Ajouter une intrigue dans votre langueIn a Mennonite community in Mexico, a father's faith is tested when he falls in love with a new woman.In a Mennonite community in Mexico, a father's faith is tested when he falls in love with a new woman.In a Mennonite community in Mexico, a father's faith is tested when he falls in love with a new woman.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 30 victoires et 12 nominations au total
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It is a very good film. This is contemplation cinema, with beautiful landscapes and really touching scenes. Although the argument isn't an innovative one, the context and the way the director captures its work empowers the story and succeeds in maintaining viewers attention despite the long shots that often makes the spectator to run out of patience, to get distracted or bored. Innovative context. The first movie about Mexican mennonites (40 000)in their own language (plautietsch)played by real mennonites that aren't real actors. It shows in an honest way their life style in the northern Mexican state of Chihuahua, how they live almost without interacting with Spanish speaking mexicans. Up to now, definitely Carlos Reygadas best film. I'm not saying that everybody would enjoy this film, but to me it is an excellent movie and I broadly recommend it. Its awards are richly deserved. "Stellet Licht" is a work of art.
The movie is about a father of a big family living on a remote farm, in old fashioned way. He falls in love for another woman and is caught in between love and respect. I think it was both very interesting and unusual in the same time. I didn't know anything about it when I watched it, except that it's 140 minutes long :) Yeah, the movie grows very slowly and you have to be very patient while watching it. Some parts contain very little communication, and other are very Lynch-like. Some stuff that you would consider unimportant are carried out into details in the movie. The music and the scenery shots were beautiful, and the acting was good. It was an unique experience and I hope you'll know what I think about after you see it.
With Stellet Licht, Mexican director Carlos Reygadas follows a different path from his previous films. Reygadas tells a very simple and age-old story: the choice of a man between two women. However, it's his unique vision of life what makes this film stand out from the hundreds of films made with this subject matter.
A contained and wonderful Cornelio Wall delivers a range of feelings, resting almost entirely in his expressive eyes. His excellent performance fits perfectly with the quiet and slow pace of the film. The rest of the cast is also great, with really natural performances throughout the film.
The cinematography and editing are also gorgeous, developing an unique pace and look to the film that would have bored in any other film. While the pace of the film is extremely slow, the audience gets used to it, preventing boredom from affecting the viewers, as it normally occurs with other slowly-paced films.
The film happens in the secluded Menonite settlement of the beautiful state of Chihuahua, introducing us to a world completely different from ours, but the universal feeling of the story makes us realize that, regardless of the differences between different groups of people, we are all similar.
A contained and wonderful Cornelio Wall delivers a range of feelings, resting almost entirely in his expressive eyes. His excellent performance fits perfectly with the quiet and slow pace of the film. The rest of the cast is also great, with really natural performances throughout the film.
The cinematography and editing are also gorgeous, developing an unique pace and look to the film that would have bored in any other film. While the pace of the film is extremely slow, the audience gets used to it, preventing boredom from affecting the viewers, as it normally occurs with other slowly-paced films.
The film happens in the secluded Menonite settlement of the beautiful state of Chihuahua, introducing us to a world completely different from ours, but the universal feeling of the story makes us realize that, regardless of the differences between different groups of people, we are all similar.
There are two ways of making a movie genius. One way is you make it an exciting storytelling, with lots of twists, surprises and well placed moments of tension turned to gold by great acting and tasteful camera angles and lighting.
The other way is this.
People will say this movie is boring. It is. They will say it drags itself. It does.
But while it does, it becomes painstakingly realistic. An average Joe doesn't spend his life fighting terrorists and being tossed around by the explosions he can't avoid, and while an average Joe can have a war land on his head or a ship sink under his feet, the really unlucky Joe will spend his life trying to make a living with no real chances of a worldwide tragedy turning him into a martyr or a hero.
"Stellet Licht" doesn't feed you the story. The key to deciphering this movie is that you must notice most shots are in a sort of "point of view" mode that keeps telling you "this could be you. What would you think right now? What would you do?".
And while it doesn't feed you everything, actions and dialogues, no matter how simple they sound at first are deeply meaningful and provide amazing food for thought. Marshall MacLuhan once described movies as "hot" media, demanding attention to find the meaning while leaving little space for your own participation as most is fed to you. A movie like "The Preadator" is hot; it doesn't immerse you as much as it attacks your senses of hearing and seeing.
