Surprise, Surprise

This "film" is a mess. Not one nano second it believable. The script is PAINFULLY bad, the acting equally bad, there is no direction, the story is banal and ridiculous and not even remotely human. A sad pile of porridge from beginning to end, it is an utter waste of time and film. Skip this one!

As a gay man, I am obviously drawn to gay-themed movies. All I ask of them is to show me gay characters that are believable. I don't need to see them have sex; I only want to believe in their relationship. This was denied to me in "Surprise, Surprise." We are supposed to believe that Den and Colin have been together for six years. I understand that this is not the first week in the relationship and that they are not expected to French kiss every time they meet. But when Den comes back from a working session outside of the country, and he's been gone for days if not for a couple of weeks, upon his return he finds nothing more loving to do than to give a peck on his boyfriend's forehead. You know the kind one gives to his grandmother? That is the extension of their affection. As far as I'm concerned, they may has well have given each other a handshake. Those guys are not lovers: they are roommates. Lips will never touch. I am reminded of other "gay" couples (gay on paper only) in movies like "Friends and Family" or "Advice from a Caterpillar", where the couple is known to be gay and yet the characters never show it.

"Surprise, Surprise" is certainly not a bad movie. It was obviously a theatre play at first, which is fine because we are assured of decent dialogues. The characters don't have a lot of depth, and young David is certainly one of the most obnoxious characters I have seen in quite a while. Such people do exist; but why one would want to be around them remains a complete mystery to me, family ties or not. Then again, I am not family-oriented.

The actors are good, especially Luke Eberl as David. He certainly gives an energetic performance. But the character remains extremely unpleasant.

I think I would have liked it better had we had spent more time with Den and Colin, instead of Den and Junie (no reflection on the actress' work). What was their life like before David shows up? What is their interaction? Are they the least bit in love and was there a time they showed some affection? When did they both become straight? :-)

But that is another movie I guess.

37 years before Surprise Surprise came out one of the first gay themed movies about a gay dad came out on television. That Certain Summer starred Hal Holbrook and Martin Sheen as a gay couple who have to make adjustments that would normally not be made today. In the Holbrook film, his son Scott Jacoby comes for a visit and Holbrook has never come out to him nor has his mother Hope Lange. Sheen though he's most definitely not cool with the idea agrees to temporarily move out of his house so that Jacoby can stay there in blissful ignorance about his father's true sexuality.

Times have changed when Travis Michael Holder gets a knock on his door from Lucas Eberl saying I'm your soon to be 16 year old son. The product of a fling at heterosexuality that this closeted TV star had back in the day, Eberl brings back some memories. His maternal grandmother works at the studio as well and knows about Holder and his partner John Brotherton. Time for Eberl to find out about the facts of his life. Which he's not terribly cool with, but his mother is dying and this may be the only parent he'll have left.

One thing is clear though Brotherton is in no way going to move out of his house to keep Eberl in a homophobic cocoon. Brotherton himself is going through some issues. He's a dancer who sustained an injury that could be career ending. But he won't take the trouble to find out which is driving Holder a bit nuts.

The climax scene involves Eberl and Brotherton who though Holder is in the closet because his network wants it that way, the really wounded people are Brotherton and Eberl. A really well done revelatory piece of acting from both.

And this review is dedicated to the late Kim Sherwood, a dear friend who was lost in the AIDS plague as was his partner Paul Pastorella. Kim was a dancer who broke his leg and that ended his career. But Kim learned the makeup trade and made a good living at it. Watching Brotherton tell about how his dream of dancing was smashed put me in mind of Kim. A wonderful human being and life of every party he was at, I miss him to this day.

Surprise Surprise I recommend highly to gay audiences especially young gay audiences.

I don't disagree with the first reviewer much. But I do disagree with the overall rating.

Two things were really subpar in this film: The sound quality and the first two main characters/actors we meet. That could be enough for anyone to switch the station or press eject after 10-15 minutes.

The direction and editing were mediocre. Some of the dialogue was horrible, some good. The remaining main characters/actors range from alright to rather good (though limited by poor direction). I don't think I've ever seen a film before where the kid outperformed the grownups by such a wide margin.

I like the concept: An established couple facing an adolescent who, in turn, is facing them. Neither the couple or the kid are very pleased, at the start--and we never get to the saccharine, though many would think the ending overly optimistic.

I think it's reasonably evident that everyone involved tried very hard to make this come together. I'm glad I stayed with it. Unfortunately some lacked the experience/training to pull it off better.

It was no surprise to read this movie was adapted from a play. It does not move much from the living room of an LA house. Characters get out on the terrace occasionally, and I think we got a peek of a bedroom, but it was brief. There are a couple long shots of the house and I'm ashamed to admit that I found myself wondering, "is that Kathy Griffin's house?" It isn't, but I was visually bored enough to let my mind wander thusly.

As other reviewers have remarked, the sound quality is poor. You would think that a director who knew that 90 percent of the movie would take place in a living room might have avoided one with a marble floor and glass wall. It photographs nicely, but you can practically see the sound waves bouncing.

I can't quite remember the context, but I remember somebody repeating Orson Welles' line about the difficulty of "opening up" a play to make it a movie. "What am I going to do? Show somebody getting out of a car?" It is a problem, but significant parts of this story could have been moved around a little. Unfortunately, it never gets out of the box, and that would have been a big improvement. Dialog might have been a little more realistic, and the movie might have been a little less talky. It's really talky.

We've seen elements of this story many times before, older people suddenly having kids thrust upon them. In fact, I can think of three other gay movies that use this same set up. One of them--Patrik, Age 1.5--does it really well. See that one and skip this.