Coup de foudre au Caire

I enjoyed seeing the movie, but it is hard to describe why in words. Is it the music, the scenes of Cairo, the magical pyramids, the performance of the actors, the unhurried pace? I don't know why I enjoyed the movie so much. Not one part of the movie is that spectacular. I grew up in the Middle East and heard the beautiful voice of Um Kalthoum a thousand times, encountered the sexual harassment on the streets and seen busy bazaars. Nothing in the movie was such a surprise for me. Yet somehow when you put all these elements together with the fantastic actors, it just works. I left movie theatre feeling uplifted and optimistic. The movie is visual poetry.

Cairo Time is beautifully filmed - like a love poem to Egypt. I adored the slower pace of the movie because it felt like it gave me a chance to breathe, to enjoy the gorgeous scenery, and sink into the feeling of the movie. It was wonderfully nostalgic of many of the things I experienced on a trip to Egypt I took 2 years ago, and I found myself laughing out loud a few times, remembering.

I was also reminded of the allure of Egyptian men - yes, they are very obvious, in-your-face, and verbal to women, which I'm not used to as a Canadian woman. Yet paradoxically, many are very much gentlemen, cordial. I liked seeing this in Tareq's character, as he put Juliette on a pedestal which you really come to feel she deserves.

I also liked how the love story was actually quite innocent and told a story of pure love and appreciation for a fellow human being. It felt like it portrayed exactly those moments of stillness and deep feeling that we only share with select few in our lifetimes. Experiences that we recall with our eyes closed...like secret, subtle moments the heart remembers and cherishes.

Cairo Time could be the solution to the date movie, so subtle and full of empathy it has no time for anything that might embarrass the person you are with and you'll have something to talk about later. I saw it alone for logistical reasons, but from the middle of the second row it was quite emersive. I'm no Cairofile; all I know is that the place has pyramids and a funny word for the water pipes they smoke. Those things are touched upon, but the movie avoids becoming a travelogue. Patricia Clarkson (The Green Mile) arrives for a vacation with her United Nations honcho husband Mark only to find he isn't there. He'll be busy in Gaza for a while (which is never played for a joke although we get the idea that settling things in Gaza could take a while). Alexander Siddig (Dr. Bashir from Star Trek: Deep Space Nine) a former co-worker of Mark meets her instead and acts as a guide where he can. He would show her the pyramids right away, but she has promised her husband to see them for the first time with him. We might be able to guess where this is heading, but the surprise is that scenes that might not read as 2009 ADD generation content is actually loaded and engaging. We are waiting for tea to steep and not getting bored. Clarkson takes on more of a glow as the movie goes on, but in the early scenes it is her character Juliette's vulnerability that has our focus. A bunch of random flirtations from guys on the street might be a minor irritant in the USA or Toronto's Annex neighbourhood, but here there is a growing sense of jeopardy which reinforces the bubble of trust Siddig's character creates. For another character to burst that bubble by violating the camera frame with a sudden lunge from the teaming masses would be a shame, an intrusion of reality. And yet the film is very realistic as to the unexpressed aspect of life that can turn a bland setting into a postcard perfect image depending who you are with. The director Ruba Nadda spoke after the Varsity cinema screening I attended and it is remarkable that amid the strategies needed to pull off this movie she managed to maintain such a subtle focus. It is nice that also Christine Vachon's brand is there as a producer to suggest how subtlety in a movie might even be considered quirky. But it definitely has the patience and quiet faith in detail that mark Ruba Nadda's previous movie Sabah. I would love to read a diary publication about the making of Cairo Time. From content to execution it is apparently a film only Ruba could have made - it has both ethnic trappings with gravitas and an accessible romantic, dramatic structure of entertainment.

the movie was really good Um Kalthoum's great songs were amazing background music for the movie and Abdel Halim Hafez's too, the marvelous sites of Egypt and the sound of the Adan (the call for the Muslim prayer) all were fantastic...but as an Egyptian there were some stuff that were not realistic to me.

First was the accent of Tarek in the movie it wasn't Egyptian at all..

Second it only showed the crowded messed streets of Cairo and describing Cairo as "such a mess" disappointed me as an Egyptian living in Cairo, it didn't show the neat sites like Maadi, Heliopolis or Zamalek which the hotel supposed to be located at, which I believe must be a five stars hotel being by the Nile yet bizarrely the receptionists were not working at night which was extremely weird and doesn't happen at any place in the world!!!

Ruba Nadda wanted to convey a specific ancient image of Cairo but this can't be the whole image about Cairo now,, that movie would be realistic but 50 years ago..

Juliette Grant (Patricia Clarkson) travels from America to Cairo to meet her husband Mark (Tom McCamus), who belongs to the high echelon of UN and is settling refugees in Gaza. On the arrival, Juliette is welcomed by Tareq Khalifa (Alexander Siddig), an Egyptian that had worked with Mark and now is retired.

Mark has a problem in Gaza and can not come to Cairo, and the gentle Tareq invites Juliette to sail in the Nile and visit the pyramids. Juliette learns that she can not walk alone on the streets of Cairo since she is offensively harassed by the male locals, and she sightsees the city with Tareq. The proximity with her husband's friend and his attention to her make Juliette too attracted for Tareq. Will they have a love affair?

"Cairo Time" is a delicate and sensitive romance about companionship evolving to romance for mature audiences. Immediately after watching this pleasant film, I said to myself: this is certainly a film directed by a woman… and I was right. The sensitiveness of the director and author Ruba Nadda is impressive.

"Cairo Time" has magnificent cinematography and locations and the underrated Patricia Clarkson is excellent and with a perfect chemistry with Alexander Siddig. The music score is very beautiful and the conclusion of the affair of Juliette and Tareq is stunning. My vote is eight.

Title (Brazil): "Meus Dias no Cairo" ("My Days in Cairo")