Lions et agneaux

"Lions for Lambs" follows three interconnected storylines that all revolve around politics. More narrowly they revolve around the politics of war, and more specifically still: the war in Afghanistan. At the time of the release of this movie the U. S. had been in Afghanistan for about five years and only now, roughly twenty years after storming Afghanistan to punish the Taliban for their role in 9/11, has the U. S. decided to bring their last troops home.

The three storylines "Lambs" followed were 1.) Professor Stephen Malley (Robert Redford) and one of his students (Andrew Garfield) at a university somewhere in California. 2.) Ernest Rodriguez (Michael Pena) and Arian Finch (Derek Luke) who were also students of Prof. Malley's before deciding to enlist in the army. 3.) Republican Senator Jasper Irving (Tom Cruise) and reporter Janine Roth (Meryl Streep) who were ardently discussing the U. S.'s new strategy for ending the war for good which just so happen to involve Rodriguez and Finch.

There you have it. You have American politics, with fighting being a part of it, being discussed in broader more philosophical terms in the professor's office. You have an actual politician discussing how to bring an end to the war in Afghanistan. And you have actual soldiers fighting the war in Afghanistan. It all made for some interesting and even somewhat passionate arguments, but that's where it stopped. "Lambs" seems to have been made to make its viewers think and come to their own conclusion about who or what was right and wrong. I can appreciate that even if I wasn't the biggest fan of the topic.

I came to this film with it already square in my mind what I was getting into. The media and the reviews here had already informed me that this is the liberal media having yet another dig at the Bush administration and the policies in Iraq etc. Knowing that, and sharing those views roughly, I decided to watch it but did hope that it would not be too clumsy as a fictional attack on a subject that is already covered everywhere you look. What I got though was not that but something much more interesting and something much more unexpected. What I got was a film that more or less pushed the political points to one side and challenged those on the bench of politics to get involved rather than just sitting there moaning. It took me by surprising but essentially this is the reason for the entire film – not to bash Bush, not to condemn Iraq, not to push Democrat policies but just to challenge the viewer.

In this regard it works really well and it is hard to argue with the points about taking part in society rather than just focusing on one's self and I particularly liked the way that it did not condemn those who do that with a weapon, with politics, with reporting to help others be involved etc. I can understand why it has gotten this "liberal" tag because of who made it and because it is "intelligent" but it doesn't deserve this because it generally does keep the neutrality reasonably well. Of course though there is a slant to the left on what it is saying but not to the extent where ti does feel like you are being preached at – this is not a Michael Moore film here.

Nor is it a perfect film though. Those looking to be told a story and nothing more will find themselves disappointed because, although there is a narrative flow to it, this is not really what it is about. Instead it relies heavily on engaging the viewer's brain and making the audience think – that way, how the film ends is not all that important because you carrying on mulling over things for yourself as you leave the cinema. For me this happened but for others I can understand why the film would have come across boring, pointless and open-ended; I don't agree with you – but I can see how it happened.

The cast are all very good though because everyone understands the need to sell their characters. Cruise plays very well as the politician and the film treats him with respect as a character. He plays well with Streep, who is equally good and uses her performance to let the media have a kick that it does deserve. Redford and Garfield provide the meat of the piece and their simple discussion comes over natural and effective in presenting the challenge to the viewer. Peña and Luke have simpler characters but are engaging as students and soldiers. It is very much an ensemble piece and everyone does work well in their various twosomes, the support cast may have Berg, Dunn and other familiar faces but really it is about the three pairs, all of whom work well.

Lions for Lambs has been lumped in with anti-Bush and anti-Iraq films and will have been dismissed by many as just about piece of left-wing propaganda – and this is a shame because this is far from the truth. It is not a perfect film in some regards but it is not preaching but rather challenging all viewers, no matter what you think, to get involved, to take part, to question things, to think for one's self. It is thought-provoking and challenging and for that it is well worth seeing for yourself.

Lions for Lambs is a current issue film that deals with several relevant topics. The central plot revolves around essentially three settings that don't directly affect each other through action. They do however affect each other through course of action presented in debate. Cruise plays Jasper Irving, a GOP senator with a new plan of action for the war on terror. Streep is a veteran reporter who is interviewing him. Simultaneously, Redford is a college professor who has called a student into his office. A conflict in Afghanistan is taking place which is linked to the aforementioned plot lines.

Lions for Lambs surprised me with it's balance. I'm an open Republican, and felt that this movie was not a cliché attack against the power that be. The Cruise character could have been given irrefutable hatred material. He could have been caught in a scandal. He could have alienated others with religious furor. Instead he is real and forms educated arguments. He seems rational, and passionate; he can also make a turn to present himself to the public. I don't see this as an attack, but one of the many skills politicians need to succeed. With all they go through and the decisions they have, they don't want the mocking that crying before the camera would carry. The left is represented by Redford's professor and Streep's reporter. Both are treated with rationale conviction. Neither has a clear anti-GOP agenda. Both of these characters even go as far as to acknowledge the error in the ways of their side. If there is a message to the film, it is that we are being sheltered from reality. It was clear to this viewer that Redford is stating that we are placing focus on the minuscule while matters of true importance are treated as second rate. Surely this is something we all can agree on in Lions for Lambs and this comes into fruition as the film evolves.

Aside from the political commentary, which it makes no dance around, this a dialog heavy film. Characters are pinned against their situations which cause them to restrain from a course of action both physically and metaphorically. The conversations are engaging, but it would be arguably more favorable to allow the characters interaction. A few additional technical merits could have gone a long way. For example, the CGI of the Chinook helicopter was not up to par; a memorable score and unique cinematography are also absent. The screenplay is inherently foiled by remarkable coincidence; but there was no way around that. At a scant 88 minutes, Lions for Lambs is quick to get to the point but it is over too fast. These miscues keep it from perfection. Served as they are, Lions for Lambs is thinking person's film that comes highly recommended.

A great movie. this is the decent start point for define it. first, for performances. second, for the perspective about politic and war. not the last, for the admirable job of Robert Redford. sure, after many films about similar subject, it is easy to criticize it or see it as anti-war propaganda, political manifesto - and it is realy is one -. but it is more than a story of idealism and fall of noble intentions. it is a film about rolling history. about its trues and about the need of desire to change everything. not as expression of naivety . but as duty. short, a real great film.

Overall, it's a decent movie. Could have stood more action, more texture. It becomes a little boring after the endless cuts between three different settings where each new shot is quite similar to the last one in the respective setting. But, the dialouge between Redford and the student is interesting. Lots of people are saying its "patronizing"...I didn't really feel that. Apparently that would make me stupid according to some that have commented on this film. But, I didn't really feel that was the intent, feel of it. It's more of a "set back and look at YOUR life and ask yourself if you're really doing all you could be" type of film. I only give it six stars because of the ending and because I feel the film lacks enough texture and becomes a little dry throughout.