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IMDbPro

Now & Later

  • 2011
  • Unrated
  • 1h 39min
NOTE IMDb
5,1/10
2,4 k
MA NOTE
POPULARITÉ
4 465
1 398
Now & Later (2011)
Angela (Shari Solanis) is an illegal Latina immigrant living in Los Angeles who stumbles across Bill (James Wortham), a disgraced banker on the run. She takes him in. Through passionate sex, soul-searching conversations ranging from politics to philosophy, and other worldly pleasures, Angela introduces Bill to another worldview. As their affair heats up, the course of Bill's life begins to take an abrupt and unexpected turn.
Lire trailer2:36
1 Video
6 photos
Drama

Angela, immigrante clandestine à Los Angeles, tombe sur Bill, un banquier en fuite, qui, à travers le sexe, les conversations politiques, la philosophie et d'autres plaisirs mondains, lui fa... Tout lireAngela, immigrante clandestine à Los Angeles, tombe sur Bill, un banquier en fuite, qui, à travers le sexe, les conversations politiques, la philosophie et d'autres plaisirs mondains, lui fait découvrir une autre vision du monde.Angela, immigrante clandestine à Los Angeles, tombe sur Bill, un banquier en fuite, qui, à travers le sexe, les conversations politiques, la philosophie et d'autres plaisirs mondains, lui fait découvrir une autre vision du monde.

  • Réalisation
    • Philippe Diaz
  • Scénario
    • Philippe Diaz
  • Casting principal
    • Keller Wortham
    • Shari Solanis
    • Luis Fernandez-Gil
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,1/10
    2,4 k
    MA NOTE
    POPULARITÉ
    4 465
    1 398
    • Réalisation
      • Philippe Diaz
    • Scénario
      • Philippe Diaz
    • Casting principal
      • Keller Wortham
      • Shari Solanis
      • Luis Fernandez-Gil
    • 15avis d'utilisateurs
    • 21avis des critiques
    • 24Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Now & Later
    Trailer 2:36
    Now & Later

    Photos5

    Voir l'affiche
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    Rôles principaux48

    Modifier
    Keller Wortham
    Keller Wortham
    • Bill
    • (as James Wortham)
    Shari Solanis
    • Angela
    Luis Fernandez-Gil
    Luis Fernandez-Gil
    • Luis
    Adrian Quiñonez
    Adrian Quiñonez
    • Diego
    • (as Adrian Quinonez)
    Marcellina Walker
    • Sally
    Anas Khalaf
    • Clinic Doctor #1
    Kenneth Alan James
    • Clinic Doctor #2
    Antonieta Velasquez
    • Flower Lady
    Hernaldo Guiterrez
    • Eddie
    Greg Arrowood
    • Police #1
    Mary Keeler
    • Police #2
    Bo Ballentine
    • Worker
    Jose Gonzalez
    • Worker
    Elias Jauregruif
    • Worker
    Erwin Elian Arauz
    • Restaurant Patron
    Danila Cabrera
    • Clinic Patron
    Hugo Cabrera
    • Clinic Patron
    Maria Cabrera
    • Clinic Patron
    • Réalisation
      • Philippe Diaz
    • Scénario
      • Philippe Diaz
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    5,12.4K
    1
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    10

    Avis à la une

    8daliou

    Deserves watching and reflection

    Comparing the movie to the critic reviews is like talking about another film: this very true and provocative cinematique angle is nearly a threat to todays society, just because it is honest enough. Unlike what is written in the other user reviews, I think that the explicit sex scenes are NOT the main reason why this film has been chopped up by the critics, but they eventuallly add up to all its superficially called "negative points". Briefly:

    1. The sex scenes: it is true that a sexually repressed society will eventually turn out being violent and its people being miserable. The film underlines the oxymoron of how we are "taught" to hypocritically "hide" our need for sex and love, as if it is something bad and anethical, whereas in the end, if openly cultivated, leads to self-fulfilment, joy and mental balance. And reduces hatred and violence.

    2. The social point of view: The two leads are surrounded by poverty, social discrimination and injustice in what we think is our "modern equal world". And their relationship is indeed determined by those differences, as they both serve as representatives of two opposite social classes, the upper-class banker and the illegal immigrant. Poverty IS a reality and people ARE being exploited to death for others to consume and win millions. And the film cares to remind us that even if the two protagonists don't exist in reality, there are many many people who are like them.

    3. The "we are the heroes" part: now this is a turning point in the film. Sadly enough, politics ARE a way of expressing power and greediness, and some countries/ people are the unlucky victims. The main lead, as a former banker, a former "master of the universe", approaches the most painful part of the movie, the realisation that our political leads may not be so "saint" at all, that our country may have erred, that wars are being provoked just for the profit, that a poor country's future may be a toy in the hands of those who are in power (financially and politcally), that people die for others to get richer etc... All those are issues we are trying to forget or neglect or doubt, and this film makes us look straight up to them, or at least it tries.

