NOTE IMDb
6,6/10
29 k
MA NOTE
Un Cœur invaincu est l'adaptation du livre de Mariane Pearl sur l'histoire tragique et inoubliable de la vie et la mort de son mari, Danny Pearl, reporter au Wall Street Journal.Un Cœur invaincu est l'adaptation du livre de Mariane Pearl sur l'histoire tragique et inoubliable de la vie et la mort de son mari, Danny Pearl, reporter au Wall Street Journal.Un Cœur invaincu est l'adaptation du livre de Mariane Pearl sur l'histoire tragique et inoubliable de la vie et la mort de son mari, Danny Pearl, reporter au Wall Street Journal.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 19 nominations au total
Mushtaq Khan
- Danny's Taxi Driver
- (as Mushtaq Ahmed)
Avis à la une
This movie gives a good account of the harrowing experience of Mariane Pearl from the moment her husband Danny went missing until he was beheaded. Angelina Jolie's acting is commendable with a well maintained French accent throughout. Dan Futterman bears a striking resemblance to Daniel Pearl. There's no suspense or major climax/anti-climax as we all know what happened to Daniel Pearl and this movie is based on Mariane's memoirs. Not much insight into the investigations performed by the American Intelligence agencies. Overall, it's good movie to get an insight into the unsuccessful hunt for Daniel Pearl on the streets of Karachi.
This is an intimate film. Basically a love story set in the political wreckage after the attack on the World Trade Center. As such, we don't get much detail about the different factions in Pakistan or who is "good" or "bad." It's the story of a couple who find themselves being used by terrorists and whether it is mere coincidence because they are Westerners or whether more specific points are being made because Daniel Pearl is Jewish aren't really explored, a wide variety of explanations are offered. Instead, as a backdrop to the suspense and the couple's relationship, we get a visual poem of life in Islamabad and Karachi, which I found beautiful, fascinating and more than just a little frightening. These are not cities for people with claustrophobia.
With the story beginning the day of Daniel Pearl's kidnapping, his character is fleshed out only through flashback or what others say about him, as well as the devotion of all who search to rescue him. I doubt few will go to this film without knowing the outcome. I suppose some fans of Ms. Jolie might attend and find themselves unaware of the events portrayed in the movie. So Winterbottom has his work cut out for him since most in the audience know the conclusion.
As Mariane Pearl, Angelina Jolie gives a remarkable, restrained performance. Her face is a mask and emotion is communicated almost exclusively through her eyes. It's the gift of a remarkable talent for the screen. I don't know how anyone could have been better. Others in the cast, too, are notable: Archie Panjabi holds her own with Jolie whenever they're together on the screen. It's a particularly complicated role since she becomes the target of the Pakistani press as the reason for Pearl's abduction, and her guilt, bafflement and frustration give the film added suspense. And Irfan Khan, the pivotal Pakistani investigatorin a role that could have been clichédbrings an urgency to his character that earned my sympathy for succeeding in what must have been an impossible task. The film opens with Mariane Pearl describing Karachi as the World's second largest city and her husband was trying to meet with one man how impossible it must be to find a single person in such a large place. That proves prophetic as Irfan Kahn then has to find Daniel Pearl.
The growing alarm of the first night of Pearl's abduction is particularly well done by both the director and actors.
I'm a little shocked by others' comment here that the Pearl's shouldn't have been "doing what they were doing" or because they put themselves in a dangerous situation we should somehow feel less sympathetic. I'm ashamed that such comments could be made in the face of this tragedy.
With the story beginning the day of Daniel Pearl's kidnapping, his character is fleshed out only through flashback or what others say about him, as well as the devotion of all who search to rescue him. I doubt few will go to this film without knowing the outcome. I suppose some fans of Ms. Jolie might attend and find themselves unaware of the events portrayed in the movie. So Winterbottom has his work cut out for him since most in the audience know the conclusion.
