Prag

Incredible performances, patient story telling and an intriguing and moving plot combine to create a dramatic and touching film about a marriage falling apart and the hauntings of a recently deceased father, set in one of the world's most beautiful cities.

Ultimately, though, it's a film about broken communication and the outcomes that evolve. Between the main character and his wife, between the main character and the girl occupying his father's flat and between the main character and his father.

Those who love European cinema should not miss this beauty of a film. It's original and mesmerizing.

As he is now there's no woman going to make this man happy.. and it's pretty much a given that a very personable, attractive, and mostly unhappy woman might realistically seek companionship with another man. Especially when considering the husband's distant, frigid personality. Did he want out?.. at times acting like he's deliberately trying to sabotage the relationship. Maybe he is.. not looking all too upset upon learning of her extended infidelity. And he has numerous opportunities here to try and win her back.. but when they talk about what they are going to do.. he ignores the question completely quickly changing the subject. Her hanging in there for 13+ years with him would have to be considered some kinda record. He had to have changed from their early years together into someone no one would now knowingly choose to be with, otherwise why would she have signed on long-term with him in the first place. The story otherwise mostly kinda works on its own. Except for the pregnant thing, that just came off a bit too convenient and contrived (a quick deliberate out for him), and actually detracted from the overall effect of the movie.. making the eventual outcome too easy. All in all though, it is a fairly worthwhile film, with solid lead performances, more notably her's (his character gets somewhat overplayed).

As Mads Mikkelsen is one of my favourite actors, Prag is one of my favourite cities, and Stine Stengade has also caught my eye in various series, so it was natural to me to watch Prag in spite of sporadic reluctance to follow films on family tensions and issues. But I was sure that Mikkelsen is capable of filling out the scenes in full, that it does not become boring or annoying, plus delightful Prague is always a fine supporting actor... So it all was, and funny moments related to grasps and state of affairs in a post-socialist country together with fast unexpected twists in the plot provided the film with additional value. Local characters were distinct as well, and all well performed, thus the Danish-Czech cooperation turned out to be smooth.

Moreover, I realised that language barrier can be overcome more easily than emotional one... If the ending were less trivial/predictable, I would have given 8 points. Now 7.

Prague is considered by many to be one of the most beautiful old cities in Europe: it is also seen as clinging to many of the old traditions of the rigid life of the past - immutable, on guard, cold. It is therefore a very fitting setting for this brilliant film PRAGUE, a story written (with Kim Fupz Akeson) and directed by Ole Christian Madsen that deals with contemporary relationships, family, and the bifurcation between surface appearance and reality.

Christoffer (Mads Mikkelson) and his wife Maja (Stine Stengade) have traveled from Denmark without their young son to tend to the final paperwork following the death of Christoffer's father, a father he has not seen or communicated with for 25 years when the father left wife and son for Prague. Christoffer shows no emotion about this mission and even when the doctor (Josef Vajnar) demands Christoffer view the body for identification, there is no sense of sadness. His father's lawyer (Borivoj Navrátil) make all the arrangements for the shipment of the body back to Denmark and informs Christoffer that the financial balance sheet at the time of death leaves Christoffer with only the house in which his father lived, a place Christoffer plans to sell immediately to end this Prague obligation. But during all the 'business' of dealing with his father's death, Christoffer feels a distance from Maja and confronts her with his knowledge that she is having an affair. The veneer of their marriage cracks open and the couple must face the current status of their relationship, a widening crevice that is in many ways held together only by the frequent video calls with their son in Denmark. Theirs is a history of love examined.

Christoffer's closure with his father includes the discovery that his father had a beautiful singer/housekeeper Alena (Jana Plodková) who lived with the father with her daughter. When they meet they have no common language but Christoffer learns of his father's apparent abiding love for Christoffer. Another surprise hits Christoffer when he discovers the relationship between his father and the lawyer, a relationship that explains why the father left Denmark for Prague and a new life. With all the new information about the father he never knew Christoffer faces decisions about his own marriage and his role as a father to his own son and the last wishes of his father before he died. Though eager to return to Denmark there are 'procedural problems' that prolong the stay in Prague

PRAGUE is a story about love in all its permutations - disappointments, rewards, and longings both filled and unfulfilled. The manner in which each of the characters plays out the consequences of love against the cold background of the rigid atmosphere of the city of Prague is like watching organisms under a microscope. Enhanced by a powerful musical score by Jonas Struch and moody cinematography by Jørgen Johansson it is a powerful film, beautifully acted, and one with much food for thought even after the film is over. Grady Harp

Excellent little Danish film about a marriage on the verge to falling apart. Superb acting from Mads Mikkelsen, who shows that he's as home in a small setting, as in the latest Bond film.

Stine Stengade, who plays his wife, is for me a new experience, but her acting is very impressive, not least as the neglected partner in a long marriage.

The setting is a trip from Denmark to Prag to collect the corpse of Mads's father, who has lived away from his family in Prag, the last twenty, or so. Mads had waited year after year for a sign of life from his father, a visit, or just a letter, but nothing, till he is summoned to take care of his father's remains.

Unusually, for a mixed nationality cast, in this case of Czech and Danish actors and film crew, it seems to have to have worked perfect.

It could have been perfect, but a few twists in the story are not fully exploited, like did the wife have a lover, or not?! The SMSes on her mobile phone could have been a way for her to get him to react, couldn't it?! A happy ending hadn't spoiled the story, would it?