Epic: La bataille du royaume secret

The pretty standard stuff of elfish lore, where magical faerie folk protect the woods and the life enclosed inside. Led by the Queen Tara ( voiced in English-language version by Beyoncé Knowles) the minuscule forest inhabitants guard the essence of creation from the destructive appetite of the agents of blight - creatures called Boggans - and their malevolent leader, Mandrake (Christoph Waltz). These forces of good are led by the seasoned warrior Ronin (Colin Farrell), who together with his elven battalion mount hummingbird steeds. His special protégé is independent-minded brash Nod (Josh Hutcherson), who disregards structure and rules. However, each faerie Leafman must become a part of a bigger tree, in order for the forest to survive. Especially now, when a rare astronomical occurrence brings about the necessity to name a new queen, chosen through the use of a magical bud. This ceremony is disrupted by the onslaught of Mandrake's forces. Meanwhile a somewhat crazed and estranged Professor Bomba (Jason Sudeikis) seeks proof of little green forest men residing in the woods, much to the distraught of his only daughter Mary Katherine (or as she prefers to be known M.K.) (Amanda Seyfried), who moves in grieving after the death of her mother.

What can I say say? I love me some faeries and the magical allure of nature. Here "Epic" delivers with aplomb the visual feasts of an enchanted forest coupled with ages-old tales of combat between good and evil - or as portrayed here as a conflict between life and decay. The obvious flaw to be pointed out is the generic and predictable storyline, which delivers essentially what was to be expected, failing to really instill any sense of novelty. With some well-placed humour, thankfully low on the adult kind and more focused on family laughs, "Epic" does however deliver on its base promise: offering entertainment for both adults and children. Visually appeasing with some engaging story lines, apt for parents or simply for adults looking for a good time, are sure to be satisfied by the magical light-hearted tones, just perfect for disassociating yourselves from the mundanity of everyday life.

Some fault can also be found in a somewhat underwhelming formation of characters, mostly feeling like poorly fleshed out cardboard cutouts with only the touching relationship between father and daughter really hitting home. Some of the secondary characters are just poorly conceived comedic relief (like the slug and the snail), while the overall story seems somewhat overloaded given the running time. Especially the character of Nod seems to be a missed concept, as he fails to have enough structure to really develop any relationship with either Ronin or M.K., thus adding a certain sense of superfluousity to his role in the movie. Nonetheless, the underlying weaknesses fail to prove detrimental from family viewing, making it a rewatchable feast for the eyes and imagination, without ever truly hitting classic animation territory.

My Rating: ***1/2 (out of ****)

The way things a currently looking, this might very well not be a Pixar year. A much as I might enjoy Monsters University and possibly Planes, they may very well not be my favorite animated films of the year, and they probably won't be. The Croods is already my favorite animated film of the year, and this movie, Epic, in my opinion, is also pretty good.

The main protagonist of the film is Mary Katherine, or M. K., a likable (and cute) teenage girl who, after her mother's death, goes to live with her eccentric and reclusive father. Her father believes that there is a miniature world of magical little people and creatures that live in the forest, and of course other people, including M. K., don't believe him. However, she soon magically shrunken and discovers this little world, which she must save.

And so on. I admit, the movie is not very epic; it is a bit generic and has just about every cliché possible: good vs. evil, balance of nature, dysfunctional parent/child relationship, etc etc. The film resembles a number of other films, such as FernGully, Avatar, and Honey I Shrunk the Kids, among others. One of the main characters, the Nod, even resembles Flynn Rider from Tangled pretty strongly (but this wasn't a problem for me). However, I disagree with everyone who is calling it charmless, forgettable, too reliant on visuals, and weak in terms of character, plot, heart, etc. That's right, I actually enjoyed it.

I actually thought the movie was handled fairly well and has a decent, solid, enjoyable, well- paced plot. The film started out a bit slow, but I started to get more interested as trouble started brewing in the miniature forest world and then M. K. gets shrunken; from then on the movie was much better, and I got interested and emotionally involved in the story. The film also has likable characters and relationships, and good voice performances by Amanda Seyfried, Josh Hutcherson, Colin Farrell, Beyonce Knowles, and the rest of the cast. It even had some good humorous parts, including a pair of mollusks and a three-legged dog.

The best part of the film is the animation; dazzling, lively, meticulously detailed, and it helps bring everything to life. Like Avatar, this movie has what I found to be an interesting, immersing, well-designed setting. Also, like Avatar, it has a good, strong ecological message, which I appreciate. It also has heart, charm, and genuine emotion, and additional good moral messages such as friendship, love, bravery, and selflessness.

