Ajouter une intrigue dans votre langueA pair of rivaling stage magicians are forced to confront their falling out over a guillotine mishap when they compete in a magic competition.A pair of rivaling stage magicians are forced to confront their falling out over a guillotine mishap when they compete in a magic competition.A pair of rivaling stage magicians are forced to confront their falling out over a guillotine mishap when they compete in a magic competition.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Jessica Hynes
- Linda Jones
- (as Jessica Stevenson)
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I've seen lots of bad to so-so reviews for this one, but I gotta say, I keep going back to it because the funny bits really are funny. For me, Peter Capaldi absolutely steals every scene he's in; he can do more comedy with one facial expression than many comedians can pull off in an entire stand-up act, and he's perfect for the role of the bureaucratic petty tyrant in charge of the magic contest. Daren Boyd (my GOD does he look like a young John Cleese!) also steals his scenes, as does Alex McQueen as the stooge: amazing what really good comedic actors can do with even the smallest roles.
It's hard to comment on this film. I'm a big fan of Mitchell and Webb and thought this film was really going to make me laugh...it didn't. There are some funny moments but nothing special, and i agree that it falls very short of Peep Show and definitely thought that Armstrong and Bain could have come up with something a lot more exciting and funny. The plot is boring and a few gags enable it to just keep going but the writers have a long way to go until they reach Pegg and Wright, in the British Comedy Films department...Stick to T.V.
I'd say it's a film to rent or go round your mates house and watch if they end up buying it. But my advice is...don't waste your money.
I'd say it's a film to rent or go round your mates house and watch if they end up buying it. But my advice is...don't waste your money.
Mitchell & Webb have done some very funny material in the past. This film is, at best, mildly amusing.
The premise is amusing, in a black comedy way.
The characters are amusing, occasionally.
The script is amusing, in places.
Individually all of the contributors are capable of so much more and it is disappointing to end up with a film that aspires to be funny but falls short in so many ways. It simply fails to sustain any interest. Much of the humour is hackneyed and its predictability takes away so much of the punch that you find yourself hunting for humour that ultimately is not there to find.
Overall the best I can bring myself to recommend is if this comes round on TV and you have little else to do on a rainy day give it a try.
The premise is amusing, in a black comedy way.
The characters are amusing, occasionally.
The script is amusing, in places.
Individually all of the contributors are capable of so much more and it is disappointing to end up with a film that aspires to be funny but falls short in so many ways. It simply fails to sustain any interest. Much of the humour is hackneyed and its predictability takes away so much of the punch that you find yourself hunting for humour that ultimately is not there to find.
Overall the best I can bring myself to recommend is if this comes round on TV and you have little else to do on a rainy day give it a try.
Hmmm...I saw the screening last week in Dublin, and although it was quite funny, it wasn't "brilliant". I had lots of fun, but there was just something missing I think. Mitchell and Webb were great (as ever), Jessica Stevenson, Darren Boyd and Peter Capaldi were also great (as ever)...but there was just something about it. Too slight? Not enough meat? No Mark Heap? I dunno. All this talent and - it pains me to say this - it didn't seem to be much more than the sum of its parts. Maybe further viewings will reveal more. Now having said that, there were plenty of great jokes, nuances, the odd subversion, and so forth - not to mention magic tricks. Despite my minor reservations, it's still a cut above the rest of the tripe that passes for comedy these days. Armstrong and Bain have made the leap to film confidently and convincingly. They still deliver the goods. Go see it! Incidentally, Jessica Stevenson just gets more gorgeous as time goes on (sigh).
(Notice I didn't mention Peep Show! Surely I deserve some kind of award!)
Oh, and there was a Q&A session with David and Rob after the screening and they were hilarious. Sharp as tacks, took time to answer even the stupidest questions, and hung around long enough for fans to mob them (well, ask for autographs and photos anyway). Great guys.
(Notice I didn't mention Peep Show! Surely I deserve some kind of award!)
Oh, and there was a Q&A session with David and Rob after the screening and they were hilarious. Sharp as tacks, took time to answer even the stupidest questions, and hung around long enough for fans to mob them (well, ask for autographs and photos anyway). Great guys.
