The Power of Few

Its funny and can get confusing if u don't pay attention but its a good view

This, by now, could be Called a Genre or at Least a Format. The Telling of an Incident Revealed from Different Perspectives all Occurring at the Same Time. It is a sort of a Pulp Fiction (1994) way of Blending Different Characters Experiences Culminating in a Single Event All having Significance to the Event and Themselves.

It's an Ambitious and Complicated way to Make a Movie and Requires More Thought than a Standard Indie Film Might Want to Take On. But Newbie Director Leone Marucci gives it a Shot and by Darn the Thing Turns Out to be an Above Average Experiment.

The Intertwining Story of the Shroud of Turin is Different and the Reason for the Theft is Even More Audacious. There is some Cleverness Here and Artistic Talent Behind the Camera and while the Movie does Look Amateurish at Times, it Looks Equally Highly Professional at Others.

It Takes about a Third of the Movie to Find its Intriguing Legs and the Beginning is so Slow and Uninteresting You Might Want to Give Up, but the Wait is Well Worth the Stick-To-It-Ness. The Acting Ranges from Pretty Bad (Christian Slater's sidekick and the Bag Woman) to Mediocre (the Snitch, the Pharmacy Owners, and the Scooter Lady), to Very Good (Everyone Else).

Overall, it is a Story that's Worth a Watch. There is a bit of Clunk and Things aren't Ultra-Smooth, but it is a Good Try with a Good-Heart.

Before I start; this is one of the most unfairly rated movies ever. If you are looking for something different from Hollywood rubbish, then this movie is a must see. PROS:Great video and camera use. great script with some smart or eccentric conversations. actors all are talented. background music and songs well chosen. story plot is genius. The director is one of a kind, a talent that makes Hollywood directors look incompetent and stupid. Costumes are sniper picked to suit the movie. Camera focus is just amazing. CONS:I did not find any cons on this movie. Judgement: It is funny, mysterious, and intriguing. The way events are scrambled is superior to many other movies that adopted this technique. And a cherry on the cake:It is the genuinely crazy but talented star Christopher Walken playing in this movie.

The power of few is such a strange bird of a film, and as a very experienced movie watcher, I from the start felt this was different. There's so many of the usual and ordinary ways of making a film, that one often tend to get bored, or rather, is less impressed about. We've seen it all before, you could say.

However, this is a fresh breeze of a film. The film is full of little tricks and strange ways of doing things. Fresh takes, you could say, being in the wrong place. The idea of this film is things happening seen from different persons view or angles, happening just after 2 p.m. one hot afternoon in a gritty, crime ridden part if New Orleans. The film soon reveals this, but still it keeps the tension, though it starts over and over with the same time frame seen again from a different viewpoint.

It is easy to hate some of this as well, because things which happens here is the quite opposite of what you want. I can't tell more without revealing major story telling points, so I will not.

There's a bunch if great actors here, and the two biggest stars, Christopher Walken and Christian Slater are not doing the best job here. The best acting is done by one of the minor roles and the third segment of this film is letting the rest of the film down, like Devon Gearhart and Tione Johnson.

The instruction of the actors are not anything compared to the start. It looks like the actors was acting in another type of film, less serious than what the others are doing. Such a pity, but I think that this is due to different actors being able to be filming at different times, so that the feeling the actors have is different from the whole. The film also take a funnier twist than it should, according to the start. However, if you see through this, which I chose to do, due to the great start, the film is still good.

What I really love here is the cutting and editing. It's different and very interesting. The storytelling is superb. It reminds me of "Lola rennt" ("Run Lola run") by Tom Tykwer, which I loved when I saw it in the cinema back In 1998. Or you could see resemblance with great films like "Sliding doors" or "Mr. Nobody". The camera movements and the music is stylish. Many will be expecting more from the end, but I liked it.

I would recommend this to film lovers which wants something quite different from the ordinary. Storytelling, takes, techniques and originality makes this a gem! A cult movie, no doubt!

This is a movie with different story lines and different characters. You know where this is going ... or do you? What is really nice to watch, is how it all unfolds and while it seems that the last story might be the one that is the least intriguing, it might surprise you. There is a reason for some things happening and there is a reason for some looks/camera angles/scenes/inserts.

We have some really good actors at hand here and you might enjoy watching Daffoe doing his thing, being philosophical and all that. But every story has some point to it, even though you may think that in the end, there might not have been a point at all. But the movie is trying to tell us something ... and the clue is right there in the title! Nicely done then