War, Inc.

Joshua Seftel's first film - a satire of memorable proportions - is about just as the title suggests: The corporations effect on War.

The film is about a mercenary (John Cusack) traveling to Turaqistan (not a real country, fyi) to help the American government 'get their message across' to Turaqistan's leaders. He meets a reporter (Marisa Tomei) and we all know what will ensue with a lonely man + a hot reporter. Somewhere in the mix, a pop star named Yonica Babyyeah gets thrown in. As Yonica is marrying one of Turaquistan's most important people (a son of the president), a subplot is created where the mercenary must watch over this star, well, somewhat. The film starts off with a lonely Cusack in a bar; no more than fifteen seconds later, the film hooks you. With it's amusing and intriguing insight on terrorism and politics, the film's running time blows by you. The film has a lot more action than I expected, with the occasional scene of war, well choreographed fights and just sporadic scenes of murder. Though the story isn't much deep, the simplicity of it all makes the film perfect for both the common man and movie critics alike.

In the final act of the film, the simplicity of it all turns very hostile and jumbled. I thought it was executed very well, but other may disagree, and I could understand why. Twist after twist is what the ending is all about, and like most films, it is a true hit/miss situation. Regardless, the three writers on the film (Mark Leyner, Jeremy Pikser & John Cusack) did a fantastic job creating a realistic and entertaining satire on today's situation overseas.

Joshua Seftel does an excellent job insuring the film's integrity; not reducing the material to the most redundant of films (which I was afraid would happen). Seftel crafted the film as perfectly as one could: he created a vibrant atmosphere, one that is both examines harsh reality and cartoonish falsities; - contrasting them perfectly - as well as making the film feel as if you were watching it all. Seftel really gets you involved in all of the action and it pays off completely. No missteps here. Hopefully, he takes on more directorial jobs, for he is one director to look out for.

In this satire of the commercialization and 'lightheartedness' of war, John Cusack plays Brand Hauser, an assassin sent to to 'Turaqistan' to take out Omar Sharif, who is doing some oil business that will spell trouble for the former Vice President of the US's own company. In addition to this, Hauser must juggle his fake position as a trade show producer, a wedding for pop princess Yonica (Hillary Duff), and a nosy Liberal journalist, Natalie (Marisa Tomei).

Assessing the technical aspects:

• The acting (by the main characters,at least) was good, as was to be expected. Some of John Cusack's dialogue was quite obviously not written for him as he often seemed uncomfortable saying it. . . maybe unrealistic is more accurate. Joan put forth a great, and often hilarious, performance. Marisa Tomei, while I've never been a big fan of hers, was more than suitable for the role and worked well. Hillary Duff, however, was pretty terrible. They needed an attractive Middle Eastern (or Russian, or whatever that accent was supposed to be) pop-star. Unfortunately, they went 0 for 3 with her.

• Like I said above, the writing seemed a little stiff and mismatched at points, especially John Cusack's dialogue. Not much of it, mind, but some. The story also got a bit ludicrous at points, which is fine for a satire to a point, but it took it to a whole new level here. Luckily, the Cusacks and Tomei keep a relatively cool, calm demeanor throughout, and that makes a nice even mix of the craziness of the film and the levelheadedness of the actors.

• Joshua Seftel, who previously had a drought of real credits to his name, did a fine job with a rather wide-spectrum film. He handled the small ($10 million) budget very well, stretching it to make it appear to be much more. Seftel also managed to nicely blend the humour of the story. . . with the painful and hard-to-watch parts of the real war (including slaughter of civilians, etc.).

• As far as the general satire goes, its exaggerated look on the commercializing of war is very well done, especially the 'Golden Palace Poker' ads on the U.S. tanks. At points, it becomes a little too much, but, in the end, it still accurate portrays what it's going for an a young 'Mel Brooks'-type of style.

Overall, the film is very well made for the meager budget and it's definitely worthy of a look. It won't go down as one of the great satires of cinema, but it's certainly not the worst.

7/10.

It was hilarious from start to finish. Very poignant and very dark. I especially loved those deliciously violent and overtly sexual lyrics to all of Duff's songs. I'm actually hoping I can find that song, 'I Want to Blow You Up.' The frightening thing, in history, is that something similar did take place. The East India Company, a properly registered English company in the 1600's to 1857, did actually raise armies, fight wars and collect taxes in the sub-continent. They were as ruthless, if not more so, than Tamerlane. Ever since John Cusack first started acting in teenage movies, I've always thought him to have an impeccable sense of humour and timing. And I'm so glad to see that he is using these talents in dark comedies rather than the run of the mill, mainstream rom-coms.

You movie is basically a rant at America and the way they police/Destroy all minor nations real or in this case "Turaqistan" make believe. you then have your story within this with Mr Cusack, a down on his luck assassin sent to do a job in Turaqistan and all that follows to distract him from this.

The movie has some hilarious moments, basically every scene with Hilary Duff is hilarious. She plays Yonica Babyyeah an oversexed brat that performs a fantastic solo of "i'm gonna blow you.....up". Priceless and worth the admission price alone. You then have the tanks rolling around with advertising slogans like a Nascar.

the movie still could have been a lot better, at points it just seemed to muddle its way through with no real direction. In the first 45 minutes you don't always understand the scenario of the private security forces, the American soldiers, the company etc etc, it does get a little confusing.

However the performances of John Cusack and Hilary Duff are top drawer and with the humour this is certainly worth watching.

I really wanted to like this, but in the end it's a poorly made film with too few laughs.

The politics are spot on, it's gonna offend the hell out of republicans but that's what it's designed to do. That alone gives me reason to chuckle.

The problem is, it looks like it was made in a REAL hurry (like about a week). And it contains a stupid subplot about some bimbo singer, which seems to be completely off topic.

Turiqistan is obviously Iraq, or Afghanistan, or any other number of countries the US has f**ked with since the 50s. The humour is a little dark (amputees dancing with prosthetic legs made by Tamerlane corporation) but it IS on the mark, especially with the corporations cashing in on the reconstruction ("democracy lite"!)

However like a lot of satire criticising the US, it seems terribly heavy handed and laboured. I guess it's running counter to so much bs propaganda so it has to bludgeon people over the head to make a point. Who knows. I prefer more of a nudge, wink approach - a bit of subtlety. But that's just me.

Anyway I might watch it again, perhaps I missed something.

I'm hoping "W" is more on the mark.