Sunshine Cleaning

From Pasto, Colombia-Via: L. A. CA, CALI COLOMBIA &ORLANDO, FL

There is quite a lot going on in this film with quite a surprising number of cinematic names that really resonate!

But Before beginning my DEEP DIVE...FIRST, Let us FOCUS on the Titles's Content and Context.....

GREAT TITLE! ...BUT Cinema that provokes a strong reaction from me, for good or for bad, is easier to review. "Movies in the Middle", like "SUNSHINE", always present much more of a challenge. "From the same people who brought you 'Little Miss Sunshine'..." This phrase was used a lot in the SUNSHINE PROMOs. Maybe it got in the way of me getting more out of the film. It didn't set very well with me that...

A) Both titles employ the word "SUNSHINE".

B) Alan Arkin basically does a warmed over version of his role in "LITTLE MISS"

C) Both films are about dysfunctional families with a precocious Kid!

Taken as a whole, it just seemed too obvious that "The same people who brought you..." wanted desperately to cash in, AGAIN, and SUNSHINE(2???) is just a vehicle for doing so!

Still, it does have ingratiating qualities. If you can tolerate the slow as molasses initial 30 minutes...(OK-Wait, make that as DELIBERATE as Molasses!), you'll probably feel it was worth your while, a pretty good little indie film, which could easily have been a LOT better.

Catharsis, healing, coping, forgiveness and moving on, are some of the operative buzz-words for "Sunshine Cleaning". Perhaps just a tad too dreary for such a cheery title? "Sunshine" would have benefited from the injection of just a little more comic relief in the mix. The acting fell a little short of expectation. With Amy Adams (Junebug/Doubt) and Emily Blunt (The Devil Wears Prada) perhaps my expectations were too high! Something was missing. The script was spotty and rather lackluster at times.

The on-screen chemistry was variable. Often, Alan Arkin's presence seemed to be a hindrance to the flow and balance of the scene and the story. SUNSHINE did have a very down-to-earth, realistic feel to it. The problems, reactions to them, and solutions encountered, or not, as the case may be, were believable and mundane; stuff that we all can relate too. Immediately after viewing, I had settled on a 6 Star rating, thinking "Sunshine" was going to be sans ricocheting...But, there has been some of that going on in that 'ID' of mine, hours after viewing. So, we'll up it 7 Stars!

..... ENJOY! / DISFRUTELA!

Any comments, questions or observations, in English o en Español, are most welcome!

Just saw the film. I thought I might be let down as I've been waiting with anticipation since I saw the trailer on youtube. I can say that not only was I not let down by this film, but that it superseded them in the most refreshing way possible. There was something I noticed about the movie. It had great comical moments, but it was not the funniest film ever. It had great acting, writing, and was filmed beautifully...and yet I'm sure that it is probably not the best film ever. What I loved about it though was that it was NOT like most films of late that try so hard to be the best film ever. You know the ones with the fancy film work and the melodrama...the lines written that are asking for an Oscar. Sometimes those just irritate me because they are trying so hard to be a great film and they forget to tell a great story. The film makers didn't forget that here. I was not distracted by anything. Everything came together in this film that I felt like I knew the people and I wanted to know what happened to them. I liked it because it reminded me that we're all human. I love that.

Greetings again from the darkness. Ahhh, the first 2009 script (by Megan Holley) that has the depth, nuances and multiple sub-plots that keep me addicted to movies. Sure one can view this as a simple story of the emotionally struggling sisters who start a bio-hazard clean-up company to connect not just with each other, but also with those who have been the victim of a profound event involving a loved one. It works just fine on that level.

Of course, I never make things that easy. For this viewer, I was absorbed in the connection the sisters had to their dead mother. The quest for a glimpse of her one movie of the week performance as a waitress had the sisters trained to stop in their tracks whenever a "waitress" scene appeared on TV. The sisters are played exceedingly well by the extraordinarily talented Amy Adams and Emily Blunt. Their performances lift a really good script to greatness.