Karl and Harry are magician partners, regularly wooing their audiences with their brand of mystery and wonder. However two events tear them apart. The first is Harry's discovery that Karl is having an affair with his wife. The second is Harry accidentally beheading that same wife during a mishap with a guillotine. Many years go by and Karl is still working as a magician but is trying to break into the TV niche held by David Blaine, Derrel Brown and others of that ilk. Meanwhile Harry is selling knives in the supermarket to earn his living. With the Magic Shield coming up, Harry turns to Karl to reunite temporarily and win the contest. However barely minutes into it, old tensions resurface and the pair split again to go head-to-head.
It is a little concerning to watch the progress of the career or Mitchell and Webb. I first came across them in the quite brilliant Peep Show, where their delivery was excellent against the strong material. Next I saw their sketch show and, although it was a bit hit and miss, it was still reasonably amusing. Afterwards comes this film which again is a step down even if the move into films appears to be a positive step. The concept appears to offer up potential but somehow the script doesn't really give them the material to work with. For some reason the script keeps them apart too often and gives them romantic subplots (of a sort) to deal with. The film is at its best when they are together, clashing with one another in the awkward and uneasy way they do. However it must be said that these moments are not frequent enough and mostly the film is just not that funny.
The rather British "awkward" humour is OK but not as well done as those used to it will have seen it done other places. Mitchell and Webb are both pretty good when the material is given to them but again, this is not often enough for what they have shown they are able to do. The support cast is full of familiar faces from Spaced, Saxondale, The Thick of It and several other strong British comedies. However nobody really have the chance to shine apart from the wonderfully letchy Edge. Stevenson (now Hynes), Hardiker, Riseborough, Capaldi and others are all OK, but it is the lack of material offered them that limits them.
Overall then an OK comedy but nothing more than that. Viewers get glimpses of what the film could have been or what the cast are capable of and, while these glimpses are occasionally funny they do not make up for the fact that they are only glimpses. Credit to Mitchell and Webb for trying to show that they are much more than just Peep Show actors, but Magicians is not the vehicle that will do that for them.
It is a little concerning to watch the progress of the career or Mitchell and Webb. I first came across them in the quite brilliant Peep Show, where their delivery was excellent against the strong material. Next I saw their sketch show and, although it was a bit hit and miss, it was still reasonably amusing. Afterwards comes this film which again is a step down even if the move into films appears to be a positive step. The concept appears to offer up potential but somehow the script doesn't really give them the material to work with. For some reason the script keeps them apart too often and gives them romantic subplots (of a sort) to deal with. The film is at its best when they are together, clashing with one another in the awkward and uneasy way they do. However it must be said that these moments are not frequent enough and mostly the film is just not that funny.
The rather British "awkward" humour is OK but not as well done as those used to it will have seen it done other places. Mitchell and Webb are both pretty good when the material is given to them but again, this is not often enough for what they have shown they are able to do. The support cast is full of familiar faces from Spaced, Saxondale, The Thick of It and several other strong British comedies. However nobody really have the chance to shine apart from the wonderfully letchy Edge. Stevenson (now Hynes), Hardiker, Riseborough, Capaldi and others are all OK, but it is the lack of material offered them that limits them.
Overall then an OK comedy but nothing more than that. Viewers get glimpses of what the film could have been or what the cast are capable of and, while these glimpses are occasionally funny they do not make up for the fact that they are only glimpses. Credit to Mitchell and Webb for trying to show that they are much more than just Peep Show actors, but Magicians is not the vehicle that will do that for them.
Le saviez-vous
- AnecdotesOlivia Colman was offered a key role.
- GaffesWhen Harry Kane is flying back to London from Jersey the aircraft on the runway is a Flybe Dash 8 Q400 which does fly that route. The interior in the next shot however is filmed in a much larger aircraft with 6 seats across (the Q400 has 4 across) and while he is having his panic attack Harry refers to the oxygen masks in the safety briefing which the Q400 doesn't have.
- Citations
Mike Francis: [a Veteran Magician has put out a cigarette on his tongue and swallowed it] Yes, very good, thankyou.
[Aside]
Mike Francis: You know, there's no technique to any of that. He just takes the pain. Sick bastard.
- Crédits fousThere's an additional scene featuring Karl's manager after the end credits.
- ConnexionsFeatured in Sven Uslings Bio: Magicians (2020)
- Bandes originalesThe Cat
Performed by Jimmy Smith
Written by Lalo Schifrin
Published by EMI Music Publishing Ltd.
Courtesy of Verve Records (United States)
Under license from Universal Music Operations
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- How long is Magicians?Alimenté par Alexa
Détails
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- Montant brut mondial
- 2 052 190 $US
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