Moondance Alexander

If you've already seen "Black Beauty," "National Velvet" or "My Friend Flicka," you might want to take a pass on "Moondance Alexander," a wan girl-and-her-horse saga that doesn't even have the energy or conviction to rise above its own clichés.

Moondance is a ninth-grade social outcast who finds meaning and purpose in life when she spends the summer taking care of and learning to ride a horse owned by a cantankerous but lovable Pygmalion played by Don Johnson (think of it as an equine version of "My Fair Lady," minus the songs and quality). The first credibility obstacle we have to overcome is accepting the spunky and attractive Moondance as a girl who can't find herself a single friend (well, the two-legged type anyway).

The paint-by-numbers screenplay comes replete with a miraculous horse healing, a bevy of Valley Girl elitists straight out of Central Casting, and a horse-jumping competition that has all the drama and suspense of a Tiddlywinks tournament in Oshkosh.

Ah well, at least the movie boasts, in the person of Kay Panabaker, a young actress with a great deal of charm and potential. And, besides, where else are you going to hear a line like, "Moondance, I want you to take Checkers over to the stables," if not in this film? Surely, that ought to count for something, don't you think?

I've got to say, this is one of my favorite horse movies out there. It shows the tale of a different and quirky girl meeting a different and quirky horse who just want to fit in a little more. It also shows that sometimes being different is the best way to fit in- something almost no other horse movie shows. The only things that I don't really like is that at first, Moondance clearly doesn't know much about horses but yet still knows how to ride and knows some of the terms (example: "forelock"). I also thought it was a bit of a cliché to make the very girls who bully her at school also her rivals in the horse world. But it's a beautiful movie, so it doesn't really matter. This cute little movie is unfortunately underrated and I can't figure out why. It shows that being different is okay and you can do your own thing and I love the way it shows the magical connection that there should be between a horse and rider. The fact that this movie is based on a true story is even more magical. It tugged at my heartstrings. All the actors also suited their characters very well and were great at playing them. I couldn't imagine this movie any other way. If you're looking for a horse movie that's something a bit different with a moral, look no further!

Kay Panabaker plays a very likable protagonist. This is a good, clean movie about embracing change. Moondance finds a new activity to occupy her summer, while she also copes with her widowed mom getting a boyfriend. And the ranch owner, Dante, comes to accept this girl reopening his life.

You feel really bad for Moondance in the beginning. She is a bullied teenager with no friends. But she remains warm and friendly with people, and finds ways to keep herself busy.

"Saddle Club" meets "Confessions of a Teenage Drama Queen" and "Bratz", as the prettiest friendless teenage girl in cinema history goes up against her "Queen Bee" nemesis in a local equestrian competition. Throw in a little "Pollyanna" here for good measure as the friendless girl manages to inspire the adults in her town to lead better lives.

Kay Panabaker plays the friendless girl (Moondance Alexander), and Kay is so pretty she makes figure skater turned aspiring actress Sasha Cohen look rather plain by comparison. And Kay is a polished enough actress with enough effortless charm to almost make this film work. Unfortunately she is saddled (pun intended) with one of the worst written scripts you are likely to ever encounter.

The best scenes are those where Panabaker is alone on the screen and the worst are those involving her teenage rivals-the dialog given to these inexperienced cast members is almost surreal in its staggering lameness.

The film is at least one back-story too many as there just isn't time to adequately cover Moondance coping with her father's death, reconciling her mother's new romantic interest, getting flirty with the son of her mother's boyfriend, saving stable owner Donte (Don Johnson) from a wasted life of alcohol abuse, turning her horse Checkers into a competitive jumper, and giving Roscoe P. Coltraine (James Best) a few moments of mild comic relief.

"Moondance Alexander's" target audience of preteen girls and Sasha Cohen fans wasn't enough for it to get a widespread theatrical release but it is available as a direct-to-DVD product. There is nothing original or exciting here but it is a pleasant enough family film. And the dare to be different theme is handled quite nicely.

Then again, what do I know? I'm only a child.

This is your traditional "girl meets horse" story, but its got such a talented cast -- Don and Lori whom I've grown up watching and Kay, who I've watched grow up and of whom am very proud and endeared -- that I had to give it an extra star just for them.

It does a good job, perhaps almost too good, of covering up things that we may not want the children to understand quite yet, but it is also very, very true to the experience of a girl and her first horse. There were scenes I could practically smell the leather of the saddle and the dust and straw of the stables. :)

It's refreshing to see all three in a good, family-oriented film, to see how well all three have been doing, and the film itself may even spark some unexpected conversations with the audience!