Les 3 Royaumes - La Résurrection du Dragon

The top review I see on here asks why this movie isn't getting higher ratings. I counter: why should it? What should be a masterful story is ruined by absolutely poor directing. This movie seeks to do such much in a short amount of time. If this movie were another hour long, maybe they could've squeezed everything in. Instead, you have back stories that don't get fleshed out, people who become major characters out of nowhere and then suddenly its supposed to be emotional when they get killed, and decades of time passing with barely any filler of what happened in that time. And what is up with the ending? There is no catharsis, there is no meaning behind any of the actions that occur, there is just superfluous and emptiness. And why even throw in that hint of a love story? Nothing ever gets spoken of it again. Everything that occurs is just pointless.

If you are looking for a Chinese war movie simply to pass some time, this is watchable. Beyond that, there are many other movies in that genre that are more enjoyable and well crafted.

I like eastern movies, that are build around dynasties and wars and such. Even a lesser effort like this can be entertaining for me. I've said it before though, since I've watched MUSA, no other movie has come close to that! It's difficult to make another one, that would be in the same vein. While this one couldn't hold up to that, it's not able to hold up to other movies too (even from recent future, like THE WARLORDS, with Jet Li and Andy Lau).

All in all, this is quite nice, the action is decent, the story moves along with a good pace and it's quite enjoyable overall. If you will like it or not, depends on your view of movies in that genre/vein. Just don't expect anything great and you won't be disappointed!

Based on the classical "The Romance of the Three Kingdoms" Daniel Lee ventures back to one of the most important eras of Chinese history - the time of the titular Three Kingdoms, of ever-lasting conflict and battles, which formed many a legend. Here focus is directed to the famed and glorified general Zhao Zilong (an ever-pleasing Andy Lau), a supposedly undefeated warrior, who brought glory to the the kingdom of Liu Bei. Backed by the military genius of Zhuge Liang (Cunxin Pu) and the remaining Five Tiger Generals, the heroes bathed in glory.

Opulent, radiant the settings, scenery, cinematography, lighting and general art direction borders on perfection with each shot nurtured and tended too is this lavish epic. With appropriate heroic pathos to accompany the story-telling Zhao Zilong is presented as a chaste and immaculate warrior, as if almost striving towards a Buddhist transcendence. Unrivalled in battle, loved by all men and glorified even by contemporaries, Zhao shines even when riding out by himself against an entire army. Naturally such a directorial choice can't be criticised, similarly as chanson de geste type poems are what they are: glorified monuments of heroic deeds, unabashedly singing praise to the main protagonist. In a take it or leave it deal, Zhao Zilong is a hero, unfailing and relentless in pursuit of unification of the kingdoms, even in tragedy a man suit for tall tales of glory.

However "Three Kingdoms" falters due to one rather overbearing glitch: lack of middle story. The depiction of Zhao Zilong's life basically limits itself to an extravagant presentation of two moments of his story: the beginning and the end of his legend. Unfortunately Daniel Lee fails to even trouble himself with building any back-story to the character (who was he? where did he come from? what motivated him?) or worse yet fails to build any backbone to Zilong, instead fast-forwarding us from his initial feat of bravery as a young man, straight into the time of him being an elderly general, the sole remaining of the Five Tiger Generals, right before what was to be his final battle.

The whole context of in between is forfeited, thus never even truly affording the audience an understanding as to the prominence of his battle achievements or allowing him to build an emotional connection with viewers. Such a thinly presented story is however aptly summarised in the fading line of the movie itself "How many things before and after fade into gossip and laughter."

Well, This is the first time that I came here. Actually, it is because of this movie made me come here! Because he is a Korean Director, I can bear and forgive his unknowns about the real and reasonable history of Three Kingdoms of Ancient China. But there is something I can't bear, and I am sure nobody had known Ancient China can bear.

The costumes(or Amor), I am sure they are all Japannese Style! I am not want to cause any racism arguments, but it is Chinese History, what's hell you give the worries Japannese Amors? Can I shoot a movie about Civil War of US but give them Ancient European Amors? And also there are many many unreasonable details about the story. Our Forums have discussed how bad and how stupid about this story~~~~Well, I know most of u guys can't understand what I am saying. Overall, it is not a good story, but it may be a good WAR FILM which made people excited.

Another Chinese epic film filled with heroes, enormous battle scenes, amazing panoramas and some great actors. Sounds cool and like a sure winner yet its an enormous waste of money and talent.

The battle scenes are a big disappointment. It would be fine if the writers/director/producers created a film that was small on battle scenes big on character development, plot development and dialog. Yet, the battle scenes are the majority of the film and there is no character development, very limited plot development and the dialog is boring and thankfully there's not much of it.

The battle scenes are filled with short cuts which are extremely hard to follow. One cut will have mounted units charging from left to right on the screen and then the next cut will show mounted units charging from right to left. Logically the viewer is led to believe that there are two opposing mounted units charging each other. A few cuts later it becomes apparent that all the mounted units are on the same side and chasing one guy.

The film spends 30-45 minutes on two battle sequences featuring a young Zilong, then 5-7 minutes on an elaborate ceremony featuring a middle aged Zilong and the rest of the film time is spent on the old Zilong.

The cinematography is typical of recent Chinese epics overly beautiful (death never looked so pretty) and big on ceremony. The problem is that it was chopped up like almond-fried chicken. The cinematography could have been the saving grace of this film however it was edited by someone on crack. The result is that it is beautifully confusing.

If you are looking for another great or at least entertaining Chinese epic film look elsewhere. There really is no reason to watch this film unless you are curious to the point of being masochistic as I often am.