Bottom line: If you ask me, Epic is hardly epic, but it's good. And it was especially enjoyable for me on the big screen. Kids will certainly love it; and if you are an adult, like me, just let out your inner child and enjoy the film.

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This is without a doubt the most fantastic visual animation I've ever seen. It brought to mind i) nature scenes on Pandora in "Avatar", ii) lush vegetation jungle scenes from "Up!", iii) the whole valley turning green at the end of "Princess Mononoke", and iv) the infinitely graded colors in "Oz the Great and Powerful". (I watched it in 2D, and don't know what 3D is like.)

But visually it outstrips all of those. The plants are real ones we're familiar with (not imagined ones); scenes are incredibly detailed (not one fern but tens of them, not one blossom but hundreds); biological growth and decay is of individual plants seen up close (not a very long shot across a whole valley); and all the vibrant yet subtle colors appear in nature (not a fantasy world). Vegetation unfurls and extends as we watch, and it all seems perfectly realistic and believable. We see the whole process of burls developing on live trees in just a few seconds over and over. We see growth meristems probing for the best direction and expanding little by little. And we see the slight shifts in color that signal the beginning of more decay or more growth.

All the animation effects technology has already conquered --fur, musculature, waves, droplets, rain, crowds, flying, moving cameras, etc. etc.-- are also deployed virtuosic-ally in the places the storyline calls for them. From my aged (about 60) perspective, it seems suitable and enjoyable for all ages (although it's rated PG) ...and not because adults will see a different film as they understand the more salacious meaning of double entendres - there aren't any. There isn't any notable music nor abstract visual patterns nor references to fairy tales either, other things frequently associated with animations.

The story is decent too. It's a seamless melding of realities (such as a brusque taxi driver) with fantasy (tiny beings riding hummingbirds?). It proceeds organically, eventually incorporating pretty much everything that happened earlier (even things that appeared to be already completed or even unrelated). The typical joke is mostly visual, developing slowly over many seconds - no one-liners here. There are not a lot of the ironic jokes that have been prominent in many recent animations. (In fact this movie is often relegated to "kids film" or "family film", which makes me feel a little silly for enjoying it.) The ending is positive but not saccharine -- there's resolution ...but not of everything.

Comic relief is provided by a tag team of a snail and a slug. A typical gag is something about "eyes inside your head" or "everybody hide in your shell" (slugs of course don't have shells). I found it adequately funny (but not laugh out loud funny). Humor is a very personal thing though, and I suspect some of the more "with it" young adults will find it painfully unfunny.

The flights, the fights, the falls are gripping. This is edge of your seat stuff. And the tiny perspective casts familiar things in a new light: a mouse becomes a threatening giant, and a looming doggie kiss would mean serious injury or even death. Pick a theater with a really big screen and a newish projector, and sit toward the front. And if you're an animation aficionado plan to attend more than once. Also, sit through the end credits, as the level of detail and imagination in the background visuals --often throwaways or repeats, but not here-- is astounding.

When you're vying for a slice of the kiddie-dominated box office and your competition is a couple of sequels/prequels with established (and popular) characters, having a moniker as suggestive as Epic is a great way to improve brand awareness. The downside is you instantly set the expectations level quite high, and anything less than, erm, epic, seems like a missed opportunity. Beautifully designed and action-packed, this motion picture from the creators of the Ice Age franchise boasts impressive visuals and exciting set pieces – ultimately creating a tiny forest world that is endlessly inventive and always fun to watch – yet struggles to make an impact where it truly matters: with the story. This environmentally-focused tale is at times too morally forceful and employs blatant cop outs to wrap up its various strands of plot, whilst the main group of players are unoriginal and overly reliant on stereotypical characteristics. The voice cast – including Colin Farrell, Amanda Seyfried, Josh Hutcherson, Jason Sudeikis, Steven Tyler and Beyonce Knowles – are all fine without being memorable, with Christoph Waltz's irreprehensible villain and Aziz Ansari and Chris O'Dowd's crowd-pleasingly hilarious slug/snail combo proving to be the standouts. Epic is a solid family film and has enough to warrant a visit to the cinema during the school break, but sadly it never lives up to its title.

This animation is about a teenage girl who goes to live with his father, who is a scientist fanatical about civilised creatures in the first, after his mother died.

"Epic" has everything to be a successful animation. It's colorful and delightful to watch. The characters are really nice (but only limited to the characters in the Queen's land). The story is very engaging, even though it seems to be a simple story of God versus evil. The father daughter relationship is presented beautifully, it makes me feel for both the father and the daughter as their relationship blossoms.

I think "Epic" is a really good animation. It touched me and entertained me, made me laugh and made me be filled with tears of joy. I thoroughly enjoyed it.