Ajouter une intrigue dans votre langueJay Brooks is that black guy who digs indie rock, graphic novels, and dates white chicks. After a slew of bad break-ups, Jay gives up white women, "cold turkey," and he goes on a mission: "O... Tout lireJay Brooks is that black guy who digs indie rock, graphic novels, and dates white chicks. After a slew of bad break-ups, Jay gives up white women, "cold turkey," and he goes on a mission: "Operation Brown Sugar." But because Jay doesn't fit the "brotha" stereotype, he fails miser... Tout lireJay Brooks is that black guy who digs indie rock, graphic novels, and dates white chicks. After a slew of bad break-ups, Jay gives up white women, "cold turkey," and he goes on a mission: "Operation Brown Sugar." But because Jay doesn't fit the "brotha" stereotype, he fails miserably with the "sistahs." Then he meets the dynamic Catherine, a misunderstood "Half-rican ... Tout lire
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
Avis à la une
There are a lot of white men tired of black woman. There are a lot of white women tired of black men. There are a lot of black women tired of black men and apparently there are a lot of black men tired of white women. There are a lot of black women tired of black men. There are a lot of black men tired of black women. I am not tired because my color does not wear me like it does for so many.
In the future, this will be cringe worthy but a sign of the embarrassing times. The plight of color in America needs to change and for black Americans to not join in with the guilt of white Americans handing on their blame game is perpetuating the problem. When you think only a color can understand you, I think you are missing the funny between both of us and the fact that white and black are colors.
What makes this film good is perhaps not so much the plot itself but the way some scenes are dealing with life. The main characters seem authentic (good casting. L. Johnson is magnificent) and the screenplay is well written: situations feel right, it's funny and you don't get this "seen before" feeling again and again. Besides "I'm through..." doesn't focus too much on the typical comedy structure too intensively - only during the last act it is turning more and more to this typical way of storytelling. This part may not be as creative as the rest though still nice.
Summing up "I'm through with..." would have many basic ingredients it would take for a hit but I guess due to the story and the more than risky title it will be tough to find the audience. Perhaps that is why the producers didn't spend much money to promote it. However if you're in the mood for comedy, give it a shot...
And yes - the title is very stupid, misleading almost. But it was the title that got me watching this.... :)
Le saviez-vous
- AnecdotesThe song; Bret Levick, Robert Anthony Navarro, Sven Hauke Spieker - Sun Licker was originally used for the first trailer. It later got removed without being credited or any reasons given as to why, online many people have looked for it without finding it - here is the credit for the track that starts 1:42 into the original trailer.
- Citations
Jay Brooks: [trying to get Catherine to go out with him] What you want me to beg?
Catherine Williamson: Yea well ok. Let's hear some begging.
Jay Brooks: Are you serious. I'll play along. What you want Mars Blackmon or James Brown?
Catherine Williamson: Ah a man of genre. I don't know you well enough for James Brown so Mars Blackmon.
Jay Brooks: Please baby baby please.
- ConnexionsReferenced in The Cinema Snob: Leprechaun in the Hood (2022)
- Bandes originalesDowntown Love
Written by Mike Castonguay and Michael Johnson
Performed by Lukewarm Freeda
Produced by Mike Castonguay
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- I'm Through with White Girls: The Inevitable Undoing of Jay Brooks
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro