Wonderful World

This is one of those quiet, well made movies that usually don't make any money. However, it makes you think. It makes you think about your life, what you have to be thankful for and how life's events dictate how you feel about yourself. This is a very well written, clever, idealistic script by Joshua Goldin. He also does a great job in directing it. I hope that this movie gets the opportunity for wide release sometime soon.

Matthew Broderick plays the title role and it's his best role in a very long time, probably since Election. He finally has an opportunity to explore a character and his transformation from pessimist to optimist is quite enjoyable as well as touching to witness. He is surrounded by a great supporting cast, Sanna Lathan, who is a beautiful and strong Sengalese woman he is touched by. Also, Jodelle Ferland, who has such terrific chemistry with Broderick that it's a such a joy to watch their scenes.

I highly recommend this movie.

A dramatic gem. "Wonderful World" gives Matthew Broderick his meatiest and most interesting role in years, and showcases the remarkably assured directorial debut of Josh Goldin (who also wrote the classically spare and powerful screenplay). Goldin finds true uplift where most filmmakers might have stumbled into cliché. His story of culture clash and class disharmony, about someone who considers himself "the most negative man in the world," was never anything less than moving and gave me that rarest of experiences in a movie theater: I didn't just love the film, I came out of it wanting to be a better person.

The first half of this movie finds Broderick as an almost jarringly flawed character, an alienated children's singer, struggling with divorce, doing a mediocre job raising his teen daughter, and sinking into self- defeating pessimism. That he manages to overcome these obstacles, and truly regenerate himself, without our feeling as if the movie makers pandered to our craving for a happy ending, is truly remarkable. In part he finds hope in an offbeat relationship with his former-roommate's sister, played with earthy sexuality and witty grace by Sanaa Lathan. But this is really much more than a story of a depressed man being reborn through romance. Goldin has made a touching parable about taking action, about caring for others being the linchpin of happiness in this world.

I can't say too much more about the story, for fear of spoiling its powerful ending, but I defy anyone not to be moved.

Jodelle Ferland is a complete find as the daughter Broderick's character cannot seem to connect with. But it is Broderick himself who steals the show. He has long been one of our most underrated actors, a master of the ordinary devoid of on screen vanity. And not since "Election" have I seen him carry a film so worthy of his skills. His performance is the stuff folks give out awards for, and he should be nominated come Oscar season, along with his director, if this truly is... a wonderful world.

Beware all you Matthew Broderick fans, this is NOT a funny movie, because it is a slowburning portrait about a grumpy, middle aged, divorced man, stuck in a a dead end job. Quite depressing...

The bad: this movie is slow, very SLOW and kinda depressing. I dont mind slow or even depressing when it is a heavy drama, but I DO mind boring and this movie is undoubtedly BORING.. There is no real drama either to speak of. So what's left? The acting isnt great either, I mean for such a character portrait movie like this, the acting should be up there, but the acting is just average.

More bad: although it is not meant to be comedy, there are still some tongue in cheek jokes, but they fall flat as well. This whole movie feels so uninspired and slow.

Not any good? Well, the movie has got a happy end, but in the end this is one of the weakest movies that Matthew Broderick has ever starred in. He just aint suited for making slowburning "dramas". Better watch any older (eighties/nineties) movie with Matthew Broderick in it, there are lots of them, which are truly hilariously funny!

This is a problem often found in films where characters speak with foreign accents. There is a key conversation between Ben Singer (Broderick) and Ibu (Williams) over a chess game earlier in the film. The director didn't have the experience to slow the cadence so that the audience can hear AND understand. Consequently, some of the conversation is lost in the struggle to parse the words. Unfortunately, that dialog becomes key to the most powerful scene of the film which takes place very near the end. So, my advice is to listen carefully Otherwise, it's a good film, though the pace slows enough to suggest it's not going anywhere during the middle of the film.

This movie was pretty bad. Number one, the "Africans" they found were African Americans and their accents were so damned dodgy that I don't know where they came from but it sure wasn't from Senegal. Secondly, the vision of the director was that of precolonial Africa. This family is from Dakar. They aren't from a remote village. Senegal has strong ties with France. You can get Nikes in Senegal. It is just cheaper in the US. This movie is not only flawed because it is a cliché of every vision that we Americans that never travel abroad have of the outside world. It could have been better. It could have been better translated. The story could have been more modern, less cliché, less Hollywood and let us think a bit on our own. Dear director. Not all of us are that stupid. We can think for ourselves.