Ajouter une intrigue dans votre langueAn English community gets testy when a refuge family is granted a plot of land on which to grow vegetables.An English community gets testy when a refuge family is granted a plot of land on which to grow vegetables.An English community gets testy when a refuge family is granted a plot of land on which to grow vegetables.
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I watched the DVD of this, basically because that's how i watch movies. I wondered at the start if I had made a mistake and was going to rue the decision to buy it, but no, things livened up a bit, the comedy was subtle and the acting was stock UK standard - sometimes too good for its own good, many viewers missing the sublety. I think today we are so saturated with 'blockbuster' and 'drama' that when we see characters who seem to be not acting, we just think that they're doing badly. I've done that myself. However, although I think that Philip Jackson, who is one of my favourites, was a predictable casting, the situation was ultimately sorted in the typical British no-fuss method of side-stepping the unpleasantness and dealing to him. I liked it, no apologies for that. I'll probably watch it again.
This was a nice Little film, Nice is probably the crucial word because it did suffer from the British film comedy pitfall of using stock characters while tying everything up too "nicely" at the end. The Eddie Marsan / Olivia Coleman romance storyline must have seemed like well trodden paths through their allotted stories and they pulled off trademark, lovable loser, performances that I am sure would come across as heart-warming if we hadn't seen them many times before. And there were a few other comedy stalwarts playing within similar well ploughed furrows.
That said, there was much to commend the film - the characters were familiar but you felt a warmth for all (of whom you were intended to) and the script although a little threadbare in places had some great moments too; the Grumpy old Rebel and the Chinese family were extremely well written and played. The cinematography was much better than some comments have implied too - there is one shot of darkened clouds over the allotments and a couple of other night-time views that were pretty impressive.
Its a story about a set of allotments and the changing ethnic shape of working class society and as such it is well meaning and entertaining .. yes we have seen much of it before .. yes there have been better Brit films and if you want a hard-biting film about the state of British society or the evils of racism in Britain today, there is a lot better out there but....
I sat in a showing (late admittedly) in a major British City, in that Cities main Cinema, on a Saturday night, on only the second night after the films release, i was the ONLY viewer!! I hope that is not an indication of the films fate because it deserves better than that
That said, there was much to commend the film - the characters were familiar but you felt a warmth for all (of whom you were intended to) and the script although a little threadbare in places had some great moments too; the Grumpy old Rebel and the Chinese family were extremely well written and played. The cinematography was much better than some comments have implied too - there is one shot of darkened clouds over the allotments and a couple of other night-time views that were pretty impressive.
Its a story about a set of allotments and the changing ethnic shape of working class society and as such it is well meaning and entertaining .. yes we have seen much of it before .. yes there have been better Brit films and if you want a hard-biting film about the state of British society or the evils of racism in Britain today, there is a lot better out there but....
I sat in a showing (late admittedly) in a major British City, in that Cities main Cinema, on a Saturday night, on only the second night after the films release, i was the ONLY viewer!! I hope that is not an indication of the films fate because it deserves better than that
I deeply suspect that 'tfitoby' is missing the point of what I found to be an extraordinarily sensitive and subtle piece of social comment. The point is HOPE and the vehicle is COLOUR. From the social to the physical, Richard Laxton peppers his film with the symbolism of diversity and change. From the stark, colourless winter emerges the blooming promise of spring, (using mirrored panning shots at either end of the film: Katherine Mansfield's time-honoured narrative tools in celluloid). From inconspicuous attire, evolves the vibrant 'panache' of Hawaiian shirts. The dichotomy of confinement is also explored (a space normally connected with travel, trade and promise presents itself as a physical and mental incarceration, whilst the physically enclosed space of the allotments represents freedom, social and cultural responsibility and diversity - not to mention what the intrusive nature of the communications industry). These are not humorous issues, but I feel that genuine and warming comedy helps to highlight, implicitly and explicitly in this film, the myriad of social problems and joys - we face today. I suggest very strongly that 'tfitoby' takes another look - perhaps he could watch it on one of the BBC's prime viewing slots, say, on a Sunday evening?
While it's not exactly a film that is going to set the world on fire with it's originality, "Grow Your Own" is a perfectly OK drama/comedy. (Note, it is a drama/comedy rather than a comedy/drama. There is a difference.)
The trailer would have you believe that "Grow Your Own" is a film concerned with British eccentrics, stuck in their ways, perturbed by the influence of foreigners on the little piece of England they call the Allotment. Er... Actually that is exactly what it is about (clichés ahoy!), but it is the sometimes very tragic human stories behind the clichés that make "Grow Your Own" interesting enough.
The cast is made up of the same faces that are always turning up in British films. (Philip Jackson, Eddie Marsan, John Henshaw, Olivia Colman, Omid Djalili, et al.) All of them perfectly, and probably obviously, cast.
Not world breaking, but a perfectly amiable film for a quiet afternoon at the cinema. Yes, it is another, I'm assuming, lottery funded British movie of no interest to anybody outside of the British Isles, but give it a go. You might like it.
The trailer would have you believe that "Grow Your Own" is a film concerned with British eccentrics, stuck in their ways, perturbed by the influence of foreigners on the little piece of England they call the Allotment. Er... Actually that is exactly what it is about (clichés ahoy!), but it is the sometimes very tragic human stories behind the clichés that make "Grow Your Own" interesting enough.
The cast is made up of the same faces that are always turning up in British films. (Philip Jackson, Eddie Marsan, John Henshaw, Olivia Colman, Omid Djalili, et al.) All of them perfectly, and probably obviously, cast.
Not world breaking, but a perfectly amiable film for a quiet afternoon at the cinema. Yes, it is another, I'm assuming, lottery funded British movie of no interest to anybody outside of the British Isles, but give it a go. You might like it.
Wow! A genuinely funny and moving film that lingered in my head for days. Probably the most unsexy list of ingredients to make a movie from - gardening, immigration, telephone masts - but it links all these plots with an amazing cast of characters who it is impossible not to care for. It's a bit like Little Miss Sunshine - why should a road movie about a dysfunctional family on their way to a beauty pageant work? - because you care about every single one of them and the same thing happens here. Rather than laying the politics of immigration on with a trowel the writing and directing insinuate it throughout the stories. A great piece of British Indie Cinema - It left me with that feeling you get after an impromptu warm summer evening sitting outside the pub.
Le saviez-vous
- Bandes originalesDeck the Halls
Traditional
Performed by Ian McKenzie
Arranged by Simon Whiteside
lyrics by Thomas Oliphant (uncredited)
Published by BDI Music / BBC Worldwide Ltd
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Allotment
- Lieux de tournage
- Caryl Street, Toxteth, Liverpool, Merseyside, Angleterre, Royaume-Uni(allotment scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 498 278 $US
- Durée1 heure 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Grow Your Own (2007) officially released in Canada in English?
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