Giorni e nuvole

*Days and Clouds* (2007) is an Italian drama film directed by Silvio Soldini. It follows Elsa and Michele, a wealthy middle-aged couple whose comfortable life shatters when Michele loses his job. Elsa, an art historian, is forced to take small jobs while Michele struggles with pride and despair. Their once-loving relationship strains under financial stress, leading to personal transformation and a reassessment of their priorities. The film explores themes of economic instability, resilience, and love in adversity, portraying a realistic and emotional journey of adaptation and rediscovery.woww!

Times are tough right now, mirroring the era of The Great Depression. Financial security is a ghost, friendships and relationships are tested by walking the razor edge of insolvency, and according to the 'popular movie' polls the escape for many is in the darkened movie houses with comic hero or animal animated mindless safety net entertainment. Not so with the very brilliant film DAYS AND CLOUDS written (with Doriana Leondeff, Francesco Piccolo, and Federica Pontremoli) and directed with immaculate attention to detail by Silvio Soldini (BREAD AND TULIPS, etc). Soldini recreates the global financial nightmare in the form of an examination of one family's fracture and consequences. It resonates despite the depressing story, offering a glimpse into the universal ties that bind us at this moment.

Elsa (Margherita Buy) is graduating from Art History and Restoration school and seems to be a woman on top of her league, complete with surprise gifts and a celebration staged by her husband Michele (Antonio Albanese). Waking up the morning after her congratulations party, Elsa is ill with a hangover, but even more shocked when Michele breaks the news to her that he has been out of work for two months, ashamed that he has lost his company and his job, hiding in the couple's boat during the day. There is no money left and the couple must face losing their home and are forced to take on menial tasks to survive. Pride prevents the couple from sharing their financial downfall with friends and with their one child - Alice (Alba Rohrwacher) who has elected not to pursue education in favor of waiting tables in a restaurant she has invested in with friends. The tension of keeping the secret to themselves causes mounting friction between the couple and events that would have never happened had they shared their misfortune with friends and family bring their relationship to a near fatal end. How they survive is touched, quietly and quickly and gently, at film's end.

Soldini spares no pain in the responses of his characters' misfortune, but at the same time he allows each character to emerge from ideal married tropes to completely human victims of financial ruin. Buy and Albanese are triumphant in their performances as the married couple caught in the crumble of decline. But there are fine performances by Rohrwacher and Fabio Troiano as her lover Riki, and Carla Signoris as Elsa's closest friend Nadia, and actors playing two ex-employees of Michele who provide a window of friendship in Michele's time of desperate need.

The cinematography by Ramiro Cirita and the musical score blending opera and folk music by Giovanni Venosta enhance the motion of the film that though just under two hours in length, appears more succinct. Silvio Soldini has taken a topic that affects us all and polished into a film that is bound to touch every viewer deeply. Highly recommended movie from The Film Movement. Grady Harp

This is a cautionary tale of an upper middle class couple whose life is going down the toilet. The husband Michelle has been forced out of his successful business by his partners but keeps the secret from his wife. Unaware, she continues to work with passion toward her degree in art. He throws an extravagant surprise birthday party for her, and this will be the last day of happiness for both of them.

He drops the bombshell the next morning: I haven't worked for two months, we need to sell cancel our vacation to Asia, let go of the maid, sell our sailboat, and move to a smaller and more affordable place.

Like a dinosaur unable to deal with a climate change, the husband pretends with friends and his daughter that everything is fine. He passes up an opportunity for a meaningful but lower paying management position and sinks into depression as he is forced to accept entry level and temporary jobs. Meanwhile, his wife is trying her best to make this miserable situation work.

A strong but relentlessly grim movie to watch as the couples lives crumble around them. The beautiful city of Genoa has never looked worse as we are immersed in back alleys and scenes of industrial sprawl.

A great follow up to Bread and Tulips, this story focuses on the other end of the spectrum of a relationship. As the movie progresses and the situation of the characters worsens, you begin to see subtle changes in the manner the couple interacts with each other, kudos to the fine actors for portraying such intimate and fragile emotions so realistically.

Does love conquer all? Silvio Soldini (who was present after the world premiere of this in Toronto to comment on this question) isn't sure if it does, but he's hopeful. Decide for yourself and watch this film as he takes you on a journey of the highs and lows of a middle-aged relationship.

"Giorni e nuvole" (2007) is a poignant exploration of love, loss, and resilience. The film beautifully captures the essence of life's unpredictability, showcasing the impact of financial crisis on a seemingly perfect family. The performances are exceptional, particularly by the lead actors, whose chemistry is palpable. The cinematography is stunning, enhancing the emotional depth of the narrative. Director Silvio Soldini crafts a delicate balance between drama and hope, making the viewer reflect on their own relationships. This film is a masterpiece that resonates long after the credits roll, deserving a solid 10-star rating for its heartfelt storytelling and artistic brilliance.