Heroes

Nice premise, modern-family oriented with just enough edge to keep it interesting. For prime-time network its an ambitious undertaking and very entertaining. For a while..... Sure, the premise is pure fantasy and whimsical, but after a while, it become commonplace so they had to stretch it beyond acceptance.

We get so many back stories and flashbacks, time-jumping with endless new characters thrown in, it gets muddy fast.

Everything that needed to be said should have ended by season-2, but you know the story, NBC enjoys its ad-revenues so they beat this one to death, heavily over-played and labored."Save the Cheerleader, Save the World" was great premise and it was all this series needed.

In season-3 things start to get darker and mean-spirited, the characters become more unlikable, and if I have to hear Claire's father say one more time" I was doing it to protect the family" I was going to throw a brick into my set. Everybody betrays each others trust, yet they constantly say: "trust me." In equal annoyance was the character Hiro. His wimpish-ways were cute for a little while, but they started to get on my nerves, and the music Wendy and Lisa (of Prince fame) composed/implemented was kind of cliche'd Japanese soundbites that played every time Hiro and Ando had a scene (until season 4). The writer(s) made Hiro's character one big Asian cliche. By the end of the 4th season I was just waiting to see who would be killed(written)-off to put me out my misery. Recap: 1st-2 seasons YES, seasons 3 &4- NO! The series gets yanked before the story resolves,so be warned, before you invest all of this time.

I'm writing this review now even though I haven't seen an episode since it got canceled almost 15 years ago. My brother and I were recently talking about this show and it drudged up some old memories I've had for this show, both good and bad. The good: the first season was brilliant. I remember early reviews and word of mouth talking how about how this show was going to be a classic. And it might have if the quality box the first season carried over to the rest. I didn't hate the other seasons, it just wasn't as good as the first. It has an original feel for a superhero show. It didn't have any costumes or anything like that, it was ordinary people reacting like real people who were getting super powers. Some good and some bad. If you're a fan of this genre then give this a try because it's worth a watch.

I am writing after a mere 4 episodes in season one and I probably have nothing to say that has not been said by others in terms of praise and admiration. Still, writing this review 13 or so years after it ended, I am aware of the various doom and gloom disappointments in the show as it progressed. And I am here to either defend this or to heap additional blame. For years if not decades, the Hollywood habit has been to destroy beauty. I am not talking about sucking franchises dry with woke agendae, although that certainly is one of the symptoms. I am talking about the deliberate or accidental process of adding needless complexity, darkness, conflict, and unhappiness of all kinds. This even happens, remarkably, with sitcoms. It happens in every genre. But Heroes was destined for this destruction from its inception, because Hollywood hates virtue. What is most interesting about this process is that Hollywood will actually break its own craftsmanship rules, ie, continuity, in order to pursue the goal. Whether this is laziness, stupidity, or contempt for the consumer probably doesn't matter. From Young Sheldon to Game of Thrones, from New Girl to House to House of Cards to Cheers to Friends, this mechanism runs from fairly subtle to brutally obvious. I don't know when this started but I don't think, for instance, that Bonanza pulled this crap. In more recent times, Big Bang may have actually reversed the formula, moving from sad selfish characters to radically improved versions of themselves.

Anyway, most say that Heroes started well and couldn't maintain. Some say it pulled out of the nosedive in later seasons.

I shall see.

Heroes is one of the most controversial shows of the decade, but not for the reasons you may think. When Heroes premiered, it was one of the most popular shows on television. Fanboys were created around the world, but disaster struck: Heroes, for reasons unknown, started to suck after a wonderful first volume. Fanboys were in denial everywhere: Was their precious Heroes really going down the drain, or was it just a hiccup? People expected old Heroes to come back when volume three came to us, and.... Heroes was awful. People stopped watching, but as they stopped, the old Heroes we loved slowly came back in volume four. Now the show is in volume five, and did the show returned to form? Read on...

