broad daylight and a possession story that is original.
With so much going on for it, it is a true shame that the movie manages to fall into tired recipes that do away with so much potential. After all, in a story in which the villain targets children is open to horror as perceived from their point of view. That approach would have elevated it from the usual supernatural thriller to something more unique. And the movie itself seems to be aware of this on occasion.
With some psychological bits and a decent slasher angle this is a movie that fans of the genre will probably find worth watching but it does have a limited appeal without being part of the elite in the competitive world of J-horror.
With so much going on for it, it is a true shame that the movie manages to fall into tired recipes that do away with so much potential. After all, in a story in which the villain targets children is open to horror as perceived from their point of view. That approach would have elevated it from the usual supernatural thriller to something more unique. And the movie itself seems to be aware of this on occasion.
With some psychological bits and a decent slasher angle this is a movie that fans of the genre will probably find worth watching but it does have a limited appeal without being part of the elite in the competitive world of J-horror.
Thought this movie was alright in my opinion, the plot is very well coordinated and despite the films obviously low budget it does well with what it's has! I would love to see this film as a bigger more money invested in project it could really develop into something more.
Ending was a shocker by the way !
Children tell the story of the slit-mouthed woman, a killer with a deformed face, surgical mask and very long scissors ready to slice up the kids while asking "Am I pretty?". As rumors of the woman spread, the panic in town grows and the rumors become true -- remarkably so, as they seem to come from nowhere. What is the origin of this killer?
Something about Asian horror is both appealing and distressing. I can't pinpoint it. The films are different enough from American films to give a special feel to the viewer for when we've had enough of the classic slasher. Yet, no matter how different one Asian film is from another, they seem to all co-exist in the same universe. This film is no exception: while not relying on the same techniques as "Pulse" or "The Grudge" or even "The Ring", there's a sense that we haven't left those worlds too far behind.
Like many Asian horror films, there is a sense of the supernatural here. American horror often tries to explain its stories in a reasonable way (even when the villains are of an other-worldly nature). Asian horror is less likely to do so. Here is another example of that. As the film progresses, we learn more about the slit-mouthed woman, but we never really understand how or why she does what she does.
I enjoyed the rumors element. I think this was very clever and if the film were longer, I wish they'd have gone into this more and made the plot and background deeper. At one point, a child is asked where the slit-mouthed woman lives and she responds in a house with a red roof on the hill. Despite having no reason to know this (she never saw the house or even the woman), the rumor invariably turn out to be true. I found this very interesting.
I also liked the makeup. Having recently seen "Pan's Labyrinth" I saw how cool it was to have a person with a mouth slit open to their ear (and, by the way, if you haven't seen this film you really must). This film makes it the selling point of the movie, not just a brief scene -- the way the woman is shown with the mouth and dead eyes is pretty cool. I didn't find her particularly scary or creepy, but an interesting villain just the same.
Perhaps some of the film is lost in translation. A key aspect of the film is that the kids think the woman says "Am I pretty?" and later we are told she says "Aim my neck." I am under the impression that whatever the original wording was, these two phrases are even more similar to create a parallel. Here, the words "pretty" and "neck" are a bit of a stretch. But it slid.
If you like Asian horror, I suggest checking this one out. The copy I watched was pre-release, so the picture wasn't fully touched up and there were numbers counting across the top. Once the official DVD is out, I suspect this will be a bit crisper and the sounds even creepier (maybe like the comb noise from "The Grudge"). Either way, I liked it, and it was a good vacation from the same old teenagers in the woods movie.
Something about Asian horror is both appealing and distressing. I can't pinpoint it. The films are different enough from American films to give a special feel to the viewer for when we've had enough of the classic slasher. Yet, no matter how different one Asian film is from another, they seem to all co-exist in the same universe. This film is no exception: while not relying on the same techniques as "Pulse" or "The Grudge" or even "The Ring", there's a sense that we haven't left those worlds too far behind.
Like many Asian horror films, there is a sense of the supernatural here. American horror often tries to explain its stories in a reasonable way (even when the villains are of an other-worldly nature). Asian horror is less likely to do so. Here is another example of that. As the film progresses, we learn more about the slit-mouthed woman, but we never really understand how or why she does what she does.
I enjoyed the rumors element. I think this was very clever and if the film were longer, I wish they'd have gone into this more and made the plot and background deeper. At one point, a child is asked where the slit-mouthed woman lives and she responds in a house with a red roof on the hill. Despite having no reason to know this (she never saw the house or even the woman), the rumor invariably turn out to be true. I found this very interesting.
I also liked the makeup. Having recently seen "Pan's Labyrinth" I saw how cool it was to have a person with a mouth slit open to their ear (and, by the way, if you haven't seen this film you really must). This film makes it the selling point of the movie, not just a brief scene -- the way the woman is shown with the mouth and dead eyes is pretty cool. I didn't find her particularly scary or creepy, but an interesting villain just the same.
Perhaps some of the film is lost in translation. A key aspect of the film is that the kids think the woman says "Am I pretty?" and later we are told she says "Aim my neck." I am under the impression that whatever the original wording was, these two phrases are even more similar to create a parallel. Here, the words "pretty" and "neck" are a bit of a stretch. But it slid.
If you like Asian horror, I suggest checking this one out. The copy I watched was pre-release, so the picture wasn't fully touched up and there were numbers counting across the top. Once the official DVD is out, I suspect this will be a bit crisper and the sounds even creepier (maybe like the comb noise from "The Grudge"). Either way, I liked it, and it was a good vacation from the same old teenagers in the woods movie.
Le saviez-vous
- AnecdotesThe film is based on a Japanese legend in which a samurai's wife was caught cheating on him, and he slit her mouth open. The same woman roams foggy streets, with a surgical mask on, and asks people she encounters, "Am I beautiful?". If they say, "Yes" she removes her mask and says, "Even like this?", and then slits their mouth. If they say "No" she cuts them in half. If they say "Average", she will allow them to escape.
- GaffesIn one scene there is a dead woman on the floor, the woman is shown breathing when she is dead in the movie for a few seconds.
- ConnexionsFeatured in WatchMojo: Top 10 J Horror Films (2016)
- Bandes originalesGarasu no hitomi
Music by Yoshimi Katayama
Lyrics by Kana Mizushima
Performed by I-lulu
Courtesy of For-Side Records
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Carved: The Slit-Mouthed Woman?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Carved: The Slit-Mouthed Woman
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 189 229 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Kuchisake-onna (2007) officially released in Canada in English?
Répondre