Night Junkies

Gets so many points across metaphorically without shouting them out, for 70% of the time its a vampire revenge movie, for the rest its a love story and all the time it's a story about addiction of any kind. To my mind it's pure genius. I haven't heard of this director before, but I will be looking for anything in the future and anything including shorts in the past. I cannot believe this movie is not being hyped by the studio, other than the sex/stripper scenes it's not too strong. The cinematography while stealing from other directors, is timed well, placed well and gives the movie the look it is aiming for. If you see a film about vampires and you smoke, drink too much or do too much Peruvian Marching powder, then this is a movie that shows you what you are.

Have you ever wanted to just sit down and watch a great vampire film? Yea well if you are looking for one you won't find one until you go way back to probably Near Dark. I am always hesitant when it comes to watching vampire films. Especially low budget vampire flicks. I have seen so many failed attempts at the sub genre that I really gave up on it. But Lawrence Pearce has come to the rescue with what I feel is the best Vampire flick I have seen since Near Dark hit the screen in 1987.

Night Junkies begins in a seedy strip joint in London where prostitution is heavily endorsed. Unfortunately its hottest ticket in town, Ruby, is not going for it. So her "pimps" are trying their best to make her "rethink" her situation. While Ruby is constantly under stress on the other side of town is Vincent. A low key guy with a nasty addiction, blood. He only appears at night and if he doesn't get his fix every night you don't want to be near the guy. Slowly you begin to see he is not the only one with this need to feed. Slowly Pearce brings you into Vincents world and shows you what life is like for a vampire on the streets of the seedy underbelly of London.

Before we know it Ruby and Vincent have a chance encounter at a café and they strike up a conversation. What was supposed to be a one night stand turns into a complete disaster when things head south.. WAY south. No one is safe as Ruby's pimps want her back and working. Vincent soon realizes that he has to do something and fast.

Night Junkies at the very core is a love story told against the wonderful backdrop of London. What is best about this film is that you could completely take away the vampire slant and just inject any kind of drug into the story and it would play perfectly. But with the horror slant it works fantastic for us horror fans. Not only is this movie pretty violent but it also has a healthy dose of T&A from the lovely Lauren Adams. This woman is truly a goddess and I hope she pursues her career further because I would love to see much more of her in the future. Her role in this particular film was much to small.

I would not be surprised if we saw this movie play with the After Dark Horrorfest '07. It was brilliantly crafted and handled very well on a meager budget. Its not as low budget as some movies we review on this site but this movie was made for less then what some Hollywood movies use for catering. But the best thing is it doesn't show. Night Junkies could play in a theater near you and you wouldn't know the difference between it and the million dollar trash that Hollywood will pump out.

To every single fan that has been dying for a great vampire flick, the wait is over. Lawrence Pearce has delivered a fantastic take on the vampire affliction that truly rocks. With its amazing locations, fantastic performances and not to mention a great looking cast this is one flick you don't want to miss out on.

Just saw this on Zone Horror, home of the dodgy horror film. I've seen a fair amount of bilge on this channel (Nazi zombies, cheap cash-in titles) but this one takes the biscuit, the wafer and the whole selection box.

First off... what accent was the lead supposed to have? Beyond terrible. And the Ripper thing? Good lord. The other reviews have this film as a groundbreaking, revitalising-the-vampire-genre masterpiece. Have they seen the same film as the one I witnessed?

Dreadful performances, horrible editing, awful script. Plus they plagiarised the Halloween theme at one point. Shocking.

Rubbish. Rubbish. Rubbish.

Avoid at all costs. Not even so bad it's good. It's just bad.

I'm not saying this is a bad flick, but if you miss this you haven't missed a thing. Jude Law's "Immortal" is far better and far more interesting to look at. Abel Ferrara made "The Addiction" in 1995, which seems to have "inspired" this one. So non Bram Stoker - Hammer Horror vampires are hardly an original concept. It is a brutal, ugly movie made up with stock characters: the hooker with a heart of gold, the unwilling blood addict, the psycho, punk kids, and totally non present police. I mean there is a crime wave of hookers being brutally murdered ala Jack the Ripper, yet not even a stock bobby trying to restore order.

Mining the seedy underworld of strip joints and prostitution in Dickens like modern London, which seems to be old dark alleys, is nothing we haven't seen before. Mining drug addiction with intelligent but routine observation about addiction that one can find at any 12 Step meeting or a hundred horrors of drug movie is hardly inspiring. Ditto for non traditional vampires. So there is nothing groundbreaking or original in this movie. I saw bits and pieces of previous films spliced into this one. So it is hard to pretend this is something brave and new that is going to knock your socks off. It is full off some really brutal violence, though nothing exceptional by today's standards and the sexuality is there and is probably the only redeeming feature of the flick, Tarantino like dialog is routine too these days. Just cut and paste some lines in MS Word and viola! This is an indy movie as far as improvisation, location shots and low budgets go, but at heart it is a cheap exploitation flick with plenty of brutal violence, psycho behavior and some soft core sex thrown in to pander to sophistos by glossing it over with a patina of some intelligent dialog. In my book, if you shoot for some intelligent and arty effect but end up being mainly ugly, common, derivative and brutal, then you are better off just watching some mindless Alien tear them apart type flick or some cheesy Hammer high Goth vampire flick cause at least you be getting an honest product.

Having been privy to a preview screening of this film back in October 2006 (although I gather that this was in fact the 'premiere'), I can only hope that some serious time in the editing suite has been undertaken by the team behind this film.

The comparisons with Tarantino are grossly misplaced. Long, drawn out, unfunny monologues coupled with crass, misplaced violence do not a Pulp Fiction make.

The relationship developed between the leads of Vincent and Ruby never convinces. Their first meeting in a coffee shop is, frankly, embarrassingly scripted (blueberry muffins are not an aphrodisiac, no matter how much writer, director, producer etc etc Lawrence Pearce would have us believe).

It is usually difficult to put a finger on where to place the blame in these circumstances. But considering the director chose to undertake all of the roles listed above himself, I am afraid the blame must lie firmly at his door.

This is not to say that others are not to partly responsible. The acting of Rene Zagger (a stalwart of The Bill) is, at times, woeful. I have not seen this much ham since I visited Preble County Pork Festival.

Some jumbled dream sequences are well shot and at times interesting. But by the time you've seen them for the third time over viewer interest has been lost. The same applies to the general look of the film (one assumes Mr Pearce was not in charge of the cinematography). The film looks superb in places having been filmed in DV. However, pretty pictures do not make up for a clunking and, ultimately boring, script.

Neither scary, funny or sexy, those of you expecting Night Junkies 2 will have a very long wait indeed I'm afraid.