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Musta jää

  • 2007
  • 1h 50min
NOTE IMDb
6,7/10
2,8 k
MA NOTE
Ria Kataja, Outi Mäenpää, and Martti Suosalo in Musta jää (2007)
Psychological ThrillerDramaThriller

Ajouter une intrigue dans votre langueUpon discovering that her husband is having an affair, a Helsinki gynecologist attempts to gather more knowledge about her rival and, in the process, becomes hopelessly entangled in the othe... Tout lireUpon discovering that her husband is having an affair, a Helsinki gynecologist attempts to gather more knowledge about her rival and, in the process, becomes hopelessly entangled in the other woman's life.Upon discovering that her husband is having an affair, a Helsinki gynecologist attempts to gather more knowledge about her rival and, in the process, becomes hopelessly entangled in the other woman's life.

  • Réalisation
    • Petri Kotwica
  • Scénario
    • Petri Kotwica
  • Casting principal
    • Outi Mäenpää
    • Martti Suosalo
    • Ria Kataja
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    2,8 k
    MA NOTE
    • Réalisation
      • Petri Kotwica
    • Scénario
      • Petri Kotwica
    • Casting principal
      • Outi Mäenpää
      • Martti Suosalo
      • Ria Kataja
    • 29avis d'utilisateurs
    • 13avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 7 victoires et 4 nominations au total

    Photos8

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    + 2
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    Rôles principaux40

    Modifier
    Outi Mäenpää
    Outi Mäenpää
    • Saara…
    Martti Suosalo
    Martti Suosalo
    • Leo…
    Ria Kataja
    Ria Kataja
    • Tuuli…
    Ville Virtanen
    Ville Virtanen
    • Ilkka…
    Sara Paavolainen
    • Lea…
    Netta Heikkilä
    • Krista
    Väinö Heiskanen
    • Joonas
    Philipp Danne
    Philipp Danne
    • Uwe…
    Matti Laine
    • Komu…
    Emilia Sinisalo
    • Receptionist
    Kirsi Ylijoki
    • Female Cop
    Marjut Maristo
    • Girl at Masquerade
    Anne von Keller
    • Nurse
    Christian Hagman
    • Hade
    Arttu Eloranta
    • Guy at Afterparty
    Aulikki Mattila
    • Girl at Afterparty
    Katja-Maria Taavitsainen
    • Girl at Afterparty
    Sara Norberg
    • Bartender
    • Réalisation
      • Petri Kotwica
    • Scénario
      • Petri Kotwica
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs29

    6,72.8K
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    Avis à la une

    8troche-5

    Black Ice is cold but hot

    PSYCHOLOGICAL THRILLER, the Finnish movie "Black Ice" (Kotwica) thrilled us in 2008. A dangerous love triangle that goes from bad to worse is filled with deception, suspense and an imminent cat-fight. The main three actors were picked perfectly for their roles; Saara (Outi Mäenpää) is a middle aged doctor who seems to be happily married to Leo (Martti Suosalo) who is an architect/professor. Leo is having an affair with the much younger Tuuli (Ria Kataja) who happens to be one of his students. Saraa becomes suspicious of her husband as she finds a packet of condoms missing. By pure luck while visiting Leo after a rough day at work she stumbles upon an inappropriate email Leo received from a student which happens to be Tuuli. Instead of confronting Leo like an average, sane human being she decides to do a little investigating and follows her around. Tuuli leads her to a gym where she teaches KARATE!! This scene immediately put a smile on my face because I for saw an epic cat fight. Saraa decides to take Tuuli's karate class and after class she hides Tuuli's bike so she'll need a ride home. After this point these two women are inseparable as Saraa creates a new identity to prevent Tuuli from finding out who she is. Get ready for the deception and interconnecting story lines as the three take turns hanging out with each other.

