Echo

The ECHO is the Hollywood remake of the Filipino horror movie from director Yam Laranas entitled "Sigaw" which is also released in the international market with the similar title "The Echo" The story begins when a young ex-con comes home to the apartment where her mother who passed away, lived. He curiously tries to find out what happened to her and why she died. He discovers that the apartment he lives in is having strange occurrences. He finds drops of blood, hears noises of things that are not there, and at the same time, he is also concerned about his apartment neighbor; a mother and daughter who is being victimized by an abusive live-in partner. All these things that haunt him soon affect his life, his work, and his relationship. He even begins to question his own sanity. Soon enough, he must face these things so that it will bring him peace.

Supposedly one that should be categorized as something which is more of a Ghost Story and Psychological Drama, THE ECHO is rich in stylistic visual images. An artful blend of bleak beauty in terms of cinematography and atmosphere, with the eerie vibe created by its storyline. The moments of horror may not be too bloody (except perhaps for one scene that had me biting my own finger) but they indeed transmit the sense of gloom well into its audience.

Jesse Bradford obviously did a better performance than Richard Guttierez (in the original version). His fear and sense of paranoia can communicate well with the audience. Iza Calzado is as haunting as she was in the original. I actually felt that the movie needed more focus on Iza whose role in the original was underlined well, and was very relevant with real world issues of abuse.

The Echo takes a lot of time to build up the horror. The slow build-up is reminiscent of old horror movies like The Exorcist, which takes its time to make its characters whole and establish a familiarity with the audience before it spills out the full extent of the horror.

The minor problem with The Echo is that if you have already watched the original Echo movie which is known here in the Philippines as "Sigaw" and you already have an idea what these hauntings are all about and why they occur, you might feel that it tends to drag and bore, because the surprise is already spoiled for you. Much of the movie's appeal relies on not knowing why these things happen.

As much as my heart goes out to the director, though, I am sorry to say that I felt that the build-up just dragged too slowly. Some sequences felt like it was just an exercise of waiting for something to happen. I feel that this needed to be re-cut, just to delete off the sequences that are horribly unnecessary. The subplots in between the horror sequences sometimes feel uninteresting. There is a good pay-off at the end but its pay-off is not as satisfying as, say, The Exorcists' final act which all goes off to hellish chaos. Instead, its pay-off is still storyline-based. It does not go off in a whimper, no, it does unleash some hell. But not enough to get it off its track, as it maintains its disciplined pace, leading to an appropriate end which makes the story go full circle. You will soon realize that this is NOT the Exorcist; this is a Ghost Story.

If you watch this movie, do not expect this to be like your run-of-the-mill slasher flick or torture horror; you should just expect a good ghost movie. There is some violence and gore in it, but this is no monsterfest. It is never goofy and it treats its own story in a very serious manner. It feels like something that may have happened in reality. That is actually its beauty because many other horror movies out there tend to overblow their stories to a point that it feels bogus and cartoonish. The Echo takes its time and is more or less grounded in reality. Quiet, but eerie. Just like the ghosts that live around us.

Cliched characters and plot fill a dim visual screen in this film. Everyone seems lethargic on screen and makes dull mistakes. The film reveals what is happening about halfway through the film, but this does nothing to energize the storytelling. Instead, we are led to a plodding end that allows for the "anti-hero" to prove his mettle.

Ever since I heard about it, I wanted to watch this American production of a Filipino horror film, with the same director (Yam Laranas) at the helm. However, when I heard it went straight to DVD instead of wide theatrical release, I knew I had to temper my expectations.

The first half of this movie moves at a literal snail's pace. There was nothing much to establish, yet it certainly took its time. Bobby Reynolds (Jesse Bradford) earns parole from his prison term and went to live in his mother's apartment, which had been abandoned since her recent death. However, he sees strange things and hears strange sounds while he is there. This entire scenario with the Mom was not in the Philippine version at all, yet so much time was spent on this side story here.

However, in the second half, the movie finally comes alive when the story about the family who lived next door to Bobby finally gets dealt with in more of its gruesome detail. These scary scenes were shot very well, with the right amount of nervous tension. Still we see the victims do what most "horror movie victims" stupidly do to deserve their fates. The ending would seem to be quite simplistic given the extensive build-up to that point. This is especially true for us who had already seen the original before.

Jesse Bradford did well to convey how a macho ex-con could be the central character of a horror film, which is not typical. He did much better than the original actor. I felt it was too bad that Iza Calzado, who was given the chance to reenact her original role in this American version, was given little opportunity to fully delve into her disturbed character of the abused wife. Some time could have been spent to describe her situation more, than the excessive time given Jesse to explore his apartment. Knowing her character more could have increased the audience's satisfaction with the story's final outcome.

After reading the other reviews I feel compelled to right a comment on this movie.

The other reviews describe it as a future 'cult hit', it is compared to 'The Exorcist' and how it is so realistic - 'something that may have happened in reality'?

Really! Well no, not at all, on any level. It is far too generic to be a cult hit, seen this type of film a million times (think 'Grudge' or 'The Ring' or any other east Asian remake), it is not even slightly like 'The Exorcist' (the build up really isn't that slow) and why the comparison is made I'll never know, as for realistic - gimmie a break, it's realistic if you live in 'spooky Asian ghost land', and last time I checked that place wasn't real.

So, in a nutshell what we have is a half decent ghost story that we've all seen before. If you've seen any of the other East Asia movie remakes then you know what to expect. In fact the 'scary' parts are identical in all the remakes - pale Asian lady and/or child pulling scary faces and moving about a bit strange.

I find it strange that when Hollywood remakes an Asian film they transplant China or were ever the original was made for the USA (Grudge being an exception), make all the characters Caucasian, but leave the scary people as Asians! Were the scary people in the Asian version Caucasian? No, so why not transplant the whole thing, I mean it's almost racist, and Asian women walking weird aren't scary!

Anyway, rant over, overall it's OK as a rental, but nothing to shout about.

5/10

Bobby Reynolds (Jesse Bradford) is on parole under close supervision. He moves into his late mother's apartment in an old apartment building. He gets a mechanics job with Hector Rodriguez. He reconnects with former girlfriend Alyssa (Amelia Warner). He keeps hearing disturbing sounds in the apartment.

This is a simple horror story. It's a slow burn. It so simple and so slow that it just lost me. I got bored. Jesse Bradford is fine. I've never been that impressed with him. This simple horror really needs Jesse to carry the whole film on his back. The setting is non-descriptive in a bland way. Nothing is grabbing me in this one.