Le saltimbanque

first of all ask yourself what are your expectations about this film. because, people who wait a comedy will be disappointed. this is not a comedy but it has a particular humor. when i compare Hokkabaz to Gora which was Yilmaz's recent script i can see the big difference between scripts. this difference is about being tactful(for Hokkabaz's script). anyway actors are also successful and convincing, especially Mazhar Alanson. this film is Yilmaz's first experience on the director seat so you can't say it is a masterpiece but it is watch worthy and sophisticated drama i think.

7/10

If there is Cem Yilmaz, I'm in.

One of Cem Yilmaz's best films.

In Turkey everybody knows Cem YILMAZ as a comedian. Yes he is one of the best.

But Cem YILMAZ has proved something us. We understood that his comedian side was only the part seen over the iceberg. Fim by film we see how big he is.

The film is about a ingenuous magician and his assistant's Turkey Tour with a trailer in which his father lives.

Every scene of the movie touches to the emotions. Sometimes you laugh, some time you cry. Maybe the hardest thing in a film is "mixing those emotions in two hours".

What can I say I did not have those feelings since Forrest Gump.

Find it.Watch it.

I went to theater to laugh, since Cem Yilmaz is one of the best comedians of Turkey but this is more a drama. the screenplay is quite impressive. and players are doing their bests. especially Mazhar Alanson and Ozlem Tekin is going great job although they are not professionals(both of them are musicians)

Directing is very good though its the first directing trial of Cem Yilmaz. He got a lot of help from the second director of the movie who is a much more experienced director: Ali Taner Baltaci. Ali Taner Baltaci directed movies Vizontele and Vizontele Tuuba perfectly before. Cem yılmaz was starring in Vizontele.

I could say 7 up to 10. worth to see.

I just came out of it -- it is quite a brilliant movie. There are very few actors, some glances at the amazing background of Istanbul and Çanakkale and some village that is celebrating a marriage. There are an endless number of jokes that will make you laugh, but the film takes its quality from a hidden, dark drama that unfolds slowly but inevitably. Apart from the story, I think it has a quiet message that resonates after the film.

Iskender makes a living by being a wizard (sihirbaz) -- or an impostor (hokkabaz), if you ask his father, Sait. His friend for life Maradona, has eyes as bad as his, and both decide to make a tour in order to afford a laser operation that will finally free them of their glasses. They borrow the caravan of his brother-in-law, under the condition they relieve them of Sait, a veteran, by driving him to the memorial to the battle of Galipolli.

There is a sense of melancholy, and the accordion music when the wizardry happens on stage are only the tip of the iceberg. With very original storytelling, Cem Yilmaz highlights the drama of 'normal people' that try to deal with difficult situations in their life, family members, lack of money, lack of recognition, lack of sight and a certain form of loneliness.