    Deception is the most reoccurring theme seen throughout the movie mostly between Tuuli and Saraa. Saraa befriends Tuuli so she can learn first hand about her relationship with Leo and possibly save the marriage. This was a great twist in the story because you have the Antagonist and Protagonist together but only one is aware of the truth. Saraa does a great job convincing Tuuli how genuine she is but really has an agenda the whole time. Throughout the movie they have some close encounters with Leo which kept me in anticipation for when the truth would come out. For me the interactions between Saraa the wife and Tuuli the home wrecking college girl are what really make this movie.

    There is also a love triangle that also goes with the deception in this Finnish flick. As Tuuli's relationship with Leo disintegrates she becomes more and more dependant on Saraa and her companionship. Tuuli and Saraa start hanging out a lot and this creates tension between Tuuli and Leo by causing Leo to become jealous. This is the result of Leo finding a used condom in Tuuli's room from when Saraa had sex the night before. Tuuli calls Saraa to have her explain to Leo what happen because he didn't believe her.

    I think its safe to say that the name of the movie was a theme in itself as black ice in real life is dangerous and misleading like the characters in this movie. Black ice is transparent so when driving it looks like the road is fine but actually it's covered by a slippery sheet of ice. Just like in the movie on the outside the characters seem fine but underneath they have serious issues.

    While watching the opening scene of the movie for a second time I realized how important it is because it introduces the three main characters that eventually get wrapped up in a love triangle. This scene helps set the belief to the audience that Saara and Leo are very passionate and still in the honeymoon phase. As you watch the movie you find out that this is very misleading and the director does a great job setting this up. Also, I think the end of the clip is where Leo crashes his car and eventually walks off and freezes to death. So with that being said the settings in the 1st scene are actually the same as one of the last. The ending caught me off guard but in a good way and I think it was a fitting way to end it, so if you're looking for a happy ending look some where else.

    The camera shots to me were very dramatic in this scene especially seeing it for the second time. In one scene you have two people having passionate sex and in the other a girl riding her bike in the cold winter. The focus of the camera during the sex scene uses a lot of close ups on the limbs of the couple showing how intense it is, it goes from sex to heavy foreplay and then to Saraa's face showing her enjoyment. All this is going on as Tuuli is riding the through the winter and the camera follows her journey while showing glimpses of her face as she struggles through the harsh weather.

    "Black Ice" is a very interesting and entertaining movie that is worth watching more than once and would have success in America if redone in English. Watching two woman compete for the love of one man is an idea intriguing enough just to watch it and I guarantee this movie will not disappoint.
    hamid-r-goodarzi

    Human relationships in the modern world

    "Black Ice" is a movie that deserves the name. A complex and multi-layered drama that investigates modern society and human relations in this society. Choosing a suitable metaphorical title and creating a good atmosphere of the movie is one of the key features of the movie. The weakness of the film, which reduces the impact and visual value of the film, is the inappropriate role of the soundtrack. The music of the film is added in most of the sequences and plays the role of negative filler. The characters are well-characterized and have a suitable job for the drama situation. I loved the movie and the only regret I have is the soundtrack.
    williama-678-222173

    Weak Women

    Musta Jaa's dark triangle thriller definitely got my attention with its suspense and twists, but for a country that views women as powerful, this film did a wonderful job of showing them as weak. Perhaps I hold the Scandinavian countries to a higher standard when it comes to social liberalism, but for a movie made in 2007, I do not like its messages. Why are these women victims? Sara should have left her husband immediately, and Tuuli set herself up for a lifestyle of insecurity and unhappiness. Kotwica claims that he wanted two powerful female leads, well Petri, these ladies were pathetic. This movie makes me NOT want to go to Finland, that's for sure.

