The Last Request

The funniest thing about this movie are the phony glowing reviews written here at IMDb. They have obviously been written by the writer/director (or possibly his mother) of this abortion of a movie. This movie was so bad it inspired me to waste time reading through this drivel and adding my own comments. How embarrassing for the great cast to be associated with this dog of a movie. Is it possible this was written and directed by a couple of 9 year old boys? That would explain a lot of the fear-of-women humor. What's really impressive - or depressing, you choose - is that this woofer raised enough money to get made and attract an amazing cast. It strives for the inspired silliness of Airplane but falls far of its mark. I think the rock bottom was the Siamese twins business.

Danny A. is no comic master and I should have learned that from "Hudson Hawk." No, in a flick like this he's more into yukking it up on his own end, and not the audience. Laughing all the way to the bank would be my guess.

I wasn't kidding, 15 minutes was all I could invest in this crap, and the only other movie I had left to watch was a foreign film that looked riskier. It wasn't, thus, a low-budget horror offering from New Zealand beats Danny A. and company. It wasn't even close.

Danny! Stick with mob movies with lots of blood. There's still time. Avoid comedy, Dan.

I was watching this film with a group of friends and we were hysterical. I had first seen this in New York when it won the New York Independent Film and video festival. The audience there was laughing just as hard as my friends.

The humor is off beat with constant surprises. And Danny Aiello is brilliant and the dying dad who was a former comic. The one liners are great and delivered like an old pro. TR Knight is brilliant as the former seminarian. Gilbert Gottfried, one of the familiar cranky voice, was used cleverly. He never said a word. The comedy mixed strangeness with warmth and it worked.

My friends think this could turn out to be a cult film.

I highly recommend it.

This movie was different from the very first scene. Without giving away the gag, the phone TR Knight uses was hysterically blasphemous (I think that's how it's spelled). The Honey moon scene has me on the floor, it was viciously romantic which made it even funnier. It took me a while to realize that the old retired actor in the home, run by Mario Cantone, was Tony Lo Bianco. It was a great makeup job.

It seemed like the movie went from one funny scene to the next, each one getting crazier, none more crazy than the Jiffy Pop birth scene. It had an element of Mel Brook's Young Frankenstien and Woody Allen's inventiveness. Although the story was simple and I knew where it would probably end up I had no idea who it would get there. The casting was great. It was fun seeing Joe Piscopo play such a funny outrageous character without going over the top. There's so many funny scenes I find myself wanting to tell them but I don't want to ruin the fun for you. This is probably one of the more unusual romantic comedies I've seen. It has a sweet story that blends with almost airplane like jokes that fit. It's fun. Rent or buy it, you'll enjoy it.

As one who grew up east coast Italian, I found myself laughing throughout the movie. It not only brought back memories of my childhood experience but the surprising twists kept me carried me through the plot effortlessly. I only wish it was longer than 90 minutes. T. R Knight is great, very sympathetic and funny caught in his situation. Danny Aiello is terrific, as always, and Barbra Felton is still a doll. Wish we could see her in more films. The grandmother's running gag was hysterical. Tony LoBianco, Vincent Pastore and Frank Vincent bring authenticity to the Italian American background and Joe Piscopo is a hoot. John De Bellis really rings the bell with this one. Can't wait until his next film opens.