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La bataille de Bassora

Titre original : The Mark of Cain
  • 2007
  • R
  • 1h 27min
NOTE IMDb
6,4/10
1,6 k
MA NOTE
La bataille de Bassora (2007)
DrameGuerre

S'appuyant sur des recherches approfondies et de nouveaux témoignages explosifs de soldats ayant servi en Irak, ce film raconte l'histoire fictive et émouvante de deux jeunes hommes dépassés... Tout lireS'appuyant sur des recherches approfondies et de nouveaux témoignages explosifs de soldats ayant servi en Irak, ce film raconte l'histoire fictive et émouvante de deux jeunes hommes dépassés par les événements.S'appuyant sur des recherches approfondies et de nouveaux témoignages explosifs de soldats ayant servi en Irak, ce film raconte l'histoire fictive et émouvante de deux jeunes hommes dépassés par les événements.

  • Réalisation
    • Marc Munden
  • Scénario
    • Tony Marchant
  • Casting principal
    • Gerard Kearns
    • Matthew McNulty
    • Naomi Bentley
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    1,6 k
    MA NOTE
    • Réalisation
      • Marc Munden
    • Scénario
      • Tony Marchant
    • Casting principal
      • Gerard Kearns
      • Matthew McNulty
      • Naomi Bentley
    • 13avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Victoire aux 1 BAFTA Award
      • 6 victoires et 13 nominations au total

    Photos2

    Voir l'affiche
    Voir l'affiche

    Rôles principaux40

    Modifier
    Gerard Kearns
    Gerard Kearns
    • Mark 'Treacle' Tate
    Matthew McNulty
    Matthew McNulty
    • Shane Gulliver
    Naomi Bentley
    Naomi Bentley
    • Shelley
    Elliot Cowan
    Elliot Cowan
    • Captain Worriss
    Brendan Coyle
    Brendan Coyle
    • Davey Gulliver
    Heather Craney
    Heather Craney
    • Brenda Tate
    Shaun Dingwall
    Shaun Dingwall
    • Major Godber
    Shaun Dooley
    Shaun Dooley
    • Corporal Gant
    Leo Gregory
    Leo Gregory
    • Lance Corporal Quealey
    Alistair Petrie
    Alistair Petrie
    • Major Rod Gilchrist
    Pip Torrens
    Pip Torrens
    • Colonel Hampton
    Roger Barclay
    Roger Barclay
    • Adjutant
    Matthew Gravelle
    Matthew Gravelle
    • Chaplain
    Kevin Knapman
    • Pvt Soldier 1
    Simon Naylor
    • Pvt Soldier 2
    Andrew Readman
    Andrew Readman
    • Military Doctor
    Barry Sloane
    Barry Sloane
    • TA Pvt Glynn
    Paul Stocker
    • Guard Soldier
    • Réalisation
      • Marc Munden
    • Scénario
      • Tony Marchant
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs13

    6,41.5K
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    Avis à la une

    8paul2001sw-1

    The wages of war

    Tony Marchant's film 'The Mark of Cain' tells three stories: that of the impossible task facing British soldiers in Iraq; that of the terrible cruelties they inflicted on Iraqi suspects; and that of a cover-up in the chain of command. The story is fictional but based on true events; however, there's less evidence in the real world for the cover-up than for the other two elements, and while it seems plausible, this aspect of the tale feels more "written" than the other two. And as always with Marchant, there's a careful and clever manipulation of the viewer's sympathies throughout: I never quite feel that Marchant gives me the space to form my own opinion. But it's strong stuff, well-performed and unflinching, even if it doesn't really say much in the end except that bad things happen in war.
    8rcadean

    Vivid, distateful and unsettling, but representative?

    This isn't a war film per se, but rather a film about the conflict between loyalty and morality. The question is where do you draw the line between loyalty to the regiment and the morality of your actions? This film is powerful stuff but I can't help but feel that this film is somehow unrepresentative of the British Army in Iraq. I have to say that it has left a rather foul taste in my mouth, but this may well be down to my refusal to think about the examples of brutality in custody that have taken place rather than the film's depiction of those crimes. So in regards to the effectiveness of the film at portraying its subject the film is most effective. The acting is strong throughout as is the cinematography and the sparse soundtrack. I won't watch it again as I have nothing further to gain from it. I think, in retrospect that it is still too recent an event to gain any further wisdom from. Although it is not 'based on true events' there have been instances of abuse that have culminated in criminal cases. But would we gain anything from watching a feature film about the abuses at Abu Grahib only three years after the events?
    8dubber1220

    An evocative modern dilemma

    A seemingly accurate portrait of the British Army immiediately post combat, but drawn into the turbulence of post war Iraq, with the start of sectarian fighting, and bombings.

    Based on the experiences of two young lads, and their squad, in Basra in 2003, after the fall of Saddam Hussein, and the legacy as they return home.

    Many people may find the home scenes just as poignant as the Iraq scenes. An interesting angle on how young people often try to block out negative thinking.

    There are many moral issues to be drawn from this film. Recommended.
    8iceq-2

    How Real ?

    Alright . I have just finished watching the movie, and I am glad we finally got something showing the real thing of whats going on in Iraq. Can I say the movie is real ? No, because in fact its showing the tiniest part of reality; as Iraqis are not only tortured as the movie shows, they are killed tens of times while they're alive, not to mention the crimes of chastity, which Muslims protect most, through the liberation troops' sexual assaults of Iraqi girls, particularly before their fathers or brothers, or husbands.

    One thing is important, and the movie suffers because of it, is not having subtitles. Indeed British English is hardly understandably, and the more important is the Arabic spoken by locals, as the Arabic speeches during the movie are very important to understand what is going on, and basically, you would not recognize how much the locals involved in the movie's plot suffer, unless you understand what is said by them.

    Thanx for the creators .. of course a very good movie , fair and just
    8barberic-695-574135

    Must watch.

    A story based on fact, really well depicted. Fundamentally, the film looks at the way humans behave (savagely) when seemingly normal people are put into Highly abnormal situations and the lengths to which humans will go to fit in. If you have a strong stomach for the most demeaning kind of violence portrayed on film then this is a must watch movie. An excellent film, moving and provoking. At the time of writing this review, we had already watched this movie 6 times since it´s release in 2007. Would we watch it again, absolutely.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Gaffes
      When Gulliver and Tate are outside, before they go to beat the prisoners, the scene changes from morning to the middle of the night, after watching the other soldiers walk towards the cells and cut back to them talking.
    • Connexions
      Featured in Screenwipe: Review of the Year 2007 (2007)

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    FAQ

    • How long is The Mark of Cain?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 octobre 2007 (Pays-Bas)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Mark of Cain
    • Lieux de tournage
      • Bolton School, Chorley New Road, Bolton, Greater Manchester, Angleterre, Royaume-Uni(barracks quad)
    • Sociétés de production
      • Red Production Company
      • Channel 4 Television Corporation
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 9 877 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 27 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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