    It seems that Kotwica is trying to get us close to both Saara and Tuuli. His portrayal of Tuuli encourages the viewer to be sympathetic towards her. Long takes, using a close up shot show her crying and miserable. EVEN THOUGH SHE WAS DATING A MARRIED MAN! This girl is young and beautiful, and she goes after some pock faced homely professor who is "so intelligent" and truly "appreciates her art." Barf! Physical appearance is obviously not the issue here; I just felt like being descriptive. The fact is Tuuli is stupid, ignorant, and epitomizes everything a female should not be. No matter how well you do in school or how great of a citizen you are, sleeping with someone's husband makes you dumb. At the end of the movie, I was crying! I was so happy that Saara helped Tuuli. I wanted her to live, and I felt sorry for her. Then, I thought about it, and realized that she is dating/dated a married man. Duh. I believe in second chances, I do, but Kotwica made me forget everything immoral about Tuuli's character. There were even times when I thought Sara was the annoying one.

    Let's look at a more positive aspect of Finland. Gender equality! Both Saara and Tuuli are women with good economic standing. Saara is a doctor, showing that she has had many years of education, while Tuuli is currently studying art at the university. Their roles in society seem to portray gender egalitarianism. This portrayal is quite accurate, as Finnish women tend to have full time jobs and have equal rights in the labor market (Arber and Lahelma, 125). In fact, women have historically participated in the labor force. For example, in 1950, 41% of women were employed (Arber and Lahelma, 123). This was possibly the one good thing these women had going for them, but what good is gender equality in the schools and work place when your significant other is a cheating, shallow a. hole?

    Maybe the consumption of alcohol is a contributor in the poor behavior of these females. We saw Tuuli and pretend Saara go out on two occasions and drink heavily. Sara banged a German exchange student half her age, and Tuuli often cried over her gross married boyfriend. In Substance Abuse (2001), Bloomfield, Gmel, Neve and Mustonen found a large increase in alcohol consumption among Finnish women since 1970. They believe that the egalitarian society causes women to adopt behaviors, such as drinking, from males because they are "increasingly moving into professions and/or lifestyles similar to those of men" (39).

    Perhaps these are issues that Kotwica wants to address, because it sounds like drinking and infidelity is a prevalent issue in Finland. If his intentions were to prove that this type of lifestyle is unjust and immoral, then yes, I agree with him. My one question I still must continue to ask is: why make Tuuli so innocent? She is a woman who should be able to recognize that her choices are bad for her well being. Is this how Finland views infidelity? I'm not a religious person, so I do not believe adultery is sin, but I think marriage requires commitment between two individuals. Two people in a marriage should have enough respect for each other not to cheat! How about a divorce???? Legally, they're fairly easy to get in Finland.

    Honestly, I did not hate Musta Jää. It was exciting and had exquisite cinematography, and I always enjoy a film with an unpredictable plot line. And for the record, I am not opposed to traveling to Finland. I know better than to judge a country by one representation. However, the two women angered me, a lot.

    Bibliography

    Arber, Sara and Eero Lahelma. (1993). "Women, Paid Employment and Ill-Health in Britain and Finland". Acta Sociologica. Vol. 36, No. 2, pp. 121-138. Sage Publications.

    Bloomfield, Kim, Gerhard Gmel, Rudie Neve and Heli Mustonen. (2001). "Investigating Gender Convergence in Alcohol Consumption in Finland, Germany, The Netherlands, and Switzerland: A Repeated Survey Analysis". Substance Abuse. Vol. 22, No. 1.
    OleDom

    A love triangle to say the least!!!

    An explosion of Champaign sets the mood as laughter fills the room, she walks in with piercing eyes and a beautiful smile. She begins to inflate a piece of what seems to be "birthday party décor". As she blows air into the balloon she holds a questionable grin on her face, as this balloon fills with air the audience soon realizes that is not a balloon, but a condom. Using the condom as a metaphor to reveal to her husband Leo and his family that she is aware of the affair that he is having, Saara patiently glared into Leo's eyes with an eyebrow raised expecting an explanation. Throughout this scene the camera switches to a female character spying on Leo and his family. Soon this character is revealed as Tuuli, a student of Leo's and the female that he is also having an affair with. As Saara gains more insight on her husband's betrayal, I could not help but wonder who the victim is, who should be blamed, or who is right.