As Mariane Pearl, Angelina Jolie gives a remarkable, restrained performance. Her face is a mask and emotion is communicated almost exclusively through her eyes. It's the gift of a remarkable talent for the screen. I don't know how anyone could have been better. Others in the cast, too, are notable: Archie Panjabi holds her own with Jolie whenever they're together on the screen. It's a particularly complicated role since she becomes the target of the Pakistani press as the reason for Pearl's abduction, and her guilt, bafflement and frustration give the film added suspense. And Irfan Khan, the pivotal Pakistani investigatorin a role that could have been clichédbrings an urgency to his character that earned my sympathy for succeeding in what must have been an impossible task. The film opens with Mariane Pearl describing Karachi as the World's second largest city and her husband was trying to meet with one man how impossible it must be to find a single person in such a large place. That proves prophetic as Irfan Kahn then has to find Daniel Pearl.
The growing alarm of the first night of Pearl's abduction is particularly well done by both the director and actors.
I'm a little shocked by others' comment here that the Pearl's shouldn't have been "doing what they were doing" or because they put themselves in a dangerous situation we should somehow feel less sympathetic. I'm ashamed that such comments could be made in the face of this tragedy.
"A Mighty heart" is a "realistic" movie, that tells a thru story, based on real events and including real people of real life. The movie is actually an adaption of Mariane Pearl's diary, where she tells the story of her husband, the journalist Daniel Pearl, kidnapped and killed by terrorists in Pakistan in 2002. The main question for the director Michael Witterbottom was to find the right representation of the reality he depicts. And the choices he made for the movie are both logical and disturbing.
Mariane Pearl, as her husband, is a journalist, and the first form the movie adopts in order to deal with the complex reality of the world is a journalistic style, with a camera always on the move. It really looks like a war reportage for television, that sticks to the events and to the characters in an "emergency"'s style. But surprisingly, this realistic aesthetic also reminds a famous fiction's show about terrorism : "24". And it's especially striking when it comes to action or interrogations (read torture...) scenes, with a Pakistan's Jack Bauer's style cop. If the goals of the directors are not the same ("24" only wants to be entertaining, "A Mighty Heart wants to be more...), and the depiction of terrorism differs ("24" is a show about fear, "A mighty heart" avoids a fear treatment), it's the same need to show every aspects of a situation that creates this similarities in the urge of the mise en scene.
And this depiction of reality, that gives an objectivity feeling to the movie, is a little bit strange when you come to consider that the movie is firstly an individually and personal point of view on a situation. An between the two opposite points of view (the subjective story of Mariane Pearl, and the objectivity of the "24" reality representation), Witterbottom seems to have some difficulty to choose. It really gives to the movie an annoying ambiguous point of view, where you're unable to really understand the nature of the images you're watching. And that's an important question in this kind of movie.
This ambiguity is quite surprising, for Winterbottom seemed to have chosen his style in his previous movies. For a completely different subject (the musical English scene from the Punk to the Techno in Manchester) in "24 Hours Party People", he clearly made his the Ford's sentence about reality that you find in "The Man Who Shot Liberty Valence" : "When the legend becomes fact, print the legend". And this lack of a strong orientation in "A Mighty Heart" also gives the unpleasant feeling to watch the spectacle of a life more than a testimony about it, and to be an intruder in Mariane Pearl's intimacy, even if the movie claims the contrary.
Mariane Pearl, as her husband, is a journalist, and the first form the movie adopts in order to deal with the complex reality of the world is a journalistic style, with a camera always on the move. It really looks like a war reportage for television, that sticks to the events and to the characters in an "emergency"'s style. But surprisingly, this realistic aesthetic also reminds a famous fiction's show about terrorism : "24". And it's especially striking when it comes to action or interrogations (read torture...) scenes, with a Pakistan's Jack Bauer's style cop. If the goals of the directors are not the same ("24" only wants to be entertaining, "A Mighty Heart wants to be more...), and the depiction of terrorism differs ("24" is a show about fear, "A mighty heart" avoids a fear treatment), it's the same need to show every aspects of a situation that creates this similarities in the urge of the mise en scene.
And this depiction of reality, that gives an objectivity feeling to the movie, is a little bit strange when you come to consider that the movie is firstly an individually and personal point of view on a situation. An between the two opposite points of view (the subjective story of Mariane Pearl, and the objectivity of the "24" reality representation), Witterbottom seems to have some difficulty to choose. It really gives to the movie an annoying ambiguous point of view, where you're unable to really understand the nature of the images you're watching. And that's an important question in this kind of movie.
