Gardens of the Night

Relentlessly raw, authentic and sad: I hope that description doesn't drive you away because it is also brilliantly directed and intensely human, and there is a loving relationship at the center that lights it all up like the sun. A scene in an arcade where the two main characters are doing Dance Dance Revolution together had me weeping. Catch this one, however you can.

IMDb says I have to add more lines so I'll say that the casting is as good as casting gets -- one character after another is blazingly real. And the cameo by Malkovich does not feel like a gimmick: he's a genius, and therefore always welcome.

I've seen a lot of movies, and this one is one of the few that is hard to watch. Not because it's necessarily bad on a cinematic level; the acting is great, and the directing and camera work are just fine. It's hard to watch because of the brutal reality (read: evil) that exists in our world. I feel the first hour of the film could have told in at least half the time – as there are certain things you just don't want to see, and/or turn a blind eye to and pretend they don't exist or happen. However, by leaving it that long, it forces the viewer to enter their world – it's as if they are holding your eyes open for you and you have no other choice (clockwork orange style).

I think it's a powerful story, and told well, as it explores most avenues and consequences associated with that lifestyle. The story is sad, heartbreaking, and repulsive, yet almost beautiful with undertones of love, forgiveness, and what it means to be 'family'.

I'm always looking for extreme and disturbing films. Disturbing film aficionados will know about 'A Serbian Film', 'Salo', 'Martyrs', 'Nekromantik', and the rest. Nothing has ever made me cringes much, or even ever stop watching a film....until this film. I didn't even think this was going to be a disturbing film. I knew is was a risqué topic but didn't think it would be the most disturbing film I've ever seen. I had to turn if off for a little bit. Just imaging my little girl in that situation broke my heart. I couldn't stop imaging it happening to my little girl and I felt so uneasy I had to turn it off twice and try to watch something else. So I turned it on and left it on. My objective is to install an appropriate level of fear in myself and think about what I can do to avoid this with my daughter and other children.

No film has ever stuck with me like this one. No film has ever given me such anxiety. No film has ever made me so uncomfortable and shocked at human behavior. I understand violence but, child exploitation is not something I understand at all. I am moved. I gave this film an 8. Not a 10 because I prefer films that make me feel good. Not a 1 because this is a hard subject done right and that doesn't take the topic over the line (i.e. no child nudity/sexual acts). It seriously does go to the edge though. Very wall thought out and directed. Was a tight rope to walk for the director.

I'd never heard of the film and by the end was in tears. The lead character Leslie is brilliantly acted. Don't expect feel good. The film should be seen by all caring people. Child abduction is evil. Knowing that intellectually is one thing but seeing the reality of it is necessary for people to put an end to it.

The film is a heart breaker

Especially, the first hour of the movie is just so hard to watch. It is so depressing, haunting.

Ryan Simpkins was one of the best child actors I've seen and learning about the inspiration behind Tom Arnold's performance is heartbreaking.

My only complaint is that second half was lacking the nuance of first half and I feel like the kids traumas' weren't processed enough apart from Donnie beating himself (in a feeling of letting Leslie down) and Leslie breaking down. In which, the latter was one of the best moments of Gillian Jacobs' career in such an early stage.

Knowing her from many other projects and, following many interviews of her she mentions this moment often and remembers it as one of the most special collaborations she ever did thanks to John Malkovich and his generosity. Apparently, she wasn't in the necessary emotional state before the scene and John Malkovich made an improv over what happened to her character throughout the years to bring her to that state.