Tant que tu es là

Hi there,

let me briefly tell all of you, that I loved that film. You'll love it,too. I, as a cineast, have always been wondering why gay issued-films became so incredibly boring. Watching "Solange Du hier bist", i found an answer: Because they don't face reality and suffocated in sort of post 80ies trial of breaking taboos, that are not longer existent. Or they obviously just try to tear the money out of the audiences pockets with offering cheap and "pseudo-sexy" stories. "Solange Du hier bist!" doesn't either do the first nor the second. This film seems to have broken a new taboo, confronting the (gay) audience with (their) absolute and personal reality! Honest, brutal, courageous, empathetic!I am sure that might be disturbing for some, but it's a revolution in a way... This film shows individual life, and suddenly puts the word -cinema- above the brand -gay movies-. Congrats...

TO Stampa Rosa: Don't worry about Torino. Maybe you'll win next time!

I went to see the movie without any expectations, during the Montreal World Film Festival. What can someone expect from a young director, with a young crew, right? What I found out surprised me, and my friends whom I brought back with me to see the movie for themselves. The finesse, the depth of each line, the lightness of small gestures, combined with an impeccable camera technique, gave a wonderful result. Among all the young creators and participants in this movie, the director Stefan Westerwelle definitely knew how to attract the spectator into the show! Michael Gempart does a great part, down to the smallest detail. His role is more of a meditation, a spoken one... Leander Lichti also plays with easiness a character that is quite difficult to portray. The pair reflects very well the incongruence of two ages. My only regret with regard to the movie is that it didn't get any prize at the festival in Montreal. I can't wait for the DVD to come out!

WHILE YOU ARE HERE (Germany) "He's asleep downstairs. I'm so excited I just don't know what to do." That's George (Michael Gempart), an elderly German pensioner, speaking into his tape-recorder diary, entries from which play on the soundtrack of this magnificent 80-minute film from 26-year-old writer-director Stefan Westerwelle, who made it as his senior project at Cologne's Academy of Media Arts. George is excited because Sebastian (Leander Lichti), the young hustler he's been hiring of late, has unexpectedly decided to stay the night. Both men need the company, and both gradually find resonance in the other's haltingly told stories of the various men (fathers, lovers, et al.) who've shaped their lives. This exquisitely designed and photographed film has a disjointed and ultimately very moving time scheme, and a vividly physical sense of how a man such as George — like single people the world over — surrounds himself with the photos and objects whose nearness soothes his soul. In its affinity for the movement of light and shadow across a domestic space, While You Are Here calls to mind the films of British master Terence Davies (The Long Day Closes and Distant Voices, Still Lives), while its appreciation for the daily rhythms of solitude makes it the cinematic equivalent of Christopher Isherwood's seminal novel of gay life, A Single Man. That's surely too much hyperbole for such a modest film, but this is gorgeous work from an exciting new filmmaker. (REDCAT, Sat., July 21, 9:30 p.m.) (CW)

This film was screen as part of the 2007 Sydney Mardi Gras Film Festival. I had no expectation of the film as someone else choose it for me.

I actually like films that take time to develop, films that allow the characters to unfold and lets the story flow. Stillness is good. But this film though was just plain slow.

Credit must go to the two main actors. There was a sense of tension between them as two totally different people, misfits really, come together in a very awkward way. There were tender moments and sadness as we learned more about them.

I also liked the setting and the way it was shot. It was claustrophobic and monochrome and it added to the film's intimacy and reinforces the oddness of the characters.

I just don't understand the ending. What was the point of it all?

I saw that film even before Ms. Stampa Rosa. Not just in Locarno, where i attended its world premier, no, where ever I've been able to watch it, i couldn't wait seeing it.

And every time i am anew impressed by the beautiful images, by it's impressing tenderness and the sensitive and sensitively told story! I don't perceive it as a gay movie- IT IS MORE! of course, on its surface, it deals with a gay subject, but develops into a incredibly touching portrait of life in general and a fascinating and precise portrait of an old man, as well! Non moralist and open minded! And definitely non of these "gay soft-porn"

To Ms "Stampa Rosa": And now, i am proud to be able to tell you, that i saw it around 4 times internationally and have never been bored at all. I am not sure what you expect from film, but this film has everything a young film should have. It offers a courageous insight into the reality of a living being, into a part of society, younger people like to push aside. THIS, Ms "Stampa Rosa" is a film which gives you 150% back of what it's promising. Your generalization is annoying! One advice: Watch more German Films, (whatch more films in general), and read more press articles (as i am working for Press as well, I know that what you say is definitely NOT TRUE!!! (you should read the international articles about the film as well.) You'll find out that you belong to a minority with your opinion. The awards this film has already won, should say you the same.