Une femme mariée réalise à quel point son mariage est malheureux et que sa vie doit évoluer vers une autre direction. Après un divorce douloureux, elle entreprend un tour du monde pour se re... Tout lireUne femme mariée réalise à quel point son mariage est malheureux et que sa vie doit évoluer vers une autre direction. Après un divorce douloureux, elle entreprend un tour du monde pour se retrouver.Une femme mariée réalise à quel point son mariage est malheureux et que sa vie doit évoluer vers une autre direction. Après un divorce douloureux, elle entreprend un tour du monde pour se retrouver.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 2 nominations au total
- NYU Student Girlfriend
- (as Jennifer Kwok)
Avis à la une
Ryan Murphy wrote and directed this film based on the popular book. I don't know if there's anything especially offensive to me (moviewise) in this movie, but I don't find it involving. It feels very bourgeois. And it goes so slowly. She's so full of herself. Julia Roberts just doesn't give a sense of somebody in crisis. Can boredom be a crisis? That's what it seems to be. If there is one movie thing that I object to, it's the narration. There's nothing more boring than being told how unfulfilled you are in narration. It doesn't make the movie any better.
Long story short, it's all of the arc of the book, without any of the passion. While never horrible, this film simply made me feel nothing.
I found the book soulful, moving, even transformative at times. The greatest emotion I felt from the film was hunger (for Italian pizza), thirst (for Italian wine), and an occasional dizziness due to director Ryan Murphy's apparent recent discovery of how to "pan." It was laughable camera-work throughout the first 45 minutes, and occasionally throughout.
The first 1/2 hour of the film was almost unbearably bad, even though the first section of the book was amongst my favorites. Perhaps someone who did not read the book could enjoy this movie, but I somehow doubt it. One time Liz made a joke, that was a nice break from the feeling of being in a lukewarm bathtub for 2 1/2 hours. Not unpleasant, just meh.
Instead of finding Liz intelligent and thoughtful, she seemed selfish, boring, and obsessed with men. Instead of finding spirituality, she seemed vapid. When the character becomes shallow, a film centered around that character becomes a throw away. Maybe I'll just watch the trailer again.
Julia Roberts Through the Years
Julia Roberts Through the Years
Le saviez-vous
- AnecdotesJulia Roberts only agreed to film her Bali scenes on location if the producers agreed to allow her to have her family over there during the shoot.
- GaffesKetut, who is supposed to be Balinese, chants in Javanese while healing the crying toddler.
- Citations
Liz Gilbert: In the end, I've come to believe in something I call "The Physics of the Quest." A force in nature governed by laws as real as the laws of gravity. The rule of Quest Physics goes something like this: If you're brave enough to leave behind everything familiar and comforting, which can be anything from your house to bitter, old resentments, and set out on a truth-seeking journey, either externally or internally, and if you are truly willing to regard everything that happens to you on that journey as a clue and if you accept everyone you meet along the way as a teacher and if you are prepared, most of all, to face and forgive some very difficult realities about yourself, then the truth will not be withheld from you.
- ConnexionsFeatured in The Rotten Tomatoes Show: Repo Men/The Bounty Hunter/The Runaways (2010)
- Bandes originalesMidnight Blue
Written and Performed by Kenny Burrell
Courtesy of Blue Note Records
Under license from EMI Film & Television Music
Meilleurs choix
Détails
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 80 574 010 $US
- Week-end de sortie aux États-Unis et au Canada
- 23 104 523 $US
- 15 août 2010
- Montant brut mondial
- 204 596 571 $US
- Durée
- 2h 13min(133 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1