Alag: He Is Different.... He Is Alone...

+'ve::

One must appreciate the courage of the new lot on being experimental. Take the case of "Alag", which attempts to strays away from the regular Bollywood ishtyle. The story is novel, screenplay is great and performances okay. The story-telling format keeps you glued especially in the initial 30-minutes. The CGI have been used appropriately and is of good quality. Screenplay is good.

Akshay Kapoor gives his best shot to get into the skin of "Tejas/Alag" and fares remarkably well, considering he is next to a new-comer. Diya Mirza carries herself very well and delivers her lines at ease. Tom Alter does a good job of a obsessed scientist.

-'ve::

To begin with, I am sure the project looked indeed different at the conceptualisation stages,- but amidst execution it succumbed into the trap of regular Bollywood fare.

The movie resembles a comic-book as the basic premise is about super-powers. The concept should go down well with the kids, however two things work against it - a few scary moments in the movie and the romantic track.

The romantic angle lacks depth and hence it should have either been given more depth or avoided completely. The songs which I am sure have been suggested by God-knows-who is a bad idea.

Also the idea of keeping son locked in the house for 18-years by the father is slightly illogical. Tejas character gets etchy at times - saviour, punisher, dancer, lover, singer, scared, avenger, magician, compassionate!!!! As mentioned earlier the first 30-minutes are good and then the story loses momentum.

Jayanth Kriplani is loud. Beena is wasted.

Overall - the positioning is wrong neither appealing to kids nor adults.

PS: And if the movie is a copy of "Powder" as a few claim, then Mr. Director you should change the title aptly "Alag Hollywood Copy"

This is not so much of a spoiler as an agreement to the reviewer from the UAE (where I have come back from a holiday), but both in story and style, this movie is an almost direct copy of 1995's POWDER. You could almost have dubbed the original in Hindi for the same effect! Perhaps the only difference is the Bollywood "dance" scene in the middle of it, so aptly parodied in the Simpson's episode when Homer rents the Bolly version of PAINT YOUR WAGON and is shocked when the characters break into a dance halfway through a tense moment.

Anyway, I think it's fairly well known that whenever a movie is made in the USA, Bollywood will copy it later (I hear there is a Bollywood version of THE MATRIX floating around).

But as an enjoyable movie for a long haul flight from Melbourne and Dubai, this one ate up a couple of sudsy, tragi-comic hours.

Remember that movie "Powder" from the 90s? The hairless albino kid with electric powers found after his caregiver died? This is a derivative copy of that movie with some Bollywood flair thrown in. They did try to change it up with the addition of an evil scientist, but the movie was the same. Right down to the weird hat that Powder wore. Props for trying to add a love interest though. Although it is very unlikely that a woman that good looking was single in the first place! Even more unlikely that she falls in love with this guy in less than a couple of weeks! Try harder!

It's like they didn't even try.

Why??? Why do Bollywood directors have to copy Hollywood when they are doing a project which is different from any typical Bollywood film, this movie is just another example of how Bollywood can make a good Hollywood film not only look bad but rip off totally.

I cannot remember ever seeing a Bollywood remake of a Hollywood film and actually make it enjoyable rather than annoying, this movie is just another one to add to the list of unoriginal Bollywood films and another director/writer to add to the list of unoriginality. there are many bad Bollywood films out there but when it comes down to movies like this it really is embarrassing to the industry that they even got the budget to make the movie.

In the industry today there are only two directors which have made Bollywood proud and these two directors are Ashutosh Gowariker and Sanjay Leela Bhansali who are not only great directors but also great writers. The director and writers really need to take notes from these two directors.

Overall I wont really recommend this movie to anyone even though it may have the best special effects for a Bollywood movie.

p.s. I wont be surprised if the director/writers try making there own version of Swades after reading this comment.

ALAG - A specially gifted child spent 18 yrs of his life in the basement of his home. Sheltered from sunlight and the rest of the world. His father believed that he will be safe there and the world will also be safer from him. The boy's supernatural power will always make him different. When his father died, his life begins. Forced to live in the real world where life is a masala of good and evil, of truth and lies, of suffering and pain with a dash of greed, a handful of sickness and a good serving of love. Everything he knows are direct extracts from pages of books. He knows himself, he knows the truth about his powers but the world is not ready for it. Alone in the basement, books are his only link to the outside world. Then he discovers love...... this changed the equation quite a bit. This new comer Akshay Kapoor will give Hritik Roshan a run for his money. Give him a few more material to work with and he will grow into a better actor given time. He looks good, he's got the body, he's got moves and to top it all off....... The guy can act!!! Hritik will have competition at last. There is a certain Vin Diesel effect to this guy !!