Back Soon

The opening mood of this picture -- the depression of a widower numb with grief -- pretty much sums up the entire film.

The main character is both figuratively and literally sleepwalking through his life, and the director and actors do the same. How can a movie with supernatural aspects be so unengaging?

Every scene plays out slowly, as if the somber subject matter requires it. Characters interact, but the actors fail to connect with each other, even in scenes where emotions should run high.

A livelier or more varied approach by the director and/or actors would have helped. As it stands, "Back Soon" stays stuck in slow motion.

My partner first became smitten by Matthew Montgomery after watching him in the Internet "Star Trek" series/homage "Hidden Frontiers." Montgomery's appeal is easy to understand: he is an attractive guy with considerable screen presence, and he can act. My partner's growing Montgomery crush led him to watch "Back Soon," a movie he liked so much that he suggested we include it in our intermittent Matthew Montgomery "Film" Festival.

"Back Soon" is the story of a Logan (Windham Beacham, who really should trademark his name), a young actor mourning the death of his wife (Maggie McCollister), who becomes friends with – and the lover of — Gil (Matthew Montgomery), the ex-gang member who buys Logan's house. This is all promising, setting the stage for a thoughtful exploration of grief, love and the nature of attraction. But writer-director Rob Williams reneges on that promise with some bad writing, made worse with some "Touched by an Angel" supernaturalism coming into the story by act three. A more gifted writer could've pulled off this divergence into the spiritual, but Williams' script has a hard enough time making the physical world convincing without exploring ghostly realms. A more gifted writer—especially one doubling as the director—might have realized that Montgomery just wasn't gruff enough to pass as a former Latin gang member (not to mention the street gang back story just didn't work) and rewrite the part to better fit the actor. A more gifted writer might have been able to make Spencer, Logan's Mexican-hating brother-in-law, seem more like an actual racist instead of a parody of one. A more gifted director would have realized Artie O'Daly playing straight Spencer as if he's a bitchy queen telegraphs a story twist miles away.

Most of the cast are capable in their roles, even if they don't always fit them. Beacham is appealing as Logan, though it's interesting that in portraying an actor he is rather flat in the scenes featuring Logan auditioning. Even though I never bought Montgomery as a former gang member, he was another bright spot in this movie. I never believed Maggie McCollister (billed here as Maggie Foster) and Beacham as a couple, either, but McCollister's performance showed her as one of the more polished actors in the cast. Not polished but better than anyone would expect is gay porn star Bret Wolfe as Gil's flamboyant – and improbable – best friend. Wolfe's performance here suggests he could fill the roles that used to go to a pre-op Alexis Arquette.

I can't be totally dismissive of "Back Soon." Beacham and Montgomery have some nice moments together and it's clear that the people involved have their hearts in the right place. Plus, the movie earns points for featuring mystery novelist John Morgan Wilson in a cameo. I really wanted to like this movie as much as my partner did, but the story's potential is botched by an amateurish script, clunky directing and spotty production values. Still, I'm looking forward to continuing my explorations into the works of Matthew Montgomery and hope that eventually he appears in a movie that's actually shot on film.

This is a strange film and I can't give a vote, I can't really say if it's good or not. Better, this film isn't good, but it has some points that make me enjoy it.

The best part is the begging, when it describes the two main characters falling in love for each other. The acting was good enough and the atmosphere represented looks sweet and delicate (the is the best point of the movie in my opinion).

A part from that, the rest of the film is quite an insult to the viewers' intelligence and the mystic/supernatural tone neither is necessary to the development of the storyline nor makes any sense.

In the end, my suggestion is: the film isn't a masterpiece, still it might be worth seeing, if you don't have anything better to do and you aren't too disappointed by the unbelievable supernatural elements in the plot. Otherwise avoid it!

After having seen "Long Term Relationship", my impulse was that Rob Williams just could not be taken seriously. But after reading subsequent review of "Back Soon", I decided to give it a shot, and I'm happy to say I was pleasantly surprised. The writing was pretty predictable (I figured out the plot twists within the first 15 minutes...although I thought the characters shared a donated organ) and the actors really have not progressed in range or skill since the previous film. But this one ALMOST works. I say ALMOST, as Matthew Montgomery is NOT able to play a former gang-banger/cholo, nor does he speak Spanish convincingly (yes, I get his name is Ramirez, pero ni madres...está pero MUY sacado de onda). And the "demo reel" scenes don't work at all, since Windham Beacham is indistinguishable from when he is playing his main character or when he is supposedly playing a "bad actor"...they are both the same. Artie O'Daly is great in the "Bad Boy" series because his "gay voice" is hilarious...but it's also too noticeable to play a closeted man if it's supposed to be a surprise or plot twist. If the writing, editing and the actors were just a LITTLE better, this could have been a really memorable film. As it stands now, it's a "good effort".

After reading the reviews for this movie, I was really hesitant to watch. Once again I proved to myself, sometimes you just have to see/do some things for yourself.

First off, is the writing, directing and acting as bad as some have said? No it's not - nor is it Oscar-worthy either. You must remember that this is an indie film with a limited budget so the director doesn't have 30-40 takes each scene to find the hidden gem. Some scenes are better than others, no doubt. But the sum of this movie is definitely better than a few of its parts.

There were several references to the movie's "supernatural tendencies" and "unbelievability". I found the story really interesting and fresh. If you're looking for the typical gay indie film that focuses on random hookups and erotic sex scenes, yeah you're going to be disappointed to actually find a STORY here that you need to follow. I wonder if Gil were a woman, would the other reviews have been so pointed?

All in all, good effort and interesting story. I'd recommend it.