Viva Laughlin

Viva Laughlin is perhaps the most strange new show to come along in quite some time. Lloyd Owen, who was excellent in Monarch of the Glenn is terrible in this role. He does perhaps the worst job ever for an English actor attempting to do an American accent. Close on his heels is executive producer/ actor Hugh Jackman. Both come off sounding totally flat and could do to take some voice lessons. While they're at the lessons, perhaps some singing lessons would also be in order. The show has an annoying habit of the actors spontaneously launching into song at totally irrelevant times. Thus far all the singing has been terrible with the only bright spot being Elvis singing back-up. Think of the t.v. show Las Vegas on a really bad hair day combined with Grease and High School Musical. It's not a pleasant combination.

The overall plot is generally interesting and there are some big name actors involved but the package as a whole probably appeals to far few people to be viable.

Lambast the singing all you want, but that's exactly what makes this show something different to watch. I applaud the execs who had the guts to try something off the mainstream. Everyone knows Las Vegas is hot, and NBC already has that cornered.. so why try to compete with the same format? All of you who complain about the singing are missing the point, totally. I expect that every person (men usually) who say they can't stomach musicals have deep down inside, in that dark closet, a soft spot for song in a movie. Or a TV show in this case.

Yeah, it didn't work in Cop Rock, because WE ALL know what cops are supposed to be like. And singing cops is just plain weird.

But the characters in Viva are meant to be cartoonish- almost larger than life... I mean, how many Nevada casino owners do you know? And who says what they're supposed to be like? Most casino owner stereotypes are built of fiction. So why is it so far fetched that they break out into a number once in a while? It's a refreshing change of pace in a TV show, and for that reason alone, I say it deserves a FAIR shake!

Could be a good show if they drop the music crap! What are they thinking? Vegas went into the crapper when they spent less time on James Caan catching crooks and too much on the girls P.R. Did you ever see The Godfather break into a song before he "Made an Offer?" These guys would never survive the first round of American Idol! Won't watch it again unless they get rid of the sing-along. I hope the producers read these and maybe try and spruce it up and replace the Sopranos with some newer mobster show. Maybe we have too much to choose from in America than England does but this will never fly here. And does Melanie Griffith need the money that bad she would humiliate herself and waste good acting abilities on a show like this?

I live close enough to the real Laughlin to be able to spend lots of time there, and so I was looking forward to this series. But what a joke! It was obvious that nothing was filmed there, except a few establishing shots of the Colorado Belle. I also laughed at references to 'Laughlin PD' (the town is considered a rural area and is served by Las Vegas Police) and especially the aged boyfriend introduced as 'a professor at the University'. Um...would this be Bullhead Community College, the closest thing to higher learning and a considerable distance across the river? It follows that I was so very disappointed at the lack of realism. This is Laughlin! Where are the queues of old people waiting for the buffet to open? Where are the chain-smoking old ladies with their key rings full of players cards? The folks hooked both to their oxygen and their slot machines dropping their dollars? The man arguing that his two-for-one should be valid at weekends? Thinking about it, I lament the show's cancellation; sometimes something so bad is actually quite good - for laughs.

It is amazing how terrible this show is. The original series, the BBC's Viva la Blackpool is well acted, original, and surreal. It is a joy to watch. I would highly recommend it.

There have been a lot of British shows that have been butchered by their American adaptations, but none have missed the mark as badly as Viva Laughlin. The original works because the music punctuates the feelings of an otherwise very serious and dark story. The result is surreal and edgy.

Laughlin is a painful over the top Broadwayisation of the original. Laughlin's horrible acting and reworked script makes it impossible for you to connect to any of the characters.

Laughlin fails miserably at capturing any of the emotion or beauty of the BBC version.