For most movies, that would be plenty. Not here. Director Christine Jeffs ("Sylvia") gets to play with Alan Arkin as the always scheming father, a quick commentary on the disgusting "solution" of public schools tendency to require medication on less than robotic kids, emotionally empty relationships, and the absolute need of people to connect with others.

The fine acting continues with Steve Zahn as the former high school hero turned local cop, whom Adams' character has maintained a long term "bond". Trouble is Zahn's character picked someone else to marry. Clifton Collins Jr adds a wonderful dimension as Adams' possibly new prospect. Mary Lynn Rajskub is just plain fascinating as the lonely lady Blunt thinks she is helping.

Being promoted as from the creators of "Little Miss Sunshine", this one offers up a nice story complimented by many quirks that make it stand apart from the masses. Hopefully it will find wider distribution as we can never have enough top notch story telling.

I find that when people ask me what this movie is about I have a hard time successfully telling them. Read the synopsis by all means, but like most summaries it barely scratches the surface. It's a story about a mother who leaves her family in the most permanent way imaginable. It's about a father struggling to maintain his unflappable optimism, a sister whose self-esteem leads her into self-sabotaging habits, another who is in complete emotional freefall, a son who is becoming aware of his family's dynamic and how it compares to the rest of the world's and how they manage to regain their footing by pursuing a very unusual profession. At its heart it is always about family. At their best Amy Adams and Emily Blunt are some of the most talented actresses working today and I was happy to see them both in a script worthy of their skills. Both are gifted at line delivery, but some of their most powerful scenes are nonverbal. The dynamic between all the characters is thoroughly real and enjoyable. I found myself very satisfied by all their resolutions. It was an excellent story to watch unfold.

Of late, independent films seem to fall into three ruts; the quirky indie film, the contrived indie film and the quirkily contrived indie film. Thankfully, for the most part, Sunshine Cleaning manages to avoid these associated pitfalls, and is instead a benchmark for how two sensational performances can succeed in drastically improving the quality of a film.

These aforementioned indie clichés are quite the conundrum when looked at thoughtfully. The birth of independent film-making stemmed from creativity and desire to be liberated from the shadow of the major movie conglomerates. Yet now, most of these offbeat flicks are as cold and calculated as any big budget summer movie and often drown in wacky plots and bizarre characters which are not of what free film should be an expression.

Starring the consistently stellar and always delightful leading ladies of Amy Adams and Emily Blunt, Sunshine Cleaning tells the bittersweet story of two sisters (Adams and Blunt) and their struggles to purge the horror of their mother's suicide and live normal lives. Adams as Rose and Blunt as Norah are polar opposites; Rose was the head cheerleader in high school and aches to regain that notoriety in her adult life and Norah the 'screw-up', the black sheep of the family. They are held together loosely by Rose's son Oscar and their father (Alan Arkin) that is until they find themselves in need of work. Through a less than professional police connection of Rose's (Steve Zahn) they come to start a crime scene cleanup service called Sunshine Cleaning and while they sought money, they ended up finding something more profound.

Adams and Blunt truly are remarkable and give bonafide Oscar worthy performances. Their characters never fall to any deprecating indie quirks, and are fully realized individuals. Zahn is solid in a smaller role, as is Clifton Collins Jr. as a clean-up store owner and all lend to a story that did not by any means conclude where I was suspecting. Many of the subplots are left open, but not in a unsatisfying way and while featuring ups and downs along the way, Sunshine Cleaning manages to find a hopeful tone without being sticky sweet. Perhaps by favourite aspect outside of the performances was Adam's character. We have seen in many films the former cheerleader who has grown up under the shadow of the 'losers' of their school, but never have I seen such an honest look from the view of the former. Perhaps this is a testament to Adams acting skills, but I was impressed nevertheless.

Sunshine Cleaning keeps you involved based on characters alone. There is certainly humour, tragedy and emotion to drive the story but all is born from the relationship between this broken family. I wish fresh faced director Christine Jeffs had forgone all the trends of the recent independent film movement, but there is still more then enough to admire about Sunshine Cleaning, and even more to love.