Paprika
- 2006
- Tous publics
- 1h 30min
Quand une machine sur laquelle des thérapeutes ont stocké les rêves de leurs patients est volée, c'est la panique générale. Paprika, une jeune thérapeute est la seule à pouvoir y mettre un t... Tout lireQuand une machine sur laquelle des thérapeutes ont stocké les rêves de leurs patients est volée, c'est la panique générale. Paprika, une jeune thérapeute est la seule à pouvoir y mettre un terme.Quand une machine sur laquelle des thérapeutes ont stocké les rêves de leurs patients est volée, c'est la panique générale. Paprika, une jeune thérapeute est la seule à pouvoir y mettre un terme.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 5 nominations au total
Megumi Hayashibara
- Paprika
- (voix)
- …
Tôru Emori
- Inui Sei-jiroh
- (voix)
Hideyuki Tanaka
- Guy
- (voix)
Shin'ichirô Ôta
- Reporter
- (voix)
Satoshi Kon
- Jin-nai
- (voix)
Yasutaka Tsutsui
- Kuga
- (voix)
Brian Beacock
- Hajime Himuro
- (English version)
- (voix)
- …
Doug Erholtz
- Dr. Morio Osanai
- (English version)
- (voix)
Michael Forest
- Dr. Seijiro Inui
- (English version)
- (voix)
Shin'ya Fukumatsu
- Magician
- (voix)
- (as Shinya Fukumatsu)
Avis à la une
I'm not an expert in anime, nor have I seen a lot of this genre, but I utterly admire the immense creativity of people like Hayao Miyazaki ("Princess Mononoke", "Spirited Away"). Satoshi Kon's "Paprika" is a great example of anime at its finest. The movie is a sea of original ideas and a visual blast. Apparently, the plot is about the theft of a machine that allows scientists to enter and record people's dreams, and how a detective and a young therapist called Paprika join forces to get it back. But there is so much going on and so many smart innuendos (remember: this is Rated R anime, not "Ratatouille" - even though I think the R rating is just too much in this case) that "Paprika" becomes one of the most original adult animations in recent memory - superior to Richard Linklater's "Waking Life" and even "A Scanner Darkly", I dare to say. I won't give away anything because I don't want to spoil a single scene, but I'd say that I see it as a movie about the power of movies over our life/dreams, and about the love people like me have for the Seventh Art. I don't know if that was Kon's original idea and honestly I don't care - it's not every day that you find a movie that amuses and says something to you in such an unpretentious way. Whatever was Kon's original idea, I think that he got what he wanted: a movie that both entertains and makes you think. Simply fascinating. 10/10.
But then again, this isn't meant to be for children! Again Japan shows us, that animated movies, doesn't mean "child(ish) movies". Quite the contrary. With it's very complex story, this one will even leave some adults scratching their head after they see it. That's because there are many interpretations for this movie. Which make it a somewhat difficult experience.
Still a good one, but difficult to wrap your mind around it ... The story mind you, never get's out of hand or get's out of hand (in the sense, that it does make ... sense, in the end). If you're ready for a mind trip, this sure will be a great one to take/experience!
Still a good one, but difficult to wrap your mind around it ... The story mind you, never get's out of hand or get's out of hand (in the sense, that it does make ... sense, in the end). If you're ready for a mind trip, this sure will be a great one to take/experience!
I saw this two days ago at the New York Film Festival.
The plot: What happens when we acquire technology that allows us to migrate the boundary between dreams & reality, and what happens when that boundary blurs?
The Animation: Stunning; Madhouse always does good work and Kon's movies always produce some fun reality bending sequences.
The Music: Susumu Hirasawa who did the Paranoia Agent soundtrack came up with the score here too. The opening song is a particularly infectious number. It makes you smiley. It's like the opening song from Paranoia Agent on steroids. I really could not get the grin off my face till the beginning sequence ended.
The Cast: The voice cast is headed by Megumi Hayashibara, probably the most prolific and well known female seiyuu ever, with roles such as Rei Ayanami (Evangelion), Lina Inverse (Slayers), and Faye Valentine (Cowboy Bebop) to her credit. Akio Ohtsuka and Koichi Yamadera, Batou & Togusa of Ghost in the Shell fame, both play major roles as well. All do a fabulous job as usual, but Hayashibara really shines in her Paprika role.
This film has great animation, music & actors, but the plot is really just a thin veneer for the lucid dreaming sequences that permeate so much of Satoshi Kon's work. I still recommend seeing it because it's a really light fun film, but I don't think it adds up to being more than the sum of some really great parts. I think this one needs to be enjoyed in pieces rather than as a whole.
The plot: What happens when we acquire technology that allows us to migrate the boundary between dreams & reality, and what happens when that boundary blurs?
The Animation: Stunning; Madhouse always does good work and Kon's movies always produce some fun reality bending sequences.
The Music: Susumu Hirasawa who did the Paranoia Agent soundtrack came up with the score here too. The opening song is a particularly infectious number. It makes you smiley. It's like the opening song from Paranoia Agent on steroids. I really could not get the grin off my face till the beginning sequence ended.
