The Alphabet Killer

Detective Megan Paige (Eliza Dushku) is tracking down a serial killer who finds girls with twin initials and dumps them in a city with the same beginning letter (such as Kelly Kapowski in Kingston). But when she gets too attached to the case, she suffers a mental breakdown. When the killings continue, can she overcome her problems to stop him from striking again?

I thought the film would be a pretty decent one... the concept was interesting, even if the movie strays quite a bit from the real events this was based on. And the cast is impressive. Dushku is pretty amazing, Cary Elwes is one of my all-time favorite actors, Timothy Hutton is here, Michael Ironside, and genre fave Bill Moseley. So you can't beat this ensemble cast.

But sadly, it just didn't add up for me. It was predictable (even the "twist" seemed obvious from early on) and not as engaging as one might think. It wasn't even as good as another recent murder / detective story I reviewed, "Anamorph" (which was itself not all that amazing). I've been a fan of Rob Schmidt's work, especially "Right to Die" and thought he'd be a good person to bring a dark angle to this story. Sadly, not so much... clichés such as a child-obsessed priest appear, and some (presumably imaginary) ghosts that don't really add to the film.

I wouldn't say not to watch this one, but it wasn't gripping. There isn't one thing I can pinpoint as making this film stand out -- not the music, the lighting, the effects... it was all pretty standard. It almost would have been more fitting for a Lifetime movie. As far as serial killers go, this one comes off as remarkably tame. If you want your psyche thrilled, look somewhere else.

I normally am not a fan of crime movies, especially those based on reality but stretched to the extreme, and the "Alphabet Killer" is no exception. Poor acting, horrible misrepresentation of reality, inaccuracy beyond belief, and camera work that my high school journalist could have topped takes this movie to the bottom. I do, however, enjoy movies that i don't know what's going to happen five minutes into it, and that is where this movie does succeed.

I watched "Alphabet Killer" twice; once confused and then once playing the "Alphabet Killer" drinking game. Neither was incredibly enjoyable but compared to most of the films these days it was not repulsive. If you are bored and happen to have a free redbox code its worth the 2 hours for sheer enjoyment of how truly worthless cops are.

I know this is one of my less useful reviews but i really don't have much to say about this movie; that's why i watched it twice. It really isn't that bad but at the same time it's not that good. I gave it the benefit of having funny cop hating to get the 6 instead of the 4.

This crime thriller centers on a detective named Megan (Eliza Dushku) who investigates a series of child murders in upstate New York. But Megan suffers from a mental illness, the symptoms of which get worse as she delves deeper into the killings. She hears strange voices and sees "visions" related to the victims.

With low light levels and muted colors, combined with creepy background music, the film's first half creates an effective thriller atmosphere. We see the outline of the killer, but never the face. Will Megan solve the murders and overcome her illness, or will the inept police supersede, to botch the case? As viewers, we root for Megan to succeed.

Although the script idea originates from a real-life murder case, referred to generally as the "double initial" serial killings, which terrorized upstate New York in the early 1970s, the film's overall plot and main characters are fictional. The story setting is the present, not the 1970s. The scriptwriter created the Megan character out of thin air. And the story's outcome deviates considerably from the outcome of the real-life case. The film's writer wrote a fictional plot, based on a real-life premise. The film's second half fails to convince, largely because of its clichéd plot contrivances.

Visuals consist of an annoying widescreen projection and some hokey CGI effects, in the form of "ghosts". But the low lighting contributes tension, as does some clever low-angle camera shots. And the director relies mostly on a hand-held camera, which enhances realism. Overall casting and acting are fine.

"The Alphabet Killer" gets off to a great start. But it falters in the second half, owing to fictional plot points that dilute the underlying real-life premise. I would have preferred a narrative that followed the true story, though I understand that the reason for not doing so was budget constraints. By lowering one's expectations, the viewer may find the film worthwhile, either as a fictional thriller or as a character study of a woman fighting her own demons.

I only basically wanted to see the location shots of my crap city, and surely did notice a few! The part that really drove me insane is the use of cell phones and laptops. I noticed the cars were pretty old looking but when the dad of Wanda hands over HER CELL PHONE to the cops for her contacts-- the movie was just dead to me after that. The kid was 12 year old and the year was 1972. Also I wasn't sure about the time frame because I think the killer struck again well before two years after the first girl's death.

I know it was only supposed to be "based on" these murders, but if they went to all the trouble of actually filming on location in Rochester, why didn't they go for a little more credibility? It was just meh, but again, fun for the location shots, and Eliza Deshku is always very good in everything.

Eliza Dushku is the one who delivers in this fairly predictable serial killer story, reminiscent of such films as "Gothika" and "Jennifer Eight". There are also a lot of serial killer movie alumni populating the lesser roles of this film, like Bill Moseley, Timothy Hutton, Tom Noonan and Cary Elwes. They don't really matter though, because it's all about Dushku's character Megan Paige and her late onset schizophrenia which makes it very difficult for her to crack the case of the Alphabet killer, as well as keep the confidence of her fellow police officers.

Movies that focus on characters with mental disorders are often interesting and unpredictable, like Polanski's "Repulsion" or Fincher's "Fight Club" because they makes the audience question what's reality in the movie and what's just playing out inside the mind of the main character. Unfortunately this isn't one of those movies. Instead of trying to make the audience share in Megan's delusions, they are clearly separated and labeled to avoid any confusion, or excitement for that matter. Instead we are made to watch her from the outside and see her struggling to connect with her colleagues and convince them that she's completely sane despite her textbook "crazy person" behavior. Like I said, Dushku delivers a solid performance as a distraught, emotionally unstable and sometimes delusional police woman. It's just hard to get invested in her character because of the boring predictable story she slowly fights her way through.

There is not a single supporting character that comes off as more than some kind of one-dimensional stereotype. There's the honest cop, the crooked cop, the former lover, the one true friend, the calm doctor, the obvious suspect, the creepy priest and eventually, for a brief time at the end, the killer... non of them with any significant character development or depth. This movie isn't painful to watch and it's not poorly made, it just suffers from lack of imagination on the directors part and some sloppy writing. See it, don't see it... doesn't really matter.