In "Stellet Licht" while visuals and sound are of crucial importance in the beauty of the shots, the movie keeps a constant dialogue with the viewer and it's this viewer who ends up making a great part of the movie. This would be the definition of a "cool" media. In the end, everybody will have seen this movie differently and it will be a very intimate experience if only you lay the popcorn's aside and think about what is being shown to you.
Watch it with your significant other and you will realize there is so much to talk about, unlike with many other movies that leave you with trivialities and little more. So "Stellet Licht" is more than amazing story telling, it's what a dear friend of mine calls art: something that intertwines and confuses itself with real life.
If not for everybody, certainly not for those who expect a movie to spoon feed them and are not willing to incorporate and reinterpret the experience, but for those who are willing to think and discuss some of the strong subjects of this movie, "Stellet Licht" is a not just a movie, but an enlightening experience.
The other way is this.
People will say this movie is boring. It is. They will say it drags itself. It does.
But while it does, it becomes painstakingly realistic. An average Joe doesn't spend his life fighting terrorists and being tossed around by the explosions he can't avoid, and while an average Joe can have a war land on his head or a ship sink under his feet, the really unlucky Joe will spend his life trying to make a living with no real chances of a worldwide tragedy turning him into a martyr or a hero.
"Stellet Licht" doesn't feed you the story. The key to deciphering this movie is that you must notice most shots are in a sort of "point of view" mode that keeps telling you "this could be you. What would you think right now? What would you do?".
And while it doesn't feed you everything, actions and dialogues, no matter how simple they sound at first are deeply meaningful and provide amazing food for thought. Marshall MacLuhan once described movies as "hot" media, demanding attention to find the meaning while leaving little space for your own participation as most is fed to you. A movie like "The Preadator" is hot; it doesn't immerse you as much as it attacks your senses of hearing and seeing.
In "Stellet Licht" while visuals and sound are of crucial importance in the beauty of the shots, the movie keeps a constant dialogue with the viewer and it's this viewer who ends up making a great part of the movie. This would be the definition of a "cool" media. In the end, everybody will have seen this movie differently and it will be a very intimate experience if only you lay the popcorn's aside and think about what is being shown to you.
Watch it with your significant other and you will realize there is so much to talk about, unlike with many other movies that leave you with trivialities and little more. So "Stellet Licht" is more than amazing story telling, it's what a dear friend of mine calls art: something that intertwines and confuses itself with real life.
If not for everybody, certainly not for those who expect a movie to spoon feed them and are not willing to incorporate and reinterpret the experience, but for those who are willing to think and discuss some of the strong subjects of this movie, "Stellet Licht" is a not just a movie, but an enlightening experience.
This is certainly not a film for everybody and I will be careful in who I recommend this movie to. It is challenging because it is very unsatisfying to the 5 senses we are used to (over)feed. This movie is like meditating, you need to surrender to it, ignore what your mind is telling you about what a movie should be, surrender to the slowness first and then to the lack of almost everything we are normally used to in a movie. There is so little you can chew on, no acting, inhibited emotions, no laughter, even the acclaimed picture is unsatisfying (don't see this movie for that reason). Everything is internal, barely reaching the surface. If you can tune in though, like in a meditation, you will become ultra sensitive, sense the subtle and begin to enjoy. Some scenes may even totally fill your spirit. One word of caution though, if you intend to see this movie in a theatre: it is very likely that some people will become uncomfortable and leave, keep talking, protest etc... which makes it even more difficult to watch it with serenity so renting it as a DVD may be a more suitable option. If you are the kind of person enjoying a walk in the countryside contemplating nature without talking you'll probably enjoy this movie. If you prefer talking or being entertained then chances are that you will not.
Le saviez-vous
- AnecdotesMexico's official submission for the 80th Academy Awards, and the first film from that country that is not in Spanish. Under AMPAS's new rules for Best Foreign-Language Film, it is eligible for a nomination.
- GaffesThe English subtitles translate one line as "The man on the phone wants a plutonium exhaust." This would be expensive, not to mention environmentally hazardous! Presumably the line actually refers to platinum, not plutonium.
- Bandes originalesLes Bonbons
Written and performed by Jacques Brel
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- How long is Silent Light?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Silent Light
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 980 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 60 200 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 967 $US
- 11 janv. 2009
- Montant brut mondial
- 877 577 $US
- Durée2 heures 22 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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