Grow Your Own

Wow! A genuinely funny and moving film that lingered in my head for days. Probably the most unsexy list of ingredients to make a movie from - gardening, immigration, telephone masts - but it links all these plots with an amazing cast of characters who it is impossible not to care for. It's a bit like Little Miss Sunshine - why should a road movie about a dysfunctional family on their way to a beauty pageant work? - because you care about every single one of them and the same thing happens here. Rather than laying the politics of immigration on with a trowel the writing and directing insinuate it throughout the stories. A great piece of British Indie Cinema - It left me with that feeling you get after an impromptu warm summer evening sitting outside the pub.

This was a nice Little film, Nice is probably the crucial word because it did suffer from the British film comedy pitfall of using stock characters while tying everything up too "nicely" at the end. The Eddie Marsan / Olivia Coleman romance storyline must have seemed like well trodden paths through their allotted stories and they pulled off trademark, lovable loser, performances that I am sure would come across as heart-warming if we hadn't seen them many times before. And there were a few other comedy stalwarts playing within similar well ploughed furrows.

That said, there was much to commend the film - the characters were familiar but you felt a warmth for all (of whom you were intended to) and the script although a little threadbare in places had some great moments too; the Grumpy old Rebel and the Chinese family were extremely well written and played. The cinematography was much better than some comments have implied too - there is one shot of darkened clouds over the allotments and a couple of other night-time views that were pretty impressive.

Its a story about a set of allotments and the changing ethnic shape of working class society and as such it is well meaning and entertaining .. yes we have seen much of it before .. yes there have been better Brit films and if you want a hard-biting film about the state of British society or the evils of racism in Britain today, there is a lot better out there but....

I sat in a showing (late admittedly) in a major British City, in that Cities main Cinema, on a Saturday night, on only the second night after the films release, i was the ONLY viewer!! I hope that is not an indication of the films fate because it deserves better than that

Sometimes you just know after 5 minutes of watching a film whether it's going to be good or not. I bought it on the strength of John Henshaw being in it, he seems to do no wrong. In truth if i gave this film a 10 star rating it would not do enough justice for it. Ridiculously fabulous film that relies on story, acting, cranked up with a fair amount of emotional turmoil. Please see this film, it's a very undervalued classic. Im hyper critical of films, but this is perfection. When it comes to action/horror I generally think US films cannot be beaten, when it comes to a drama, i think its one area the Brits are way out ahead, there is a realism about this film that is quite unnerving. The humour very subtle and well placed. It's given me such a good feeling after watching it.

I deeply suspect that 'tfitoby' is missing the point of what I found to be an extraordinarily sensitive and subtle piece of social comment. The point is HOPE and the vehicle is COLOUR. From the social to the physical, Richard Laxton peppers his film with the symbolism of diversity and change. From the stark, colourless winter emerges the blooming promise of spring, (using mirrored panning shots at either end of the film: Katherine Mansfield's time-honoured narrative tools in celluloid). From inconspicuous attire, evolves the vibrant 'panache' of Hawaiian shirts. The dichotomy of confinement is also explored (a space normally connected with travel, trade and promise presents itself as a physical and mental incarceration, whilst the physically enclosed space of the allotments represents freedom, social and cultural responsibility and diversity - not to mention what the intrusive nature of the communications industry). These are not humorous issues, but I feel that genuine and warming comedy helps to highlight, implicitly and explicitly in this film, the myriad of social problems – and joys - we face today. I suggest very strongly that 'tfitoby' takes another look - perhaps he could watch it on one of the BBC's prime viewing slots, say, on a Sunday evening?

I recently saw this movie and thought it was charming and funny. The comedy was subtle in places, laugh-out-loud in others, but always well-placed.

I would disagree with the notion that some of the characters are superfluous or under- developed... I thought they were subtle, well-played and a great collection of people. I didn't find it hard to imagine them digging away somewhere on an allotment!

I do agree with the comment about Benedict Wong, this was a great performance, I also really liked Eddie Marsan and Philip Jackson's characters.

As for the name, I rather like "Grow Your Own" as a title!