    Some would rather look straight up to the provocative sex scenes, there is, though, i think, a natural coherency between all the issues addressed by the film (the sex, the politics, the freedom, the social critic) that lead up to a compact, intimate and philosophical end result.

    P. S. Give it a try and watch it, with honesty and open mindedness. As all authentically non-Hollywood approaches, the characters in this film are not the great heroes we have to admire and immitate. We merely learn from them. Besides, for instance, I don't see why the sexual theme in "Vicky, Chrsistina, Barcelona" should be more justifiable, less shocking or "intellectual" enough to win an oscar and get plenty of praising critic reviews.
    5kosmasp

    Explicit

    Explicit images (read nudity), but also penetration have made their way into mainstream movies (no pun intended). And while the term mainstream might feel like a stretch given to a low budget movie, this is not a single case of this thing happening. Low budget movies (or even higher budget movies like Nymphomaniac) do not hold back anymore. Caligula did that many decades ago, but back then it was more like a single case scenario (if you don't count some "horror" movies who had some explicit intercourse in them as well).

    But back to this one, which is depicting a relationship and a financial situation that might make feel people uncomfortable (even more uncomfortable than two people having sex together, while everything is shown). There is drama between all the nudity and it does work on a basic level. The acting is a bit off, which might have given this a bit of a boost, but overall the story is decent, though annoying at times. If you rent/watch it for the obvious non-story related reasons, you might feel disappointed, don't blame the movie for it though - on the other hand don't expect this to be a superb drama
    1wc1996-428-366101

    Size does matter

    The male lead in this film is a doctor in real life and apparently quite accomplished in a number of fields. What he is doing in this miserable piece of tripe is beyond me. This guy must really want to be an actor which would be great if he could only act which he cannot. He's tall, dark and handsome and sports quite a package which is shown in all its glory, yet you never really believe this guy because he cannot stop being a doctor. There's even a scene where he's in bed with another man as well as a woman and even then it's almost as though he's in an examining room. When he takes hold of the other fellow's appendage I fully expected him to pull out some medical instrument to deal with the matter, but he does not. Yet one has the distinct feeling that the slab of beef in his hand is simply there for examination and nothing else. The female lead in this film is almost beside the point, playing second fiddle to the doctor's package which gets most of the attention in the film.
    10rodnywww

    Good film

    This is a very good film. I totally liked it. The plot is different; but one of the best I have every found.I specially liked the leading actress; not just because she is good looking; but because she is a talented actress. She does a great job to attract viewers to the film. The leading actor is also a talented person. He is totally justifying his character. This story is actually making us to think twice about our fast faced life. It influence us to explore the true meaning of life and living. Aren't we all chasing after a dream? Which sometimes making us nothing but zombies who don't have hearts. This film is one of the best I have ever watched. I recommend for anybody who has time to watch a film with patient.
    9kimdino-1

    Ignore the distractions, just relax & enjoy this beautiful film

    I could analyze this film as a critique of the American Dream and a very good one it is.

    I could also point out the mass of very good social commentary and analysis of modern Western ethics.

    And I'm sure the prudes will be put off by the very intimate sex scenes while the pervy types will be distracted from the story by them. So I could implore you not to let this happen and, instead, just allow these scenes to draw you into a feeling of intimacy with the characters.

    I could also go on about how much the two lead actors must have put into this to bring their characters to life so vividly.

    But instead I'll just say "Enjoy what is a very beautiful film on several levels".

    btw I reserve 10 points for really, REALLY excellent films that stand out well above others. Otherwise I would have given this 10.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Shari Solanis said the sex in the movie was all simulated except one scene. "We kept it professional. We didn't want the dynamic or energy of porn. It was all simulated except the blowjob scene - but that was it. It was not about [porn]. It was about showing a slice of life, and sex being very natural. We tried to capture that and not be exploitative," she said.
    • Gaffes
      Even assuming that Anglea has some kind of off-screen arrangement/lease with the building owner(s) to make her residency on the roof legitimate, that is not the only factor that makes her situation untenable. Rain is admittedly sometimes rare in the Los Angeles area, but it is certainly not unheard of, and Angela seemingly has no provision whatsoever for protecting all of her rooftop possessions from being ruined every time it rains, or whenever some other inclement weather occurs.
    • Citations

      Bill: You know, when I was a teenager, we used to say, "Life's a bitch and then you die." I guess I'm beginning to understand what it means.

      Angela: Well, we say the same thing, but at the end we had it, so fuck the bitch.

    • Bandes originales
      Ana Touiri
      Performed by Fadhéla Dziria

      Written by Al-habib Hachlafe

      Composed by Haddad Al-Jilali

      Edition de la paix / Royal Music

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    FAQ14

    • How long is Now & Later?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 février 2011 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Official Amazon Site
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Şimdi ve Sonra
    • Lieux de tournage
      • Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Cinema Libre Studio
      • Imago-Creata
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 808 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 516 $US
      • 20 févr. 2011
    • Montant brut mondial
      • 1 808 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 39 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.78 : 1

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