Shuttle

What can you say about the film where the general idea behind it is good... but the construction is so appalling? Watching the last few minutes offered some semblance of satisfaction... but recalling almost everything that led up to this point... such as: twists you can see from a mile off, cretinous behaviour from all concerned and a ludicrously indestructible villain meant whatever good feelings I may I had towards the movie came crashing down like a lead balloon.

These two girls have just come back from Mexico, and are trying to get a ride home from the airport. Rather than take an official bus, they rather unwisely choose to hop on a dodgy looking blue van driven by a seedy looking geezer... with the offer of a 50% discount. A couple of lads desperate to get off with the two ladies join them, along with a nervous-looking businessman. His role will quickly become clear for anyone with a half functioning brain. Surprise, surprise... the truck doesn't stop where they want it to. Then, when the vehicle halts abruptly when it gets a 'flat'... that's where the ordeal begins.

And not just for the protagonists. Constantly, we see people having countless opportunities to run for it, kill the bad guy, escape with the van... and do they take any of them? Nope. Admittedly, this would have ended the film much sooner (not a bad thing). But to endlessly harangue us with these venues of retreat, only for the foolish characters to choose THE WORST POSSIBLE OPTION and muck them up is just an insult to the audience. This is a common problem to be found in a lot of recent films... if our heroes are going to fail, at least let them do it in a believable way, not by having them act dumber than roadkill. It also majorly diminishes what sympathy we may have had for the hapless fools... when they're the architects of their own downfall.

As for the evil dude, he can be involved in a major automobile accident, bludgeoned over the head repeatedly, stabbed in the thigh and shot through the skull... and STILL muster up enough strength to not only survive, but force a young woman into a box. Is he a cartoon? It just adds to the lunacy, anyway. And the few curveballs the script throws our way could be anticipated by the most inattentive of viewers. Shuttle could have been a noteworthy horror with originality, but thanks to poor treatment just ends up being a forgettable also-ran... 4/10

Shuttle was a good thrille/horror. But one that was very crushing especailly getting to the climax of the movie. This film follows two woman mel, and jules played by peyton list and cameron goodman. They have just got off a flight and a mysterious shuttle driver offers them a lift for half the price of the other one. They jump on as well as two men that were eyeing them up. And a man with a briefcase. You know things are going to go well and so they end up in danger. There is a lot of suspense throughout and good acting, especially on peyton lists part. Overall shuttle is a good but brutal movie that makes you relize not everyhting can turn out happy.

If you have seen Taken, then you will notice the similarity of the idea of trafficking. I know that both movies were released in 2008 but I don't know which one came first. However, the similarity in here is only in that point and other than that both movies are different and not to be compared in anyway. I loved both though Taken is much much more better but this doesn't make shuttle a bad movie.

Shuttle has good things about it in terms of getting you wondering what the bus driver will end up doing with the girls. It's not that you don't guess why he kidnapped them but you will wonder what will happen.

Overall, the movie does have bunch of entertaining elements in the plot and though the reviewers probably didn't like the characters, I did like them and they were convincing in some parts. One of the reviewers mentioned the fact that the characters were so stupid and at some points could have easily escaped but this is not true. The other day I was sitting in the hospital waiting for my turn to get into the doctor's office and my laptop was with me. And then I read a sign about what to do if a fire starts and started wondering if a big fire flamed out in the whole place and the only way to save myself is to run fast, What would I do? Would I choose to forget about my heavy bag of laptop and CDs to save my life? and I found it really hard to leave my expensive things behind right away. Things have to really get worse for me to start considering throwing my things away. So this is what usually happens with movies when you find some actions stupid and you can't understand them or find the rationale behind them from the comfort of your seat at home. I find these things true and serve the plot and increase the tension.

Interesting from the start, though far from riveting, the plot of Shuttle very slowly builds to an incredibly unsatisfactory ending. The premise is all right; people embark on an airport shuttle towards downtown only to discover that they are at the mercy of a psychopath who kidnaps them. What ensues, however, is a pretty by-the-number thriller where there is not one development, plot point or reversal that is unpredictable or surprising in the least. Even a supposedly midpoint twist is totally foreseeable only by the way the main characters are introduced at the beginning. From then on it's merely a long cat and mouse game that loses interest quickly.

Audiences of this type of genre fare are trained to expect a major twist at the end; no such luck here. There is a conclusion but it is neither truly shocking nor original. And to claim that the filmmakers wanted to make any kind of statement about the world and a sad phenomenon with this ending would be easily negated by referring to the sheer exploitative nature of everything that precedes it.

The length is way too indulgent for this material; at least twenty minutes could easily be cut without compromising this story. Shuttle is not without merits though. Acting is surprisingly accomplished throughout, particularly by the two girls, especially in light of the weakness of the material they have to work with. Their backstory, undoubtedly aimed at deepening their characters, is incredibly clichéd and poorly conceived. Directing is top notch, low-budget film-making at its best; again, too bad there is no properly developed screenplay to provide a solid foundation.

On the whole, SHUTTLE is a perverse and mean-spirited motion picture, yet the powerful final moments of the film are truly sensational but diabolical none the less. The movie begins with two weary young women who have just ended their Mexican vacation, and need a ride back to town. They board the airport shuttle bus, and are taken hostage along with the other passengers. How will this divergent group free themselves from their psychotic abductor? The plot is straight-forward to the point of banality, yet here is where the story begins to lose plausibility. The fiendish driver takes them on a late night journey that seems endless and lasts most of the night. It really stretches credulity that no one would notice this out-of-control bus, and it would seem that they would have encountered more traffic if the airport had been located in the wilderness of Alaska. Their malevolent driver is menacing to the extreme, and a maximum of physical and psychological torture is dispatched. It is only in the final few minutes that the true motive for the kidnapping is revealed, and this electrifying final impression of abject loss makes the suspension of believe just about worth it.