The Cast: The voice cast is headed by Megumi Hayashibara, probably the most prolific and well known female seiyuu ever, with roles such as Rei Ayanami (Evangelion), Lina Inverse (Slayers), and Faye Valentine (Cowboy Bebop) to her credit. Akio Ohtsuka and Koichi Yamadera, Batou & Togusa of Ghost in the Shell fame, both play major roles as well. All do a fabulous job as usual, but Hayashibara really shines in her Paprika role.
This film has great animation, music & actors, but the plot is really just a thin veneer for the lucid dreaming sequences that permeate so much of Satoshi Kon's work. I still recommend seeing it because it's a really light fun film, but I don't think it adds up to being more than the sum of some really great parts. I think this one needs to be enjoyed in pieces rather than as a whole.
A couple weeks ago I was listening to the soundtrack from a movie called Paprika by Hirasawa Susumu. The music fascinated me, it was magnificent.
I was strongly compelled to watch the movie.
The story is based around a lovely lady named Paprika, she has mastered the ability to sail into others dreams and help them with their problems.... an internal dream analysis/counselor.
I found Paprika the movie is as fascinating as the soundtrack .
Needless to say the dream sequences are exquisitely and vividly portrayed. The pace is manic at times and dreams and reality often converge to confuse the characters and especially the viewer. It all comes together however, in what can only be described as the best closing battle sequence I have ever seen...... period!!! Paprika shines.
Now...I never do, with movies what I did with Parika. Firstly the moment the movie finished, I got another cup of coffee and started it up again. Secondly I wrote this review
And now I'm off to watch it again.
Like anime or not, Paprika is NOT to be missed.
Suggestion, if your not used to subs.... get the dubbed version......this is a fast paced movie and will require some attention.
10/10
I was strongly compelled to watch the movie.
The story is based around a lovely lady named Paprika, she has mastered the ability to sail into others dreams and help them with their problems.... an internal dream analysis/counselor.
I found Paprika the movie is as fascinating as the soundtrack .
Needless to say the dream sequences are exquisitely and vividly portrayed. The pace is manic at times and dreams and reality often converge to confuse the characters and especially the viewer. It all comes together however, in what can only be described as the best closing battle sequence I have ever seen...... period!!! Paprika shines.
Now...I never do, with movies what I did with Parika. Firstly the moment the movie finished, I got another cup of coffee and started it up again. Secondly I wrote this review
And now I'm off to watch it again.
Like anime or not, Paprika is NOT to be missed.
Suggestion, if your not used to subs.... get the dubbed version......this is a fast paced movie and will require some attention.
10/10
10qiowisj
I had gone into Paprika not knowing much of what to expect, save for the fact that it was an anime with quite a buzz. An hour and a half later, this is one of the best films I've seen in 2007.
The plot, as best as I can describe it, concerns a group of scientists developing a device which allows one to interject your subconscious into and record another person's dreams. However, a thief is using the technology to terrorize and control others. As the scientists try to find their stolen property, reality begins to take on a different meaning...
Satoshi Kon is filmmaker I've never heard of before, but what he has created is truly visionary. Paprika continually amazes with imagery which transcends conscious understanding and coherence for what can only make sense on a subliminal level. Examples include a marching band of inanimate objects, dolls and animals, a giant aquatic leviathan with a man's face and humanoid toys that act as vessels for their dreamers bodies.
But what makes the film necessary viewing is not the visuals alone, it's the core of the story and varied themes that it poses. The subject matter deals with issues both contemporary and probable. The actual identities of ourselves are wrapped in an enigma. How science has its positive and negative aspects. That the advantages of the internet is better communication but also dehumanization. I'm sure others will find other symbolism and subtext.
Wheather you're familiar with Japanese animation or not, Paprika will expose any newcomer to something foreign and deeply personal as well.
The plot, as best as I can describe it, concerns a group of scientists developing a device which allows one to interject your subconscious into and record another person's dreams. However, a thief is using the technology to terrorize and control others. As the scientists try to find their stolen property, reality begins to take on a different meaning...
Satoshi Kon is filmmaker I've never heard of before, but what he has created is truly visionary. Paprika continually amazes with imagery which transcends conscious understanding and coherence for what can only make sense on a subliminal level. Examples include a marching band of inanimate objects, dolls and animals, a giant aquatic leviathan with a man's face and humanoid toys that act as vessels for their dreamers bodies.
But what makes the film necessary viewing is not the visuals alone, it's the core of the story and varied themes that it poses. The subject matter deals with issues both contemporary and probable. The actual identities of ourselves are wrapped in an enigma. How science has its positive and negative aspects. That the advantages of the internet is better communication but also dehumanization. I'm sure others will find other symbolism and subtext.
Wheather you're familiar with Japanese animation or not, Paprika will expose any newcomer to something foreign and deeply personal as well.
Le saviez-vous
- AnecdotesThe tall and short bartenders on Paprika's website are voiced by director Satoshi Kon, and the original author of the Paprika novel, Yasutaka Tsutsui, respectively.
- ConnexionsFeatured in WatchMojo: Top 10 Beautiful Animated Movies (2014)
- Bandes originalesParade
Composed and Performed by Susumu Hirasawa
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Paprika. El reino de los sueños
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 300 000 000 JPY (estimé)
- Montant brut aux États-Unis et au Canada
- 882 267 $US
- Week-end de sortie aux États-Unis et au Canada
- 35 593 $US
- 27 mai 2007
- Montant brut mondial
- 966 886 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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