VOLUME ONE: GENESIS - Here's the thing about Heroes: Instead of having "seasons" like normal TV shows, it has "volumes" to be more like comic books. Volume One is where everything starts. In it the Heroes must stop a nuclear bomb from exploding in NYC, but all of the Heroes are scattered around the world and none of them except one knows about it. We're introduced to the main cast that has remained with us up until recently. The best part about superhero stories has often been said to be the "discovery" phase, and the whole first season is devoted to that. As the volume progressed, the characters become more accustomed to their powers, showing the natural stages of average Joe to superman. The magic of real people having superpowers captivated the world. The only major downside to this volume was the average finale. People expected a grand finish for the volume, but one wasn't delivered. Maybe I wasn't disappointed because I watched this volume after the fact, but fans were just plain angry. Despite the sub par finale, expectations still soared for volume two...

VOLUME TWO: GENERATIONS - Volume Two dealt with heroes from the past, and the heroes also had to stop a virus from being released. Sounds exciting... at least on paper. In execution however, this volume was horrible. Nothing happened in the first 4 episodes. It was BORING. These people have superpowers, but they aren't doing anything. Things started to pick up, but none of it seemed to be planned out. As the volume started to be interesting, the volume was cut short due to the writer's strike. What we're left with is a boring mess that made fans want to tare their hair out. Tim Kring apologized for the show's 180 degree turn in quality. Fans laid the blame on the writer's strike, so expectations soared yet again for volume three...

VOLUME THREE: VILLAINS - Volume three had the heroes trying to stop a formula which gives normal people superpowers from being mass produced, and would therefore destroy the world. This season started out by introducing new characters to us and created exciting new twists that should have been awesome. After the premier though, things started to suck. Instead of things being too slow now, they were too fast. Random things were happening left and right, the plot was spinning out of control, and fans everywhere gave up on the show. Thankfully, this volume was only half the season, and Heroes then segued into volume four...

VOLUME FOUR: FUGITIVES - After the events in volume three, the show rightfully decided to ignore most of volumes two and three. This volume had the heroes on the run from the US government. After the madness of the last two volumes, people had given up on the show. Something happened which I started calling the "Heroes effect". The Heroes effect is this logic: The last two volumes of Heroes were so awful that Heroes is bad forever no matter what. This of course is not true. With this volume, the plot slowed down and the heroes started doing rational things. We started to actually care for them again, and they did things logically again. The magic of the show started to return, but by this point there were only about 10 people left who cared enough to notice. The volume also slowly drifted away from most of the show's usual tropes, and fans started to actually look forward to next week's episode. With Heroes starting to get back on track, we now have the current volume...

VOLUME FIVE: REDEMPTION - This volume, aptly titled "Redemption", shows how the writers have learned from their mistakes. The cast aren't bouncing off the walls like in Volume Three, but they aren't sleeping like in Volume Two. The heroes did things we can relate to again, the new villains this round were the most interesting since the first volume, and most of the stuff they did was logical. It started off a bit slow, but takes off with episode 4. After that most of the episodes were awesome up until episode 12; then the volume became really boring. Almost Volume 2 boring. It kills all of the momentum it built up. It's like this for a while, but then the last 4 episodes are fantastic. This volume, unlike all of the others, actually has a satisfying ending. If it didn't have those really slow episodes in the middle, Volume Five would be just as good as Volume One. It's certainly more entertaining than the previous three volumes.

Looking back, it's a miracle how the show got back on track. Heroes promised so much in volume one, but didn't deliver any of it. Heroes had fallen so far that the turn around in quality doesn't even matter now. Most people who watched the show are now biased against it, and the ratings are so low that the show's future is in doubt. Luckily NBC's ratings suck this season, and Heroes is still one of its better performing shows, so Heroes might get lucky.

If you plan to watch Heroes for the first time, skip volumes two and three. They'll make your brain hurt.

Season One was excellent, but the writer's strike Mid-Season Two made for a clumsy unanticipated finale. Unfortunately, the series suffered as a result and never fully recovered with many writing inconsistencies that followed. My rating reflects the goodwill and potential based on the first season and took -1 per season that followed.