This ambiguity is quite surprising, for Winterbottom seemed to have chosen his style in his previous movies. For a completely different subject (the musical English scene from the Punk to the Techno in Manchester) in "24 Hours Party People", he clearly made his the Ford's sentence about reality that you find in "The Man Who Shot Liberty Valence" : "When the legend becomes fact, print the legend". And this lack of a strong orientation in "A Mighty Heart" also gives the unpleasant feeling to watch the spectacle of a life more than a testimony about it, and to be an intruder in Mariane Pearl's intimacy, even if the movie claims the contrary.
This is one of the more intelligent and well constructed movies of 2007 thus far. Touching on the human element as it collides with the unpleasant realities of hot-bed issues including politics and religion, the brutality and evil this story depicts is at times difficult to watch.
Difficult to watch because the content is disturbing, which is the intent of the film. We see a very human dimension to the real life characters who are depicted sensitively, making the grotesque outcome all the more horrifying. The story is fair to the innocent parties involved, and honest in rightfully assigning the blame to those responsible for these heinous acts. Dramatically and artistically, this is a superior movie.
Angelina Jolie's portrayal of Mariane Pearl feels sincere, but she appears miscast. Little dimension is brought to her real-life subject, a woman inexorably thrust into the limelight amidst painful circumstances. The film would have been better off with another actress in this challenging role.
Still, the movie is outstanding, and worthy of your time.
Difficult to watch because the content is disturbing, which is the intent of the film. We see a very human dimension to the real life characters who are depicted sensitively, making the grotesque outcome all the more horrifying. The story is fair to the innocent parties involved, and honest in rightfully assigning the blame to those responsible for these heinous acts. Dramatically and artistically, this is a superior movie.
Angelina Jolie's portrayal of Mariane Pearl feels sincere, but she appears miscast. Little dimension is brought to her real-life subject, a woman inexorably thrust into the limelight amidst painful circumstances. The film would have been better off with another actress in this challenging role.
Still, the movie is outstanding, and worthy of your time.
Taking away how others may view the Pearle's story and the question of whether or not the family should have been there in the first place, the story was excellent in conveying the emotions felt throughout the whole search of Daniel. Those who are opposed to the purpose of Daniel Pearle being there after 9/11 even with other journalists vacating will only enter and leave the theater wondering if Mariane is trying to give more credit to her husband then what people expect. It's important to walk into this movie with an open mind so that the story will be more real. Major kudos to the creators of this film for bringing a new view on a part of American history that seemed so easily cast aside.
Le saviez-vous
- AnecdotesAfter Angelina Jolie was cast as Mariane Pearl, she and the filmmakers came in for a great deal of criticism, since Pearl's and Jolie's racial backgrounds are not similar, and Jolie played the role wearing makeup that somewhat darkened her own skin tone. The casting reminded many critics of the time in Hollywood when it was customary to cast "ethnic" roles with white actors in makeup rather than using Black, Asian, or Native American actors. During a promotional press event for the movie, Jolie responded to the criticisms by saying, "the idea is, if you ask Marianne, because she did address that... if you did actually want to find somebody that was her exact makeup, she's actually majority Dutch, and she's as black as she is Chinese, and she's Cuban, and she's French. So, it could have gone to many different racial backgrounds, probably, if you went technical on it." Pearl herself approved of casting Jolie; in Time Magazine, Pearl said, "I have heard some criticism about her casting, but it is not about the color of your skin. It is about who you are. I asked her to play the role--even though she is way more beautiful than I am--because I felt a real kinship to her."
- GaffesThere are few billboards shown on the roads of Karachi, which were not imaginable in early 2002, i.e. Telenor Mobile Service (introduced in March 2005), Qarshi Jam-e-Shirin's latest campaign etc.
- Citations
[last lines]
Mariane Pearl: [holding Adam for the first time] This film is for Adam.
- Bandes originalesDreaming on a Train
Written by David Holmes & Stephen Hilton (as Steve Hilton)
Published by Universal/Island Music Ltd & BMG Music Publishing Ltd
Courtesy of David Holmes & Steve Hilton
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- How long is A Mighty Heart?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- A Mighty Heart
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 16 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 9 176 787 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 948 863 $US
- 24 juin 2007
- Montant brut mondial
- 19 008 745 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Un coeur invaincu (2007) officially released in India in Hindi?
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