Knife Edge

I just saw this at the Cannes film festival, and was delighted to see Anthony Hickox back on form. "Sunrise" (especially) and the two "Waxworks" are two of my favourites in the genre and I hooked up with Anthony in Los Angeles a few years ago and thought he was a pretty "coo dude".

He has a great sense of humour and it shows in person and definitely in his films to date.

This is a pretty creepy confection, with tight performances and some compelling performances, especially by Plowright and Morrissey.

Highly recommend.

For fans of off the wall humour and horror films like "Fright Night" and to a lesser extent "Scream".

Brian Skeet

Yee gads, this is a good one. This is a true gem, a hokey haunted house movie in the lines of House On Haunted Hill that will scare the living daylights out of you. In the tradition of The Changeling (the one with George C. Scott not the one about the missing kid) and The Sentinel (the scary one not the one about government agents), this is an excellent fright fest that isn't camp and doesn't play it for laughs. The only scary horror movies are the ones that are serious, and this one is, with a lot of twists. If you liked The Shining or Amityville Horror, you will love this movie. This is what horror movies were like before Jason and Freddy and Saw, when frights came in the form of The Omen or Beyond The Door and the characters actually had mysterious motives. This movie has the patience to allow the atmosphere to startle you rather than resorting to cheep gore. I don't think I've seen a horror movie this engaging since What Ever Happened To Baby Jane; cross that with Stir of Echoes and you have Knife Edge. In Race With The Devil they had to go to a library that somehow had the exact book on satanic rituals that they were looking for, but in this modern movie they have Google, which is about the only thing that distinguishes this fine thriller from those great flicks that were made in the 70s and 80s, and even some of the movies made in the 60s such as Hush Hush Sweet Charlotte. The ending is a mixture of Sixth Sense and Psycho. Knife Edge is a modern masterpiece. It is creepy in a Rosemary's Baby type of way.

KNIFE EDGE is a psychological horror thriller produced and set in England.

In its heyday of 1957-1983, Britain produced some of the greatest horror movies ever. It all took off with THE CURSE OF FRANKENSTEIN in 1957 (however the excellent DEAD OF NIGHT from 1945 was the first great production IMO). Hammer, Amicus and Tigon competed against each other in the 1960s and early 1970s. All three have superb productions to their name. After their decline in the second half of the 1970s, two excellent independent directors - Pete Walker and Norman J. Warren - took over the mantle for a few years.

Other classics such as THE LEGEND OF HELL HOUSE, THE ABOMINABLE DR. PHIBES and THEATRE OF BLOOD were made here in Britain by other companies.

The last true British horror movie was HOUSE OF THE LONG SHADOWS, the final and highly underrated masterpiece from Pete Walker in 1983.

British horror in its prime was truly fantastic. Americans and Europeans had no time for any of it back in the day but have since realised just how good it was. Some half-decent attempts such as HAUNTED came along to try re-igniting the old magic.

We now have the travesty known as KNIFE EDGE. Those who claim this is somehow a return to form need to watch some British horror classics again.

The plot here is compelling on paper. A married couple, along with their son, move into a country house. In the following days and weeks they begin having disturbing dreams and becoming paranoid.

It saddens me to see the comparisons made to classic movies here on IMDb.

KNIFE EDGE is nothing like THE CHANGELING.

It is nothing like THE OMEN.

It is nothing like WHAT EVER HAPPENED TO BABY JANE?.

It is nothing like THE BIRDS.

And it is certainly nothing like Hitchcock's finest - PSYCHO.

The one thing this movie is unable to escape from is its drama-like feeling, reminiscent of TV shows like MIDSOMER MURDERS, but which are so out of place on the big screen.

The main problem here is the characterisation and the acting.

Emma and Henri do not make a convincing couple at all. There is no chemistry between the actors and the characters themselves seem to have incompatible personalities. One is a somewhat quiet but talented financial trader. The other is a smooth-talking Frenchman up to his eyeballs in debt and who gets irritated very easily. The tensions between the characters should have been great but the emotion just seemed absent.

Henri is played by Matthieu Boujenah, a French actor. The accent was clearly genuine and fit the character well but the emotions did not. After boring me to tears with his ramblings throughout, he then overacted very badly in one scene that made me laugh out loud.

Emma is played by an incredibly bland, charisma-free, dour actress known as Natalie Press. She was just boring to watch, full stop.

The one actor who does deliver a good performance here is Hugh Bonneville. He would have been equally great in the leading role. He has the right level of charisma and energy to pull it off. He was interesting to watch even though those he interacted with were so dull.

I have always thought that Joan Plowright would make an excellent villainess - someone very cold-hearted with malevolent intent. Sadly she is wasted here in a thankless role as a nanny.

The script is fatally flawed, with very boring dialogue. It tries to redeem itself by keeping scenes short and constantly changing setting. The tactic seemed good and would in theory help to keep things moving. But it doesn't.

Anthony Hickox brings very different direction from his father, Douglas Hickox (director of the masterpiece THEATRE OF BLOOD). His direction brings some superb disturbing imagery. But the effect of these was undermined by poor editing. Editing needed to be much sharper, character reactions needed to be much stronger and some better sound effects were needed.

Without giving anything away, I can say that the twists in the second half of the movie try to emulate those seen in movies such as HUSH, HUSH SWEET CHARLOTTE. But the revelations are done in a very low-key manner that makes it easy to miss something.

The final 10 minutes of the movie pick up some steam. But by this point it is too late. The finale is worth seeing on its own but not worth enduring the rest for.

Overall, KNIFE EDGE is an incredibly boring movie that tries but fails miserably to re-ignite British horror. With so many better thrillers such as DISTURBIA out there, it is difficult to recommend this to anyone. Instead, I would recommend seeing something from Britain's horror heyday and find out what true British horror is all about.

It's already June 2013, so if you haven't already decided by now,,, I can help here,,,,,,don't waste any more of your precious time debating whether or not to watch this garbage.

Badly directed, badly edited and worst of all is the script. My goodness,,the script. No idea how this ever made it to production stage with this drivel that spewed from pen onto paper.

And they shout in unison "RUN AWAY" (Monty Python). NB - apply this to the viewing of this film also.

The positive reviews for the writing of this nonsense are clearly by relatives/ friends, as this is (by a long way) the worst film I have ever had the misfortune of watching. I bet Hugh Bonneville will want this one expunged from his record! Poor chap.

Never really felt compelled to comment about these sorts of things previously, but this has made me start!!! especially so others can avoid my mistake!

Wow! Hammer horror is back!

I don't know if it was the intention of the film makers,but this movie could have been made in the late 60's/70's and after all the crap that they churn out as horror now days,what a relief.

First of all it has a story...Which in itself is a horror! (because aren't all us horror fans, just morons that don't want story,good acting and any character driven suspense!)

And talking of acting...Its pretty darn good in this film!Not sure about the lead (that's why i couldn't give it a ten),but all the others are spot on,and i challenge you to figure out the secrets they all hold.

Then there's the gore...which there isn't any!Well not until the last ten minutes,but when it comes,boy does it come!And it comes it's Argento's lipstick red exploding on the screen!Maybe its because there has been none before or this is the first horror movie since 'Rosemarys baby' that tells its story with the lights on but i found it really shocking.

So if you want a horror that doesn't treat you like an idiot,or thinks you'll only like it if its shot like a commercial...Go see this one,you won't be disappointed!