NOTE IMDb
7,1/10
13 k
MA NOTE
Une jeune femme est prise en otage par un policier devenu fou.Une jeune femme est prise en otage par un policier devenu fou.Une jeune femme est prise en otage par un policier devenu fou.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 14 nominations au total
Andrey Mokeyev
- Naboev
- (as Andrei Mokeyev)
Yevgeniy Kramorov
- Bit part
- (as Evgeniy Kramorov)
Avis à la une
Out of so many garbage russian cinema titles we saw the past two decades, this one is not trash and is outstanding. Not just because of a shock value, but the true-like depiction of Soviet Union in 1980s, good script and ok actors.
Hell, this movie captivated me to the end. It's worth it.
After watching the film to the end, i launched myself off the chair, toward the television and returned to the beginning - so i could reassure myself that the word 'based on true events' had been written there. He (Alexey balbanov) may have been messing with us or not, but then the complete repulsiveness and disbelief at the fact that human beings are capable of such things, was the most riveting thing. The film and characters deliver a slice of outright realism, social decay, dark and twisted tales i have ever seen. And nowadays in times unsurprising storytelling, this film shocked the hell out of me. It wasn't the disgust of Captain Zhurov nor the helplessness of Angelika (my name-sake) that irritated me, but the sheer intertwining and coincidence that could be experienced in the film. Everyone crossed everyone else's path. This, like others have said, is a very very dark, sick, twisted movie... in a good way. That it keeps you interested and intrigued. I loved it, only with an open mind.
It is a film about the death of totalitarianism in separately taken country. Year 1984, the life gloom of the Soviet power was condensed to the limit... Those who lived in USSR may cry when watching it. It is so cruel and at the same time so true. Every single part of you will tremble in the watching process. It is inspired from real facts, won't let anybody indifferent, I mean for those who knows at least something about the cinematography... Roles are played perfectly, just how it was meant to be played. People with weak heart and people that loves American Pie series, skip it, you won't like it anyway. For the rest, what can I say, you HAVE to see this movie. 9 out of 10
Yes, this is a shocking movie but a good one. People, especially abroad, need to see films like this, to get a picture of the horrors that took place in the SSSR and try understand the dark side of the human nature. Similar things, if not worse, are happening all over the place but at least Alexey Balabanov had the guts to talk about it in an explicit and honest manner. I, personally, think of this film as a very disturbing documentary which can also provide study material for sociologists, psychologists, psychiatrists but also people in positions of power (politicians mainly) who are mostly responsible for horrors of the modern society. Also, movies aren't just Hollywood and why not talk about real life for a change. It's time people opened up their eyes and their minds, too. I did find the music, although highly acclaimed by the critics and well liked by its fans, a little irritating. I do however understand its role in the movie so that's why I voted 9. Well done the actors, and well done Mr Balabanov!
The title of the film is a code name for the return home of a body from the battle field. The reason why this title is chosen becomes clear early in the film - but the build of the film would allow a lot of different titles and each one of them would be matching for this film goes far beyond a body returning from the battle field. As the story rolls the film switches back and forth between a number of people and tells their respective tales - and the way all of them connect in one way or the other. The stories are not altogether happy but are not too dark either so the film doesn't turn too dreary. It is very grim though. As each of the stories turns to its conclusion one can not escape the biting cold reality of them.
Played out well enough to be believable and quick enough to be entertaining this film does pretty well. It's ending is fitting, its after-taste is bitter. But, above all, it's an interesting watch.
8 out of 10 broken bottles of vodka
Played out well enough to be believable and quick enough to be entertaining this film does pretty well. It's ending is fitting, its after-taste is bitter. But, above all, it's an interesting watch.
8 out of 10 broken bottles of vodka
Le saviez-vous
- AnecdotesRejected by the Berlin and the Cannes Film Festival.
- GaffesAfter Valera sees Antonina's abduction by Zhurov, he gets in his Lada to drive off, however the interior light on the B pillar was left on over night and it doesn't loose intensity when cranking the engine, nor does the car struggle to start, which would be implausible after the battery got a small discharge from the light bulb during such long time.
- ConnexionsEdited into Zapreshchyonnye Barabanshchiki: Rodina (2017)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Freight 200
- Lieux de tournage
- Nevskiy Civic Center, Saint-Pétersbourg, Russie(scene with the band "Kino" playing live)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 592 673 $US
- Durée
- 1h 29min(89 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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