    In many Norwegian films there are common themes which include sex, betrayal, alcohol, and smoking. This film does not shy away from these common themes. These themes I feel as though they are all used as a way to escape what is really going on. Saara, Leo, and Tuuli, all seem to be going through an identity crisis. Leo believes that he wants to be married to Saara, but cannot give up his addiction to other. Tuuli, believes that she is in love with a guy but tries to live around the fact that he is married to another woman. Saara wants to be happy with her husband and tries to achieve this sense of happiness by destroying the life of Tuuli. She fails at this due to her becoming friends with Tuuli and Tuuli learning her true identity. Seeing that this Love triangle was doomed to fail, as an audience you could only expect what each character will do once they realize they are being betrayed by the ones that they trusted. The common occurrences of alcohol and smoking, makes it seem as though each character had their own addictions. In most of the movie you could find Saara with a cigarette in her hand. I found this as a stress reliever for her seeing that she was under pressure the most. Tuuli on the other hand was viewed as a young girl similar to many young students who went to school partied and drank. Leo was the character who I believe was addicted to sex. As long as he could have sex he would be happy. He realized that he was losing Saara but he could not be without sex. In the scene where he and Saara had lunch together he could not restrain himself from staring at the waiters butt. Right after he was caught by Saara, he pleaded for her to come back and be with him.

    Sitting at the edge of my seat from the beginning to the end of this movie, chills flowed through my body making my heart pound in nervousness and mind flow with confusion. I was not sure what I was feeling throughout this movie, and I was not sure if I was supposed to know how to feel throughout this movie. Although I felt sorry for Saara, and somewhat understood Tuuli, I could not help but to hate Leo seeing that he was the reason all of this happened. When his body was found froze in the woods I could not help but to think that this is where he belonged and this was what his character role was for.

    Intense is just one of the many words that can be used to describe how this film is. Entertaining to say the least this movie was worth the hour and thirty minute airing time. Convincing actors, quality picture and sound fits in great with a masterpiece story that will grab and hold your attention and having talking about it through the next couple of days. As I Stated in the tittle a love triangle of heart breaking betrayal is to say the least.
    Vincentiu

    bleak game

    who is the victim ? that is question who gives sense of movie. the fragile husband ? the cold powerful wife ? the young mistress ? innocent can be only the baby. so, a film like a labyrinth. no doors, no windows. shadow of Almodovar and crumbs of Bergman. a story and its plains. dark humor and slices of ambiguous fight. jealousy, refuges, empty friendship and survive. cruelty of revenge in spider way and two women as borders of circle. a film as catch. about snow and ice and need of certitudes and fall. about limits and image of the other. about lies as fermented feelings and slide of looks. series of shadows and complicated construction. happy-end as fruit of profound peace. silence from womb of strange war.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Director-writer Petri Kotwica planned this film for 6 years.
    • Citations

      Tuuli: What do you do?

      Saara: I'm a psycho... logist.

    • Connexions
      Remade as Du yeoja (2010)
    • Bandes originales
      Black Ice
      Music by Eicca Toppinen

      Lyrics by John Andrisano

      Performed by Hanna Pakarinen

      Under License from Harmageddon Publishing Inc. / Universal Music Publishing SAS

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    FAQ16

    • How long is Black Ice?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 octobre 2007 (Finlande)
    • Pays d’origine
      • Finlande
      • Allemagne
    • Site officiel
      • Official site (Finland)
    • Langues
      • Allemand
      • Finnois
      • Anglais
    • Aussi connu sous le nom de
      • Black Ice
    • Lieux de tournage
      • Allemagne
    • Sociétés de production
      • Making Movies
      • Schmidtz Katze Filmkollektiv
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 800 000 € (estimé)
    • Montant brut mondial
      • 1 733 080 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 50 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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    Ria Kataja, Outi Mäenpää, and Martti Suosalo in Musta jää (2007)
    Lacune principale
    By what name was Musta jää (2007) officially released in Canada in English?
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