NOTE IMDb
7,3/10
17 k
MA NOTE
Animés d'un esprit de compétition, deux amis aux grandes aspirations littéraires et à l'exubérance juvénile endurent les affres de l'amour, de la dépression et de leurs jeunes carrières.Animés d'un esprit de compétition, deux amis aux grandes aspirations littéraires et à l'exubérance juvénile endurent les affres de l'amour, de la dépression et de leurs jeunes carrières.Animés d'un esprit de compétition, deux amis aux grandes aspirations littéraires et à l'exubérance juvénile endurent les affres de l'amour, de la dépression et de leurs jeunes carrières.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 16 victoires et 16 nominations au total
Anne Lindmo
- Programleder
- (as Anne Sandvik Lindmo)
Ivar Lykke
- Telesalgsjef
- (as Ivar E. Lykke)
Eindride Eidsvold
- Fortellerstemme
- (voix)
- (as Eindride Eidsvoll)
Avis à la une
Five good friends. Young men not yet settled into career lives. Two are trying to become authors. Phillipe gets published quickly, while Erik is struggling to get his first book out. Phillipe proves to be suffering from a psychosis that interferes with his writing. That is in a nutshell the film's backbone. However there is a lot more going on.
The complex narrative with multiple characters is told in a quirky, original style. Time-lines are heavily sliced. Multiple takes are intercut into seamless conversations. Explanatory flashbacks are inserted almost as if they are part of the action. And so on. It's all fresh, fast moving, and fun to watch.
It is a bittersweet story of young adults leaving behind the carefree existence of dreamers and gravitating towards the settled lives of older adults. The characters are well conceived. Their antics and clever dialogue provide much of the material for the many funny screwball moments. Great debut film for the director.
The complex narrative with multiple characters is told in a quirky, original style. Time-lines are heavily sliced. Multiple takes are intercut into seamless conversations. Explanatory flashbacks are inserted almost as if they are part of the action. And so on. It's all fresh, fast moving, and fun to watch.
It is a bittersweet story of young adults leaving behind the carefree existence of dreamers and gravitating towards the settled lives of older adults. The characters are well conceived. Their antics and clever dialogue provide much of the material for the many funny screwball moments. Great debut film for the director.
I watched this movie at the first official showing and I was really, really impressed.
It deals with its serious issues in a very thoroughly and convincing manner, without ever becoming sentimental or depressing. It keeps the pace all through the movie, and the balance between the humor and the horror is subtle and touching. It has, however, rather many references to Norwegian culture, and therefore I am curious how the movie will work for an international audience.
It would be modest to say that this is the best Norwegian movie since 'Aberdeen'.
It deals with its serious issues in a very thoroughly and convincing manner, without ever becoming sentimental or depressing. It keeps the pace all through the movie, and the balance between the humor and the horror is subtle and touching. It has, however, rather many references to Norwegian culture, and therefore I am curious how the movie will work for an international audience.
It would be modest to say that this is the best Norwegian movie since 'Aberdeen'.
This film is intellectual without being arrogant, hip and stylish without being pretentious, and brimming with youth and energy without being juvenile.
On a simplistic level, the film can be described as a coming of age story about two Oslo twenty-somethings who are writers. The scenes when they are hanging out with their friends contain witty, realistic dialogue and interactions. But this is a very rich, complex film. A unique, fresh narrative structure, depth of emotion, brilliant character development, beautiful photography, and terrific acting- this is really a film that has nothing simplistic about it. At times incisively funny, at other times angst ridden and sad, the film takes the viewer through the gamut of emotions experienced by the characters.
I didn't always know where the story or characters were going (I don't think the characters themselves did), but the director/writer was always in charge and confidently in control of every frame, yet not manipulative; I was a very satisfied viewer when the credits rolled and loud applause broke out in the audience at the Museum of Modern Art in New York City.
Keep your eye on Joachim Trier- he's going places.
On a simplistic level, the film can be described as a coming of age story about two Oslo twenty-somethings who are writers. The scenes when they are hanging out with their friends contain witty, realistic dialogue and interactions. But this is a very rich, complex film. A unique, fresh narrative structure, depth of emotion, brilliant character development, beautiful photography, and terrific acting- this is really a film that has nothing simplistic about it. At times incisively funny, at other times angst ridden and sad, the film takes the viewer through the gamut of emotions experienced by the characters.
I didn't always know where the story or characters were going (I don't think the characters themselves did), but the director/writer was always in charge and confidently in control of every frame, yet not manipulative; I was a very satisfied viewer when the credits rolled and loud applause broke out in the audience at the Museum of Modern Art in New York City.
Keep your eye on Joachim Trier- he's going places.
This film is about the lives of two young and budding contemporary writers in Norway.
The style of "Reprise" is refreshing. It is simplistic but real, as it has no special effects or computer graphics. It presents the characters just like everyday characters, as we would see them in every day life that everyone can relate to.
And yet, it is quite hard to understand. The story is told with a lot of flashbacks, and you can't tell they are flashbacks. In addition, there is a lot of external commentary as if it is outsiders watching the lives of the characters. Hence, I find it quite hard to follow.
The style of "Reprise" is refreshing. It is simplistic but real, as it has no special effects or computer graphics. It presents the characters just like everyday characters, as we would see them in every day life that everyone can relate to.
And yet, it is quite hard to understand. The story is told with a lot of flashbacks, and you can't tell they are flashbacks. In addition, there is a lot of external commentary as if it is outsiders watching the lives of the characters. Hence, I find it quite hard to follow.
Since I saw a movie that i could relate to as much. In some ways it really felt like my life with my group of friends when I was longer.
I truly enjoyed that movie, there is a feeling to it and the cinematography is excellent. The actors were amazing. I went to look at their profile and it seems that most of them don't have a lot of experience but it doesn't show, on the contrary, there is a freshness to their performance, they are quite good.
The Soundtrack is amazing, from Joy Division to New Order and other cool music that unfortunately I don't know yet about. Totally what I needed to watch in the cold snow storm coming down right now in Montréal.
See it!
I truly enjoyed that movie, there is a feeling to it and the cinematography is excellent. The actors were amazing. I went to look at their profile and it seems that most of them don't have a lot of experience but it doesn't show, on the contrary, there is a freshness to their performance, they are quite good.
The Soundtrack is amazing, from Joy Division to New Order and other cool music that unfortunately I don't know yet about. Totally what I needed to watch in the cold snow storm coming down right now in Montréal.
See it!
Le saviez-vous
- AnecdotesSten Egil Dahl, the old writer in the movie, is based on Norwegian writer Tor Ulven. Ulven gave only one interview in his career, but is regarded as one of the most important writers in Norway during the eighties and nineties.
- Bandes originalesFingerpult av Gerhardsen
Lyrics by Joachim Trier, Eskil Vogt
Music by Knut Schreiner
Performed by Kommune
(2006)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Reprise
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 22 000 000 NOK (estimé)
- Montant brut aux États-Unis et au Canada
- 554 826 $US
- Week-end de sortie aux États-Unis et au Canada
- 49 060 $US
- 18 mai 2008
- Montant brut mondial
- 1 297 260 $US
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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